IMDb रेटिंग
5.8/10
5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA thriller about a standoff between a young man, his fiancée and his best friend who comes to his aid.A thriller about a standoff between a young man, his fiancée and his best friend who comes to his aid.A thriller about a standoff between a young man, his fiancée and his best friend who comes to his aid.
- निर्देशक
- लेखक
- स्टार
Guillermo Diaz
- The Cook
- (as Guillermo Díaz)
Cameron Cash
- Georgie
- (बिना क्रेडिट के)
Jess Domain
- Operator
- (वॉइस)
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Have to agree with several others that this is not a movie for the fast paced movie goer. This is a slow suspenseful film along the like of an Alfred Hitchcock film. There is a great plot twist that while somewhat obvious is still enjoyable. The characters are believable and the acting is well thought. Brittany Murphy...cute, but luckily doesn't really have enough lines to spoil the film. =) If you like simple films with a minimal amount of frills and just a simple storyline then you may really enjoy Across the hall. This is a great way to spend your time. No sex, no nudity, just a great film for those with the time to appreciate it.
The unbalanced Terry (Danny Pino) calls his best friend Julian (Mike Vogel) that is having a bath telling that his beloved fiancée June (Brittany Murphy) is cheating him. Terry has followed her to the decadent Riverview Hotel, where she checked in to meet her lover in room 507. Terry explains to Julian that he brought a revolver to shoot her lover and is waiting for him in room 508, but his friend asks him to be calm that he will meet Terry in the hotel. Surprisingly Julian leaves the bathroom and explains the situation to June in the room in the beginning of a tense and dramatic night.
"Across the Hall" is a dark slow paced thriller in the style of film- noir developed through a non-linear screenplay with many flashbacks. My only remark is the 88 minutes running time that could be a little shorter; anyway the pace magnifies the dramatic situation of the characters. I have really felt sad seeing the last work of the talented and gorgeous Brittany Murphy, who died so young. The music score is another plus in this good film that is neither a masterpiece nor an awful flick as indicated in some reviews but a decent low-budget movie. My vote is six.
Title (Brazil): "Correndo Contra o Tempo" ("Running Against Time")
"Across the Hall" is a dark slow paced thriller in the style of film- noir developed through a non-linear screenplay with many flashbacks. My only remark is the 88 minutes running time that could be a little shorter; anyway the pace magnifies the dramatic situation of the characters. I have really felt sad seeing the last work of the talented and gorgeous Brittany Murphy, who died so young. The music score is another plus in this good film that is neither a masterpiece nor an awful flick as indicated in some reviews but a decent low-budget movie. My vote is six.
Title (Brazil): "Correndo Contra o Tempo" ("Running Against Time")
One of those films, where the least said about the plot the better, so in an attempt to refrain from giving any spoilers I boil it down to one sentence. Julian (Mike Vogel) attempts to stop his best friend Terry (Danny Pino) from any making any rash choices after he follows his fiancée June (Brittany Murphy) rent a room at the River View hotel.
Given the low IMDb ratings I didn't really expect much from this below-the-radar thriller. The movie itself is heavily influenced by two great directors. One of them is Alfred Hitchcock. The attempt at replicating the style of 50s and 60s thrillers is visibly apparent not only in the cinematographic style ripe with noir overhead shots, neons, stylisations and a need to push the suspense and tension ahead of action and cheap thrills. The whole movie itself if an old-fashioned hotel with a outdated bell-boy playing a key part in the build-up and story. Overflowing with a retro feel it becomes a stylish homage aimed at those who miss the good old days.
On the other hand you can see the strong impact that Christopher Nolan has in updating the thriller genre and fully using the superior technical capabilities of modern film art to increase the mystery, growing tension and keep tabs on the plot. The whole story is expertly told in a non-linear fashion, where scenes from the past and present intermingle forcing you to logically put the pieces together (in a well-done mix-up of Innaritu storytelling and "Memento" type editing). Directed with swagger debutant Alex Merkin shows a lot of confidence and immense promise with the use of tools at his disposal.
That said the movie does seem a tad overlong and given this was based on Merkin's short film it seems he essentially should have met somewhere in between at around 60-70 minutes. The movie tends to drag on incredibly as the script is pulled out in order to somehow reach a proper running time. The suspension drastically drops, although manages to get back on track with the final resolute bang of an ending. Basically a poster movie for the need to be able to be a bit shorter than the standard 90-120 minutes of the Hollywood 'full length feature'.
Honestly the script itself is in the most part wildly predictable, as the movie is mostly pushed ahead thanks to its style, while not putting enough pressure on the story itself. The mismatch of the mediocre story and the overstretched plot almost derails the meticulous set-designed and claustrophobic noir feel to the movie.
