The work appears to be quite interesting. The drawings reveal a strong inspiration from Raphael's sweet line (in fact the figures on the cover are shaded, often showing the character underneath). The perspective is all too present, so much so that the use of CGI for the representation of the characters is noticeable (as opposed to the Leonardian perspective, characterized by a soft chromatic perspective). The musculature of the characters recalls that of Michelangelo, but contrasts with his gentle movements given the wooden and awkward animation. The writing is clearly inspired by Alfieri's tragedies, reporting a heroic protagonist with a titanic destiny, both in battles and in the role played, and with impossible congratulations. Tasso is another of the great authors revisited by this series, masterfully enveloping the Christian morality of concupiscence in the animations, which ironically depict female charms, and through the transversal inclusion of the characters themselves. Finally, there is the modern, almost cyberpunk key to the plot itself. The events unfold their lives in a futuristic and dystopian universe, thus taking up Orwell's stories. So, 10/10 for writing a work containing every single periodic element necessary to achieve viewer captivation.
