Trom

This is another take on having scenery as a main 'character' of the storytelling instead of the actual crimes and cases. The only outstanding acting came from the junior female officer who seemed to be the only one who did the actual investigating using her brain. The other characters were fairly unrealistic and disappointing in their roles here. The writing wasn't really up to the level of some other Scandinavian shows of the recent past. Most off-putting for me is the fact that the Faroe Islands still hunt whales. There was no indication this is a necessary activity for keeping people alive or employed, so I put it in the 'propaganda' category. The most interesting aspect was that many buildings have grass roofs and that there are anti-whaling protests going on. But this series is just too thin to sustain much loyalty for another season.

Scandi-noir has become fairly ubiquitous across the English speaking world in recent years: we've seen dramas set in Sweden, Denmark, Norway and Iceland, and now, 'Trom' visits perhaps the most remarkable Scandinavian landscape of them all, the Faroe Islands. And it's not a bad drama either, albeit not an especially radical one, with its story of political activism, a dodgy businesman, police politcs and strained family ties. What'a a bit odd, however, is that series one feels more like half a series: it ends, not only with a cliff-hanger, but all the wider whys still not cleaned up. A second series is merited; and will hopefully manage to complete the story.

Found this a tad disappointing. There are so many tropes in the plot. The show manages to retain some mystery around the main crime that is committed till the end of the season. Everything just seems predictable.

And the theme music reminds me of Teardrop by Massive Attack.

TROM is a nordic noir just like several other Scandinavian crime stories that have come out. Set on the Faroe Islands (Føroyar), the story involves idealistic activism and dubious corporate actions that has roots to official parts of the country.

The setting is beautiful, with absolutely stunning fly-overs of fjords, green rocks, sheep, tiny houses and crashing waves. Not much mentioned that there are any cities larger than 2 houses.

The characters all seem like the type of people you will find at the west coast of Denmark: rough fisher-men types, with a forever depressed look. No smiles to see here.

What bothers me the most about this series is that Faroese and Danish is mixed at random. The Danes speak Danish, Faroese speak Faroese - and they always understand each other completely. This is far from the reality. Such language mix can be shown between Sweden and Denmark, or maybe Norway / Denmark. But no Dane will randomly understand Faroese - and if they do, they'll also be able to speak it. As a native Dane, it becomes annoying to take such freedoms. Like when someone in a show is interviewing a random person (ex: arabix), asks questions in English, and is responded in Arab. Interpreters obviously cut away.

Quit watching after end of episode 2 where a serious technical plot hole was needed to make the story continue.

For this reason, 3 stars gone.

Perfectly decent Scandi detective series set against a stunning backdrop in the Faroes but turns into a very formulaic type of a show . The characters and their relationships begin to develop but never really get there and it is only through their on screen actions that you really get to know them as people . It is in no sense a slow-burner and except for one very well signposted twist ( slight turn ) the plot has few surprises . The Faroes' fishing traditions are skirted around and touched upon but then just peters out . I have to admit that I took huge exception to the trite , predictable and poorly done finale ! If ever an ending was written with a second series in mind then this was it and I would not be rushing to commission said second series.