Acting creds are generally fine with Brad Greenquist as the Porter giving the best performance of the lot. All in all worth a watch and I could see Merkin making a name for himself given a script with actually can fill-up the required runtime.
Given the low IMDb ratings I didn't really expect much from this below-the-radar thriller. The movie itself is heavily influenced by two great directors. One of them is Alfred Hitchcock. The attempt at replicating the style of 50s and 60s thrillers is visibly apparent not only in the cinematographic style ripe with noir overhead shots, neons, stylisations and a need to push the suspense and tension ahead of action and cheap thrills. The whole movie itself if an old-fashioned hotel with a outdated bell-boy playing a key part in the build-up and story. Overflowing with a retro feel it becomes a stylish homage aimed at those who miss the good old days.
On the other hand you can see the strong impact that Christopher Nolan has in updating the thriller genre and fully using the superior technical capabilities of modern film art to increase the mystery, growing tension and keep tabs on the plot. The whole story is expertly told in a non-linear fashion, where scenes from the past and present intermingle forcing you to logically put the pieces together (in a well-done mix-up of Innaritu storytelling and "Memento" type editing). Directed with swagger debutant Alex Merkin shows a lot of confidence and immense promise with the use of tools at his disposal.
That said the movie does seem a tad overlong and given this was based on Merkin's short film it seems he essentially should have met somewhere in between at around 60-70 minutes. The movie tends to drag on incredibly as the script is pulled out in order to somehow reach a proper running time. The suspension drastically drops, although manages to get back on track with the final resolute bang of an ending. Basically a poster movie for the need to be able to be a bit shorter than the standard 90-120 minutes of the Hollywood 'full length feature'.
Honestly the script itself is in the most part wildly predictable, as the movie is mostly pushed ahead thanks to its style, while not putting enough pressure on the story itself. The mismatch of the mediocre story and the overstretched plot almost derails the meticulous set-designed and claustrophobic noir feel to the movie.
Acting creds are generally fine with Brad Greenquist as the Porter giving the best performance of the lot. All in all worth a watch and I could see Merkin making a name for himself given a script with actually can fill-up the required runtime.
This movie may not have gotten very high marks, but if you love film noir you will probably like it. It's actually a good movie, I think you just have to really appreciate the cinematography and the dark ambiance of film noir, as well as the sort of slow pacing as well. But the film is well done, it creates intensity through its slow build up, as well as the scoring, acting, and the way it was edited and produced. It also stars brittany murphy in one of her last roles who is plays the role very well. I like how the film is really about the subtle nuances of how the characters deliver lines and interact and little mannerisms and such. It also has a sort of old timey look because of being filmed in an old hotel so that contributes to the ambiance quite well. While it may be a small independent low budget film and not a big production I think that all of the artistic integrity is there and that it was a very enjoyable watch. I think that a lot of people don't appreciate that old style and are looking for something more fast paced. But if you are looking for something a bit more laid back and appreciate the finer art of film making I think you should give it a try.
An interesting story, though a little predictable.
The suspense was upheld throughout the movie, and there was real tension in many scenes, accomplished through a nerve-wracking score and drawn-out scenes that got my teeth grinding.
I immensely enjoyed the cinematography and effects .. it created a dark and brooding atmosphere that had me mourning the conclusion before it came about.
The acting was fairly good, no real complaints. I especially enjoyed the hotel concierge character, who added an old-school feel to the film.
Overall, I definitely enjoyed the movie, although I found the story to be almost too simple for its length; it felt like a short story stretched to fit a feature length film.
The suspense was upheld throughout the movie, and there was real tension in many scenes, accomplished through a nerve-wracking score and drawn-out scenes that got my teeth grinding.
I immensely enjoyed the cinematography and effects .. it created a dark and brooding atmosphere that had me mourning the conclusion before it came about.
The acting was fairly good, no real complaints. I especially enjoyed the hotel concierge character, who added an old-school feel to the film.
Overall, I definitely enjoyed the movie, although I found the story to be almost too simple for its length; it felt like a short story stretched to fit a feature length film.
क्या आपको पता है
- ट्रिवियाBrittany Murphy passed away suddenly less than two weeks after this film was released.
- गूफ़Describing the hotel's early history, the porter tells June and Terry that the first guests included the conductor of the Chicago Philharmonic. The Chicago Philharmonic was established in 1989, far later than the hotel's apparent age.
- कनेक्शनReferenced in The Brittany Murphy Story (2014)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Across the Hall?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Навпроти по коридору
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 33 मि(93 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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