The Portable Door

This is a somewhat contradictory movie.

Unusually, I chose to watch it on impulse, out of the blue, with no prior knowledge of what it was about, other than it had an intriguing title and a good cast.

From the first few minutes and on to about 45 minutes, the script, apparent plot, and acting successfully draw you in.

Everything is set up for The Portable Door to be some intriguing, mind binding, psychological, thought provoking film for adults.

You are being taken from the seemingly innocuous streets of London to witness what goes on behind the doors of a mysterious company run by people, Waltz and Neil, whose stated intent is the secret control of the masses, and to sell that ability to the highest bidders.

Burton's confusion but initial happiness in getting a strange job in this mysterious company is well portrayed, as is his discovery of his hitherto unknown 'other world' abilities.

It feels like a very dark, sci-fi, adult Alice in Wonderland equivalent, with The Portable Door being the entrance to anywhere possible, as per the rabbit hole.

Then, just as you sense this film can really take off into deep and intriguing mind games, something happens.

To me it suddenly changes direction, backs away from being grown up, and the second half goes completely the opposite, dumping all the careful build-up, the mystery, the intrigue, and the subtlety of leaving you wondering where is this going!

And for me that is why it seems the whole first half, of potentially a great attention grabbing movie, appears to be dumped in the bin.

It's as if halfway through making it, the director was told that the studio had now given permission for a good CGI budget to be available.

So now they had to spend it.

And that is why, the film suddenly changes from an interesting subtle mind drama to an all out, in your face, no mystery, flashes, bangs, wallops, villain chasing goodie with loads of odd other creatures hanging around kids fantasy movie.

So the last half hour or so is what you expect to see anywhere else, and therefore the end result is pretty obvious from way out, rather than being a last minute cliff-hangar.

I enjoyed the first half, but disappointed with the second half.

So much potential for a really intriguing film, and then it all reverts to a flash, bang, wallop, CGI action film, which chucks all the great acting of Waltz and Neill early on, out of the window.

IMPORTANT!!!

Right at the end of the last credits featuring all the CGI creators etc.., there is a clip of a final scene showing Burton, as the character Carpenter.

What happens in that scene is strangely a precise summary of what I have written above - so much potential, but at the end not much achieved.

So do watch right to the end.

It's a fitting summary added by the Director - very telling!

I haven't read the book so I can't judge this movie on that basis. It's a nice looking film with nice photography, there's no problem with editing or pacing. Its what you'd expect from this type of film. The cast was suitably solid but for me the highlight was Sam Neill: His was a stand-out performance, an absolute delight. He just stole every scene he was in and was loads of fun. However, the movie would have been better if not for serious problems with the sound mix. The music is so overwhelmingly loud it drowns out the dialogue to the point where you're struggling to discern what is being said over the sheer loudness of the music. You might as well turn subtitles on. How does such a serious blunder occur? It seriously detracts from what otherwise might have been a more enjoyable movie.

Paul Carpenter is desperately looking for a job. After a most unusual interview he ends up hired in a company, but he neither knows what they do nor does he even know his duties. Then, two lowly newcomers , Paul (Patrick Gibson) and Sophie (Sophie Wilde), at J. W. Wells and Co., a mysterious firm based in London, uncover a plot by their CEO to disrupt the ancient magical world with modern corporate practices. Nasty villains Humphrey Wells (Christoph Waltz) , the CEO of the company, and middle manager Dennis Tanner (Sam Neill) are disrupting the world of magic by bringing modern corporate strategy to ancient magical practices

There are some similarities to 'Harry Potter' and ¨Fantastic Beasts and Where to Find Them¨sagas in this solid fantasy with adventures, magic and imagination. ¨The Portable Door¨ is the first book in Tom Holt's J. W. Wells & Co. Series, made up of eight books: The Portable Door (2003), In Your Dreams (2004), Earth, Air, Fire and Custard (2005), You Don't Have to Be Evil to Work Here, But it Helps (2006), The Better Mousetrap (2008), May Contain Traces of Magic (2009), Life, Liberty, and the Pursuit of Sausages (2011), The Eight Reindeer of the Apocalypse (2023). Following a fascinating first 30 minutes the movie loses impetus as the writer struggles to spin it out towards two-hour length. Patrick Gibson and Sophie Wilde star in this magical film playing two interns become increasingly aware that their mysterious employers are anything but conventional, discovering the true agenda of the vast corporation; alongside the winner of two Oscars for best supporting actor Christoph Waltz (Django unchained) and Sam Neil (Jurassic Park) performing two charismatic villain chiefs. This likeable quartet of protagonists are well accompanied by a wonderful supporting cast, such as: Damon Herriman , Demi Harman, Rachel House, Miranda Otto, Chris Pang, Arka Das, and Jessica De Gouw.

It displays a thrilling and enjoyable musical score by Benjamin Speed. Likewise , a brilliant and colorful cinematography by Donald McAlpine. Along with stunning state-of-art special effects and creatures from Story Bridge Films and The Jim Henson Company. The motion picture was professionally directed by Jeffrey Walker though borrows heavily from other known stories. Craftsman Jeffrey Walker at his debut feature film, but he has directed a number of episodes of popular TV series, such as: The Artful Dodger, Bones, The Clearing , Blue heeler, H2o, Lambs of God, LA to Vegas, The Clearing, Home and away, Dance academy, The Elephant Princess, The young rock, Wild Boys , Angry Boys, among others. Rating: 6.5/10. Well worth watching.

I read a lot of reviewers comparing this movie with Harry Potter but I don't agree. The story is totally different, much weirder which was a good thing I thought. The only thing they have in common is that it is all fantasy and in this genre The Portable Door is an entertaining movie. It takes a while to understand what's going on but it's never annoying. Christopher Waltz always delivers, never disappoints. Sam Neil was also good in playing his strange character. The whole cast did a decent job making this movie interesting to follow. I can see some sequels in the future if it catches on. I'm up for it.

Paul Carpenter's day goes from a morning of disasters, with his toaster exploding and a random lecturer professing to know him, to a bizarre interview at JW Wells and Co, a somewhat unusual organisation.

This was one of those films that I was made to sit down and watch with the while family, an array of ages, the feedback was generally positive, personally I rather enjoyed it, despite it not really being my preferred genre.

I was told to expect something along the lines of Harry Potter or Extraordinary Beasts, in truth I could see no similarity at all, other than them being fantasy movies, family friendly fantasy that is.

Not especially exciting or particularly well paced, but oddly engaging and baffling, this film is so strange and weird, it just draws you in. You'll be scratching your head several times as you try to work out what's going on, just accept that it's slightly bonkers, and I think you'll enjoy it.

To summarise, it's very quirky, family fun, it's well acted and oddly engaging.

7/10.