कप्तान क्रिस्टोफर पाइक के तहत यूएसएस एंटरप्राइज के चालक दल का पालन करें.कप्तान क्रिस्टोफर पाइक के तहत यूएसएस एंटरप्राइज के चालक दल का पालन करें.कप्तान क्रिस्टोफर पाइक के तहत यूएसएस एंटरप्राइज के चालक दल का पालन करें.
- 2 प्राइमटाइम एमी के लिए नामांकित
- 11 जीत और कुल 40 नामांकन
एपिसोड ब्राउज़ करें
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फ़ीचर्ड समीक्षाएं
Not a terrible Star Trek
This is not a terrible Star Trek (like "Discovery"). It's okay. I find it difficult to get invested in the characters with only 46 episodes spread over five years.
The stories are okay. There have been a couple of real duds, though (the "singing" episode in year two and the "holodeck" episode in year 3). "Lower Decks" was a far superior show than "Discovery" and also better than this show. I thought "Picard" was excellent and I would like to see that be sequeled by the young(er) crew led by 7 of 9. But more than 50-odd shows... I miss the old Star Treks (especially DS9).
The stories are okay. There have been a couple of real duds, though (the "singing" episode in year two and the "holodeck" episode in year 3). "Lower Decks" was a far superior show than "Discovery" and also better than this show. I thought "Picard" was excellent and I would like to see that be sequeled by the young(er) crew led by 7 of 9. But more than 50-odd shows... I miss the old Star Treks (especially DS9).
To boldly go ...
Strange New Worlds is a fabulous Trekverse series in contrast to some recent offerings. Vintage stylistic choices from uniforms, through technology to sounds, together with opening credits and episodic stories make this a joy to watch for lovers of original Trek.
The stories are focussed, setting the tone, challenges and developing relationships between the crew members very well. The inclusion of younger versions of familiar characters, is a welcome and relatable anchoring to the series.
SNW comes with the familiar plot holes and humour blended nicely together with subtle references to earth's history and Kirk-like problem solving.
Mix all the above together with an excellent cast, this is a winner - I, for one, am very much looking forward to seeing more.
The stories are focussed, setting the tone, challenges and developing relationships between the crew members very well. The inclusion of younger versions of familiar characters, is a welcome and relatable anchoring to the series.
SNW comes with the familiar plot holes and humour blended nicely together with subtle references to earth's history and Kirk-like problem solving.
Mix all the above together with an excellent cast, this is a winner - I, for one, am very much looking forward to seeing more.
Strange New Whiplash: Boldly Going Away from Star Trek
Strange New Worlds began like a love letter to classic Trek, episodic structure, a charismatic Pike, and just enough retro charm to make us believe the franchise had found its soul again. For a few glorious episodes, it felt like Starfleet was back on course.
But then came the drift. The tonal chaos. The genre-hopping. The canon crimes. And suddenly, we weren't watching Star Trek anymore, we were watching Kurtzman Trek, where emotional depth is replaced by trauma flashbacks, and legacy characters are rewritten like fanfic with a studio budget.
Episodes like Four-and-a-Half Vulcans and Wedding Bell Blues don't just miss the mark, they vaporise it. Spock becomes a rom-com lead, La'an dreams of ballet, and Chapel's arc feels like it was lifted from a CW drama. The Enterprise crew spends more time navigating their feelings than the galaxy, and the Prime Directive is treated like a vague suggestion.
This isn't exploration. It's exposition. It's Star Trek: Feelings Edition, where every character has a tragic backstory and every plot twist is designed to trend on social media for 24 hours before being forgotten
The production values are stellar. The cast is game. But the writing? It's a transporter accident of tone, pacing, and philosophy. Trek used to challenge us. Now it coddles us. It used to ask "What does it mean to be human?" Now it asks "Did Spock text back?"
Strange New Worlds started with promise, but somewhere along the way, it warped into Kurtzman Trek, a franchise boldly going... away from everything that made Star Trek matter.
But then came the drift. The tonal chaos. The genre-hopping. The canon crimes. And suddenly, we weren't watching Star Trek anymore, we were watching Kurtzman Trek, where emotional depth is replaced by trauma flashbacks, and legacy characters are rewritten like fanfic with a studio budget.
Episodes like Four-and-a-Half Vulcans and Wedding Bell Blues don't just miss the mark, they vaporise it. Spock becomes a rom-com lead, La'an dreams of ballet, and Chapel's arc feels like it was lifted from a CW drama. The Enterprise crew spends more time navigating their feelings than the galaxy, and the Prime Directive is treated like a vague suggestion.
This isn't exploration. It's exposition. It's Star Trek: Feelings Edition, where every character has a tragic backstory and every plot twist is designed to trend on social media for 24 hours before being forgotten
The production values are stellar. The cast is game. But the writing? It's a transporter accident of tone, pacing, and philosophy. Trek used to challenge us. Now it coddles us. It used to ask "What does it mean to be human?" Now it asks "Did Spock text back?"
Strange New Worlds started with promise, but somewhere along the way, it warped into Kurtzman Trek, a franchise boldly going... away from everything that made Star Trek matter.
Too much bad humor
I am a longtime Star Trek fan. I even have a Star Trek coffee cup. Strange New World started off great and then they tried to be funny. I think the only one that worked was the prodigy crossover. Spock and his girlfriend changing minds, the fairytale the musical And the cartoon are really poor. They are probably trying to reach little kids with these episodes but they don't work for me. Stop please!
Worth Watching
I just finished watching Star Trek: Strange New Worlds and have to say I really enjoyed it. I don't consider myself a huge Treky or anything, I watched the original a little but it was on before I was born and watched Next Generation when I was a little kid but don't remember too much, I do like the recent movies a lot though. Anyway, just as a sci-fi fan with a little knowledge on Star Trek...I liked it. It seems that even most die hard Star Trek fans like this one and they hate all the new stuff. The writing and cast are what makes this so good and the visuals are also pretty good for a tv show. I'd definitely recommend this to both Star Trek fans and sci-fi fans who don't know anything about Star Trek and are just looking for a good sci-fi show to have fun watching.
Renewed, Canceled, or Ending?
Renewed, Canceled, or Ending?
Check out our list of renewals and cancellations to see if your favorite show made the cut.
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क्या आपको पता है
- ट्रिवियाBruce Horak, the actor who plays Hemmer, is legally blind, just like his character's species, the Aenar, who are also blind.
- गूफ़There are some rank insignia mistakes. Number One is introduced as "Lieutenant Commander Una Chin-Riley" yet she is wearing the rank insignia of a full commander: two full stripes. A Lieutenant Commander's rank insignia is a full stripe under a thin stripe (in TOS it is a full stripe and a staggered stripe). It is not uncommon for a ship's first officer to be a Lt. Commander if they have not been in the position long.
Spock at this point is a Lieutenant but he is wearing Lieutenant Commander's stripes; a Lieutenant just has one stripe. La'an is the ship's chief of security and the ship's second officer. She is also wearing Lt. Commander stripes but is addressed as a Lieutenant, but it would make more sense for her to be a Lieutenant Commander. Either way both of their rank insignia are not matching the rank they are addressed by.
Ortegas is addressed as a Lieutenant but is wearing Lieutenant Commander's strips. A Lieutenant Commander may be addressed as a Commander or Lieutenant Commander but never as just a Lieutenant, so either her rank insignia or the manner she is addressed by the rest of the crew is in error.
- भाव
[opening narration]
Captain Christopher Pike: Space. The final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
Greatest Character Actors of All Time
Greatest Character Actors of All Time
The talented actors totally transform for their roles. How many do you recognize?
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