Watcher

"Watcher" follows Julia, an American who moves to Bucharest with her husband, Francis. While Francis is fluent in the language--his mother is Romanian--Julia is not, and struggles with the language barrier. Even worse, she also finds herself being watched by a man in the adjacent apartment building, and comes to believe that not only is he stalking her, but that he is a serial killer.

It goes without saying that "Watcher" is playing with a familiar concept--this is a premise we have seen in a large number of films, most famously in Hitchcock's "Rear Window," but "Watcher" also pays respects to Roman Polanski's "apartment" films, most notably (and effectively) "The Tenant" (the other two being "Rosemary' Baby" and "Repulsion"). What makes it stand out, however, is that it is well-acted, visually elegant, and at times throttling in its suspense. There are a number of scenes in this film that (no pun intended) grab you by the throat.

"Watcher" is the breed of film that toes the line regarding whether or not the fears and paranoias of the protagonist are legitimate, or the product of something else, but director Chloe Okuno telegraphs it intelligently by positioning the audience in tandem with Julia--as we watch her sink into her isolation, we are isolated alongside her--and it is because of this that her fears play out as believable, despite her husband's skepticism. The writing here is both subtle and smart, and there are a few key moments that are as dislocating to the viewer as they are to the protagonist; the screenplay is multi-pronged in a way that makes the audience question not what they are seeing, but rather, what it is indicative of. Julia's disconnect from the language only helps to reinforce a sense of suffocation, and the gloomy, rain-soaked Art Deco architecture of the city only amplifies the sense of unease.

Of course, none of this would work without a believable lead, and Maika Monroe plays this character very effectively. Burn Gorman is also extremely effective as the mysterious creep across the way. The film's finale, though tense, is still fairly downbeat (which is the status quo in this film), but it offers enough grand guignol to be memorable and shocking. In the end, while "Watcher" is not necessarily revelatory, it is a well-crafted, nervy take on a well-worn concept. There are some standout moments in this film that make it worth watching for any genre fan. 7/10.

I have to admit that I watched this alone in my room after dark, blinds are broken so the window perfectly exposed. There are some issues with the movie, like they had curtains they could've closed. But that wouldn't have changed the fact that she was being watched. She could have made less ambitious decisions, but if she played everything "smart" then we wouldn't have a movie to review. Great visuals, does a great job keeping the viewer anxious and paranoid. It's probably nothing you haven't seen before, but it's still got enough creep factor to deserve a watch. Definitely not something I'd watch again, but it was well done.

Having enjoyed Chloe Okuno's segment in V/H/S 94 to some extent, I was exciting for her feature debut. Watcher is a film that reminds you of some of Hitchcock's works, be it in building a slow-burn suspense drama set in a mysteriously new atmosphere and in the way the lead character is established. Chloe also extracts an excellent performance from Maika Monroe who portrays the "fish out of water" protagonist. The best thing about her portrayal is that she manages to induce the same levels of anxiety in audiences too. She effortlessly makes you step into her shoes - the confusion she feels by not fully grasping the local language, that feeling of loneliness when you're in a new place spending days mostly by yourself, the burgeoning dread of having a stalker - all conveyed remarkably well.

The script doesn't have any major twists or surprises to offer, but it keeps you invested in whatever Julia is up to. The only trope I didn't enjoy is the indifferent husband, which gets repeated to terrible effect here. I truly enjoyed the film's aesthetics - be it the use of space, color grading, choice of camera angles, and sparse lighting. Cinematographer Benjamin Kirk Nielsen uses extended shots to convey a sense of paranoia. I'm pretty stoked for anything Chloe Okuno does next!

Great visuals. They did a good job of filming every scene to make everything look super creepy. Acting is mostly good, but I absolutely hated the husband's character. I get that he had to be that way to keep the story going, but man it's frustrating.

What would you do, some blokes looking out at you, in a place that you've just moved, leaves you a bit more than bemused, seems to follow you around, when you're wandering in town, you're keen not to lose your head, though it's making you see red.

Julia becomes increasingly concerned about the attention she's receiving from a mysterious neighbour, although her pleas go unheard by both the local constabulary and her partner, leaving her increasingly isolated and psychologically challenged.

Not the most original thriller you've encountered but well made and performed and Maika Monroe may well be an actor going places.