Kyô Samurai Musashi

Crazy Samurai Musashi is an experience not a movie. If you rate it like a movie you probably would find it just repetitive and not spectacular. What are you expectations? John Wick with a sword? No this is not it even if the corpse count is comparable. A Zatoichi movie? Kill Bill? No. After the first ten minutes you start being on the shoulder of Mushashi, understanding that every stroke of the sword is a duel per se, that the repetitive task of battling is life, that Musashi faced up with a grimace, ready to live or die but at its own pace, with its own rules. You see that he planned this journey and at the same time is ready to face the unknown, He's human, tired, but a war machine. He's THE samurai. Crazy Samurai Musashi. Not for every taste, but a Masterpiece. Great movie!

Miyamoto Musashi was a very interesting Japanese Ronin in Japan's era's of swordsmen and Samurai history. Throw in Tak Sakguchi playing Musashi and I was all set for an amazing action film. How wrong I was! It dragged on and on with poor fight choreography and too few extras playing his enemies (it became very apparent, after 10 minutes, that the same dead guys were coming back time and time again). There were no exiting moments, no edge of your seat grippers but, there were many sword style errors; which in real life he would have been killed. Overall i think it was poorly conceived, directed and acted with terrible choreography.

A brief HISTORY of the warrior who was the Bruce Lee of ancient Japanese swordsmen. Miyamoto Musashi, also known as Shinmen Musashi no Kami Fujiwara no Harunobu, Shinmen Takezo, Miyamoto Bennosuke or, by his Buddhist name, Niten Doraku, was a Japanese swordsman, philosopher, strategist, writer and Ronin. Musashi, as he was often simply known, became renowned through stories of his unique double-bladed swordsmanship and undefeated record in his 61 duels. He is considered a Kensei, a sword-saint of Japan. He was the founder of the Niten Ichi-ryu, or Nito Ichi-ryu, style of swordsmanship, and in his final years authored The Book of Five Rings and Dokkodo. Both documents were given to Terao Magonojo, the most important of Musashi's students, seven days before Musashi's death. The Book of Five Rings deals primarily with the character of his Niten Ichi-ryu school in a concrete sense, i.e., his own practical martial art and its generic significance; The Path of Aloneness, on the other hand, deals with the ideas that lie behind it, as well as his life's philosophy in a few short aphoristic sentences. Born:Shinmen Bennosuke, c.1584, Harima Province or Mimasaka Province, Japan. Died:June 13, 1645, Higo Province, Japan.

A good samurai movie. It does contain the longest fighting sequence, in a single shot! Fighting does feel repetitive, but you can't compare it to anything else, cuz no one else did the same thing. Real dedication showcased. I wish they had longer first and last scenes, and a shorter fighting sequence in between.

There is very little effort made in setting up how or why the fight happened and so as a story the plot (i.e. the central conflict) is lacking. Man v. man, yes, but without setting it up there's no real story here. I'm happy I bought it and watched it as encouraging innovation in chambara or jidai geki (definitely the former). As entertainment it lacks because it goes on long enough to spot some glaring issues easily ignored in shorter scenes. 1) the shortest distance between two points is a line. From the middle stance, one is always threatening the throat strike as the most efficient killing blow but he never does it. I get it for safety's sake but after so much coverage it becomes more obvious. 2) no one who charges from the high stance has any actual intent to connect the downward swing. You can tell because he's easily able to connect a slice to the midriff (should be a "men" attack probably) before the downswing ever happens. He does this without needing to step forward or do anything to throw off their timing. 3) no coordination from the attackers. The very few times they attack simultaneously, it's high so both blows can be blocked with the same block. The only way they could have won would be such simultaneous attacks but from different angles & directions. I take issue with those who say no blood gets on his blade because it's manifestly inaccurate. I agree with those who say that the few extras in the exact same outfits & hairpieces is something easily perceived after so many minutes of coverage.

Things that still impress me 1) the actor's physical stamina. Even if the "sword" is light wood, it has to be heavy enough to receive a lot of blows without visually bending or distorting. The actor holds that thing up an impressive length of time. We used to do an exercise in my Okinawan style where we would hold our arms parallel to the ground for as long as we could and it was never long. We just couldn't do it. 2) the preparation of the character for the battle in advance. He knows he'll need extra swords & water, so he set them up in advance. I'd like to circle back to the actor's stamina here because until close to the end he drinks very little of the water, preferring to rinse his mouth & his "blade." He's obviously sweating for real & doing a lot off physical activity so again, impressive. 3) the fight scene at the end.

The last bit of criticism I have wasn't mentioned yet, and that is not letting us see the last opponent defeated. After making us sit through all that attacking without even giving us the emotional satisfaction of completion felt like a deliberate waste of our time. If they were going to cut away, why not edit? Why not show the ending after spending so much time setting it up.

I appreciate a good gimmick and an indie film that tries to go big, but this was just exhausting. The reason anyone will watch Crazy Samurai Musashi is the 70 something minute long one-shot action scene that stretches from the opening title almost to the very end. Unfortunately the very same scene is the movie's biggest downfall. I will cut this movie a lot of slack. Obviously there wasn't a big budget and they had to squeeze every penny very hard. The talent on display here is generally fantastic, especially from main actor Tak Sakaguchi whose other roles I shall immediately seek out, the scenery is used well and very plausible. The choreography is deliberately non-flashy and rather realistic which I appreciate as a pupil of japanese swordsmanship myself. The one-shot action scene however wasn't the most compelling choice to show all of this talent off.

Every passing minute it becomes increasingly apparent how the scene was done as not only individual move lists get recycled like a standard fighting animation in a videogame, but rather entire sections of choreography. There's also a lot of obvious body armor on the stunt guys. I got most of my entertainment value from guessing the next move. Someone's looking suspiciously bulky? Belly cut! Someone's wearing a very obvious big hair wig? Gee I wonder who's getting hit in the head. Then there's the same guy who always stumbles into frame, gets tripped and cut in the back while falling. The lack of extras is a very glaring flaw. Everytime someone gets killed he literally runs out of frame to re-emerge unharmed a few moments later. It was laughably ridiculous. When enemies eventually stop running out of frame and stay on the ground you know this particular segment is about to end, our hero moves on to the next level segment where clones of the exact same guys will show up a minute later, circle around him and attack one at a time with the same pattern. Rinse and repeat for 70 minutes.

Now I understand the limitations at play here but they are rather unnecessary and self-inflicted. Had this been shot in a more conventional manner it would have been no problem to shoot and edit around them entirely and make for a more compelling, even enthralling movie. For all of its gimmicky glory the one-shot is used very amateurishly too. A lot of the action is constantly obscured by extras and the camera never moves in interesting and creative ways. The opening 30 minutes of the recent super smash hit One cut of the dead (which I assume was the inspiration) showed what fun you could have with a creative one-shot action scene. This movie felt like a chore by comparison. It just goes on and on without any tension or escalation. It's still an impressive and admirable feat, but ambition alone doesn't make a good film.

To add insult to injury the film ends in a legitimately spectacular (albeit obviously sped-up) and brutal action scene, which is shot, edited and choreographed expertly. Had the entire film been like this, with mood-setting scenes leading into gritty action, this could have become a genuine modern classic, akin to what Tsukamoto tried to achieve with his recent opus Killing. Unfortunately the director wanted to show off and ruined the amazing ingredients he had.