The Wait

I have to admit, I've seen little Finnish cinema in the past; a lot more Swedish and Norwegian. But The Wait is undoubtedly worth the wait (Pardon the pun.). It's a slow - burning drama from director Aku Louhimies, who is apparently quite experienced and who co - wrote this movie along with lead actress Inka Kallén, adapting it from a very well known nineteenth century Finnish novel.

The Wait is not a great movie, but it is a very interesting one for anyone like me, who is keen on seeing more Finnish product. For a start, the summer coastal scenery is just stunning, with the whole movie being set on an unnamed, underpopulated island off the coast, accessible by ferry. Elli (Kallen) lives there along with her preacher husband Mikko. The congregation of his decidedly progressive church as a whole seem to be mostly made up of thirty somethings (unrealistically I'd suggest), bent on having a good time while on their island paradise. Elli and Mikko seem to have a very satisfying marriage, which somewhat predictably suffers some tremors, with the arrival of Phd student Olavi, an old bestie of Mikko's. But seemingly unknown to Mikko, also an old flame of Elli's, who in the past dumped her; an act we find out, she never quite got over.

It's kind of amusing reading other reviews here, which complain, The Wait has no story. Indeed it has a very clear story, but one that isn't filled with reams of dialogue and exposition. Elli initially appears to be a traditional house wife, content to carry out domestic duties such as cooking, cleaning and supporting her husband further with her presence at church, even though we sense she doesn't hold anywhere near as strong religious beliefs. We gradually learn however she is a fiercely independent woman in her own right, who has in the past trod her own definite path in life and who intends to keep doing so in the future. It becomes clear there will be some sort of reckoning between her and Olavi and the suspense comes in attempting to determine how this relationship will impact her marriage.

Inka Kallen in the central role carries the picture on her shoulders and does an excellent job, considering as I mentioned, she doesn't have the large amount of dialogue, that one might expect in a film of this nature. But she is marvellously expressive at communicating her inner self and feelings with her body language and facial impressions. The supporting cast are all very competent.

Without spoiling, I'd like to say, that I appreciated the conclusion in The Wait. It teases moments of melodrama, but deftly avoids tipping over the edge into a morass of standard outcomes. The ending is very satisfying and quite realistic in the context of what has preceded it in this very worthwhile film.

A beautiful movie about love, the passage of time and desire.

The photography and direction are GORGEOUS! The beautiful location is amazing, coupled with the contemplative summer shots of the characters enjoying nature.

The movie is also very human in depicting the main character in all her flaws and strenghts, both trying to make her life happen even if it's not exactly what she wanted and dealing with strong desire, like any human could.

It also shows that the power of true love also lies in forgiveness, accepting and talking; and that something can come to make things better from where we least expect it!

It's a discussion of relationships with others, yourself and female empowerment. Very good for anyone not afraid to think.

... the film 'The Wait' is bold in its controversial depiction of a brief affair between a rural pastor's spouse, and a past lover with whom she had many years ago been intensely-involved (still is) ... Inka Kallen co-authoring a screenplay of merit but surely to be upsetting for many who regard the wife's actions as exceptionally-deplorable abusively-cruel-controlling, and her husband's blind-simpleminded... (yet very intuitive... were he have to gone-in-fists-flailing in that highly dramatic scene , it would've cost him her... playing-longer-game.. yet keeping YKW in back of pickup just-in-case)

... very well produced and acted, it should remain one of the classic examples of the cheating-wife-genre, along with many other much more well-known-established films... its slow-pacing and lack of more extensive dialogue may be off-putting for some, but all-in-all it is an exceptional work... every detail matters, saying more than just being part of scenery or props... ocean-swims... wardrobe... doorways... music/sounds... lighting (or lack thereof)... oversized-rock on-her-finger (highlighted so many scenes, s/b listed in the credits)... et al

... everyone only watching this film once misses opportunity of realizing its full weight-meaning-innuendos... and should you choose viewing it again, be sure to do it half-speed... double-time-viewing, yet many more times an experience

... Elli, Makko, Olavi, Liina too... these are all great characters, would have loved seeing them in a series-long-production (mini or longer) where their depth could be more explored... Odotus just a 101 minute introduction to their complicated-histories-personalities-lives... having been introduced, now leaving us all 'waiting' wanting for more.

3 stars: 1. Hirviniemi is able to throw some good lines and able to squeeze something out of his character. 2. Some really nice shooting and scenery. 3. After movie you can talk with your friend how lame the movies actually was.

The movie offers very very little. I had no foggiest idea what this piece was actually all about. Perhaps the idea was that people just want to invoke some drama when there's a change.

I found the caracteristics very shallow except for Mikko (the priest), who did quite a good job except for his language. I don't think any priest would use curse words like he did.

The woman seemed to be just a sex addict. I didn't find any deeper interaction between the caracters, just addictive sex.

I liked the relaxed dialogues, Aku Hirviniemi was excellent.

There was not really a proper story or anything deeper. The movie had lots of glanses given between the wife and the guest and even though I normally love just slow camera scenes, in this one it didn't work.

Yet I give 5 stars since I loved the surroundings, the building, the dialogs and Aku Hirviniemi.

The wife and the guest on the contrary weren't credible at all...