अपनी भाषा में प्लॉट जोड़ेंA man struggles to survive after awakening alone, trapped in a society connected only by primitive computers, where the ability to entertain is his only currency. The first feature film ever... सभी पढ़ेंA man struggles to survive after awakening alone, trapped in a society connected only by primitive computers, where the ability to entertain is his only currency. The first feature film ever to be shot entirely from one fixed camera angle.A man struggles to survive after awakening alone, trapped in a society connected only by primitive computers, where the ability to entertain is his only currency. The first feature film ever to be shot entirely from one fixed camera angle.
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- कुल 1 जीत
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10toonarly
Think of being in a form of full immersive whole body facetime in a single windowless room with no way out, you arrive with no knowledge of how you got there or why, Everything you do is voluntarily "shared" to get "likes" to recieve benefits to either "buy" stuff to make your room better equipped, or to get better foods and drinks as well as clothing. Every "player" starts the same in thier basic underwear with nothing else and they must figure out how to use the interface to find others and get the perks, or find a way out. There are "glitches" which when used can wreak havok or sooth, but to use one, you take a chance as to it's actual beneit or terror. There is a punishment for non-compliance as well which can be deadly. Looks very much like what a tyrannical global government would do to keep the people under control, monitored and eliminate undesireables at the same time and it could all be run by AI. Quite terrifying if you think it out...Nothing questionable, partial nudity, some foul language and some graphic terror. Enjoy!
Did you know that social media fosters toxic relationships among its users, who only gain clout and/or material gains by performing inanely for each other? In this fundamentally unbalanced type of community network, individuals are complicit for as long as they allow themselves to be seduced by the illusion of power-wow! That's the sort of asked and answered wisdom at the heart of "Share?," an ungenerous techno-satire about an unnamed man who wakes up in an unfurnished cell with only a computer monitor for company.
There's a little more to this sketchy sci-fi parable, all about a wary cipher, #000000014 (Melvin Gregg), who learns how to not only survive, but maybe even game his prison's live-streaming camera network, which connects imprisoned users through their respective computer monitors. But only a little. "Share?" ostensibly has a dark sense of humor, too, yet even its jokes point a lazy finger at viewers.
"Share?" is only 70+ minutes long, and it shows. We see the movie's world through the unblinking eye of #000000014's computer monitor, the one he also uses to broadcast a live video stream from inside his grey brutalist cell. Why is he there, and who's keeping him? That's an irrelevant mystery, according to co-writer/director Ira Rosensweig and co-writer Benjamin Sutor. Rather, we're supposed to focus on the patternmaking logic that leads #000000014 to figure out how to get attention from unseen viewers and earn points that he can convert into amenities, like food, clothes, or an inflatable mattress. #000000014 spends a lot of time peering into and through the camera frame since it's presented as a monitor. His computer seems pretty basic, given frequent prompts like "Share?" and "Good food?" It's almost as if social media and technology only grant its users' limited agency, maaan.
There's a little more to this sketchy sci-fi parable, all about a wary cipher, #000000014 (Melvin Gregg), who learns how to not only survive, but maybe even game his prison's live-streaming camera network, which connects imprisoned users through their respective computer monitors. But only a little. "Share?" ostensibly has a dark sense of humor, too, yet even its jokes point a lazy finger at viewers.
"Share?" is only 70+ minutes long, and it shows. We see the movie's world through the unblinking eye of #000000014's computer monitor, the one he also uses to broadcast a live video stream from inside his grey brutalist cell. Why is he there, and who's keeping him? That's an irrelevant mystery, according to co-writer/director Ira Rosensweig and co-writer Benjamin Sutor. Rather, we're supposed to focus on the patternmaking logic that leads #000000014 to figure out how to get attention from unseen viewers and earn points that he can convert into amenities, like food, clothes, or an inflatable mattress. #000000014 spends a lot of time peering into and through the camera frame since it's presented as a monitor. His computer seems pretty basic, given frequent prompts like "Share?" and "Good food?" It's almost as if social media and technology only grant its users' limited agency, maaan.
- If you liked the movie "Cube" or "Buried" you might want to check this movie out. It feels like a black mirror episode to be honest. It's definitely sci fi with an invisible commentary surrounding social media. It's a movie definitely not for everyone.
- It's has a fresh take on minimal , as few as possible actors and settings, type of movies. I love these type of movies. Be aware that the movie takes place on only 1 camera, meaning 1 camera angle.
- Melvin Gregg who plays #000000014 , actually does a great job. Decent acting and his screen presence kept me engaged and glued to the screen. He comes off as likable and has a kind heart.
- The first 15 minutes are definitely a mixture of, ' I hope this movie is good?', 'I hope the main actor can act with the material he's been given?'. The answer is yes on both.
- It instantly reminded me of Cube but with the whole spiel/layer of Twitch (the live streaming platform) permeating the movie.
- The soundtrack is a bit quirky at first but It really grew on me. I now hum it involuntary. 'dud' - dud dud dud.
- I have to admit , I really enjoyed this movie. It kept me guessing. And the character developments with its twists and turns were actually not bad. I am very happy I stumbled across it and gave it a try.
...might have been a better title. I appreciated this familiar thriller set in the near future, or now? It's easy to imagine or as the filmmaker not so subtly points out IS happening to us now. I could personally relate to the thrill of getting clicks and putting off more important things in my life but for what? Are we really living when we operate in this kind of void?
I also appreciated the simplicity of the setting and system by which the filmmaker brings us into this bleak and sterile world fulled by external forces, a faceless and relentless pressure to produce more and more and more - but for what? I'm looking forward to more films by this up and coming director writer.
I also appreciated the simplicity of the setting and system by which the filmmaker brings us into this bleak and sterile world fulled by external forces, a faceless and relentless pressure to produce more and more and more - but for what? I'm looking forward to more films by this up and coming director writer.
I was doing my daily ritual: taking 10-20 minutes scrolling through movie channels, adding things to watch later (and usually spending more time doing that than actually watching movies; I'll never, ever catch up to my list), and "Share?" popped up again. Today was finally the day I would give it a chance, and I was most pleased that I did. Thought-provoking, but not heavy handed, short, but not slight, and something I'll recommend to a wide swath of people. Might have to watch it again, and maybe very soon. (The last movie I wanted to see again almost immediately was "Beyond The Infinite Two Minutes".)
क्या आपको पता है
- ट्रिवियाDirector Ira Rosensweig stated "it was very important to me that the actors could interact with each other in real time, so we built three identical sets next to each other on a stage. Equally important was their ability to see each other, as well as the need to establish fixed eyelines to each of the elements on their screen, without which the reality of the movie would have been destroyed. In order to achieve this, each set had a fixed camera integrated into a visual communication system that we created using Interrotrons (essentially, two-way teleprompters) connected to a live switching system. This allowed not only me, but each actor looking at their teleprompter to see a previsualization of the finished scene -- that included not only the live feed of the cameras in the other rooms, but also the computer interface as they typed and interacted with it."
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Share??Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 20 मि(80 min)
- रंग
- पक्ष अनुपात
- 1.66 : 1
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