The Banshees of Inisherin

After years of friendship, Colm decides that he no longer wants to engage with, or even talk to his former friend Padraic. Padraic refused to accept being shunned, and pursues Colm, who promises some extreme retaliation.

It's a film that gives you hope for the future of film making, truly original, funny, dark, it's like no other film I can think of. Worlds away from what I've seen on the big screen for some time. You don't know whether to laugh or cry, it truly doesn't follow any of the usual rules.

It is such an unusual, but pretty fascinating story, how on Earth can two grown men, two adults that have been friends for a long time, suddenly drift apart, becoming feuding strangers? It does actually happen. The main question here, is what changed, what pushed Colm to this point?

A story of ego, pride and stubbornness, it shows how something small can get out of hand, and escalate into something huge.

The characters are so rich, not just the two leads, but the likes of Mrs McCormack and the shopkeeper are great.

Brendan Gleeson and Colin Farrell are terrific, it's the best films Farrell has done for years. Barry Keoghan steals several scenes, he's brilliant.

The visuals are breathtaking, the landscapes, the shots of the animals are tremendous.

8/10.

It is a well told dark comedy that keeps you wanting more, in a time when Ireland was full of despair, not long after the war of Independence and a long-suffering period that brought about a post-colonial inferiority complex (still hasn't been addressed to this day), a struggle for an identity, a repressive church, superstitions, isolation, mass emigration, poverty and to top it all off a brutal civil war. This film does a great job to put you in the psych of the time and to top that off the cinematography, costumes, music and atmosphere are wonderful. The film is itself a bit of a conundrum, on one hand it leaves you thinking nonstop about the story and the premise, while on the other hand you feel cheated by its abruptness.

Pádraic ó Súilleabháin (Colin Farrell) is just a nice man who struggles to deal with losing his friendship with Colm Doherty (Brendan Gleeson) and the further loss he endures. Colm, himself is in a fight against time and his age. The dark struggle of helplessness or despair is rife on the Island, but the story telling is done so well it comes across uplifting at times with light-hearted comedy sprinkled on top. Siobhán ní Súilleabháin (Kerry Condon) is a rock to Pádraic, but she is herself tied to the antics of the Island and Dominic Kearney (Barry Keoghan) must suffer with his own demons while he searches for love.

Both leads Colin Farrell and Brendan Gleeson knock it out of the park, but the two shining stars for me were Barry Keoghan and the beautiful Kerry Condon. I thought the film was going to take a turn for the D'Unbelievables at one point when Pat Shortt who plays Jonjo Devine and Jon Kenny who plays Gerry pop up on the screen, but after a brief scare they turned out to be a good addition to the banter and gossip in the pub scenes.

It's not perfect and lets you down in a few areas. Some of the dialogue feels out of place especially for the part of Ireland and the time period, which was a shame, as it transports you out of the screen and back into the cinema (this seems to be a modern trend with period film). The setting was also a bit too squeaky clean; brand new clean clothes, polished teeth, shoes galore, fresh faces (apart from Colin Farrell who did look like he spent years working in the elements) the poverty of the time could have been showcased a bit more.

My wife and I both enjoyed this film immensely. Any fan of dark comedy, this film is a must see with a word of warning: I would be aware if you are going to see this movie and you are emotionally fragile, that it does tap into the dark side of your brain and leaves you in deep thought when it is finished.

8/10.

Enjoyed this far more than I expected. The plot feels both incredibly simple and deeply symbolic. So much so it leaves you pondering it's meaning long after the credits roll.

What's better - to lead a simple but honest, good life or be remembered for something deeper and more far reaching - and indeed why should there be a choice between the two?

The love for the animals gives the characters a sweet charm and innocence, and they're all still likeable despite strangeness and flaws.

It is strange, at times funny, poignant, sweet, and most certainly watchable. Great acting all round and a breath of fresh air.

I sat down prepared for an outstanding movie, what I got was nothing close to what I was expecting.

As my title states, the actors could not be faulted in any way, as I found them to be superb, having me hooked with their interactions. Colin Farrell with the most screen time simply shines, having me wish he were more prolific in projects. Brendan Gleeson also does a stellar job, as does Kerry Condon. Even the other minor characters were well written and very well acted by their respective actors. I can't think of a single actor who did a poor job, heck even the animals did a good job. Excellent cinematography as well.

However, while the dialogue was extremely well written, the script itself was somewhat lacking. I kept waiting for the payoff during the movie that simply never came, making me wonder what I just watched.

Go in for the acting and you will not be disappointed, however the overall story might let you down.

Are those who live on islands human beings like everyone else? This film clearly tells us no: the island, an enclosed place where everything is concentrated and which the surrounding sea keeps compressed, deeply affects its inhabitants and permeates them with itself, sickens them with its own disease. The latest film by Englishman Martin McDonagh (in his 4th feature film, with 3 films behind him, all of which are top-notch) is absolutely superb: for storytelling ability, for location (evocative, rocky Irish island), for the brilliance of the screenplay (let's face it: McDonagh writes really well!), for acting (impressive Colin Farrell and Brendan Gleeson, also excellent Barry Keoghan and Kerry Condon). The story is told of Padraic (Farrell), good and kind, who, overnight, loses the consideration of his greatest friend, Colm (Gleeson). Why? Because I don't like you anymore, because you're boring, Colm replies to him, and I don't want to waste my time with you anymore. And Padraic, who is not as sharp and intelligent as he would like to be but is esteemed for his courtesy and good spirits, does not understand this. Colm, who plays the violin and composes music, is obsessed with the passing of time, with the need to indulge his art in order not to be forgotten. His art demands total exclusivity from him, leaving no room for the banality of feelings. But is this the real reason, or is Colm going mad? At this point, what follows is a jeu de massacre between the two ex-friends, surrounded by various minor characters that McDonagh knows how to connote with felicitous psychological notations and a keen sense of humor. And then there are the animals, almost sacred emanations of the island, loved and respected, more than human in their affective reactions. And there is the war, distant but present, of which ominous explosions are heard in the distance. And finally there is the old witch, a representation of Death that rivals even the Bengt Ekerot of "The Seventh Seal." In short, a beautiful and poignant film like few we see. Not to be missed!