Pirates

This could have been great, but the script lets it down. The cinematography is brilliant. The colour grading and edit is fantastic. The story is meh, and the acting could be better. But, for a comedy film, it just wasn't funny.

I genuinely admire Reggie Yates. All the way from Sunday mornings with Fearne and Dev...to his recent documentaries.

But this was bad. Really bad.

It badly lacked 'polish'. The idea was OK, I guess. Nothing new that hasn't been done before.

Anyway, this came across like it was made by someone that heard about the era from someone...and made a movie about it, without actually being there.

Too much cringe for me...and editing that adds to the cringe.

Sadly, this wasn't the icing on Reggie's cake that I wanted it to be. Over-reliant on the music of the time.

Many better films to watch in this genre.

Nostalgic references to late 90s era clothing, phones, vehicles & music. Not amazingly funny but good enough to sit and watch. Actors were good hope to see more of them and reggie.

I was 15 at the turn of the millennium so thought this would be a nice homage to the era and an easy watch. Unfortunately the writing let it down. It just wasn't funny. The journey from North London to South London should provide for an epic tale - everyone I know has got a dozen stories from back in the day about this kind of thing, but this one was a bit tame. Tbh the whole thing just seemed like an attempt to cram as many late 90s references as possible with a pure garage cd playing in the background. A missed opportunity.

Pirates is a turn-of-the-century set comedy that is wholly good-natured and funny in bursts. Three friends aimlessly drive around London in a beater Peugeot. They laugh and listen to booming music. They are young men with a future as broad as the new millennium ahead. What could go wrong?

Pirates is an easy-going comedy with truly fun characters. But what should be a simplistic plot becomes nearly as directionless as the M25.

Writer/director Reggie Yates smashingly captures the kinetic energy of their youthful lifestyle, one that mostly consists of spinning albums and devouring takeaway. Yates perfectly captures that feeling of being young, broke, and powerful. The situational humor the three easily fall into more than makes up for their thick, proprietary slang. Yet amidst the inside jokes and a Jamaican jerk chippy, the true conflict of the story becomes misplaced. Instead, Pirates becomes a base quest for good times. The humorous asides mix with the loud beats of the music, regrettably masking out those necessary beats of drama.

Edusah, Peters, and Elazouar are charming and enjoyable. They deserve to be seen more in this medium.