Aamir

You might have seen many good Bollywood movies but I am sure you surely haven't seen something like this. Most of Bollywood cinema almost always is all about glamor, fancy locations, item numbers and typical love stories. This is one of the very few movies which stick to reality and dare to be different than other. Prepare yourself to see the dark side of Mumbai unlike the glamors side of it you might have seen it in most of other movies.

I will not tell anything about the plot because the less you know about it the more you will enjoy the movie.It will surely pull you in the shoes of the lead character from the very first scene.

Background score and music is just perfect with the theme of the movie.

This is a debut movie for most of the cast and crew surely most amazing debut in Bollywood after a very very long time.

This surely is best of this year, don't miss this one.

A calorie free movie which sans the "phormoola" (the must-have superstitious ingredient for every Bollywood movie).

Aamir rests heavily on the technical department and needless to say it is rock solid, hence works big time. The concept is innovative, story is engrossing, screenplay is deft, music is captivating and of course direction is first rate. And above all, if the performances would have even fallen short by a degree – it would have been a fly in the ointment. Kudos to all the new faces, Rajeev Khandelwal deserves a special mention (and so does the lady who plays the hooker).

The director spares no moments to gets straight down to business and you get sucked into the whirl hole. The choice of locales deserves a special mention – very realistic and add the background score to it, you almost feel it is virtual reality you are experiencing.

Somewhere in between, you get déjà vu as though the entire plot is a bad prank (Bluffmaster/ The Game) – but eventually it dawns that the funny bone does not exist.

And ah yes – the ending couldn't have been better! As the credit rolls, you will be enlightened with a few answers.... and left with barrage of questions.

The TV star Rajeev Khandelwal makes an impressive movie debut with this one. The movie is a thriller which will keep you guessing all the way. We have seen similar thrillers like cellular or phone booth but this ones shows an entirely different scenario.

An Indian doctor on returning from London founds himself in precarious circumstances where his family is kidnapped and he is made to run around the city by goons. Its a simple story but told very effectively. The movie's impressive direction, editing and performances make sure that it never looses the pace.

The movie packs a punch and will be worth your money and time.

What happens when a director is in full control of his craft, his crew and his subject? You get an unexpected wonder like Aamir. Nevermind that it is built on a shoe-string budget, has a low profile cast and hardly had any publicity-spend.

The screenplay is brilliant. It is built piece by piece to create riveting drama. The camera work is raw and real. The locations are actual Mumbai mean streets and alleys. The supporting cast is very real. It is like Rajeev Khandelwal is walking through a real day in his life. Ah yes, Rajeev Khandelwal ! He is plain amazing. The character he plays is in a turmoil - vulnerable, helpless, frustrated, tired and angry. But Rajeev Khandelwal - he is just effortless. Easily the best performance of the year so far.

Raj Kumar Gupta makes a fine directorial debut. He does not fall into the clichés that a newcomer may be susceptible to. It would have been an easy choice to shoot the story in a dark night instead of the broad daylight that Gupta chose. He chose not to hide in darkness. He throws his craft open in blinding sunlight. Instead of a la-Hollywood film-noir style, he places his drama-thriller in the dusty Indian landscape.

Of course, there are overtures of terrorism and disillusionment of a community but these are not the highlights of the film. And thankfully, the film does not editorialize. It is basically a drama-thriller - and a good one.

There is excellent use of slow motion in the climax. It makes it the edge-of-the-seat moments of the film. Best film of this summer !

You would want to stand up and applaud when the end credits roll, for this will be easily one of the finest films you have seen in recent times. And it becomes all the more commendable considering the fact that most of the names in the credits are debutants, including the lead protagonist and director.

Debutant director Raj Kumar Gupta dares to tread the path less travelled with a dark, hard hitting drama thriller. The film starts with some candid shots of Mumbai and the candid shot keep flooding showing the unknown and dark side of Mumbai. The director and the cinematographer grip you to your seat for entire duration. You feel as suffocated as the lead protagonist. And when he beats the hell out of some road side snatchers, exhausting all his anger and frustration, you wish you could also hit a few blows to help him. And to add to the class of the director and innovation of cinematographer, there is impeccable background score.

Rajiv Khandelwal, probably the most precious Bollywood import from television and best debutant this year, showcases the character that is traumatized, shocked, feared, determined, strong, venerable all at the same time. He shows what he is capable of. We only hope he is nurtured and used well in Bollywood, for he is a talent to look out for.

Looking at the kind of cinema that's being churned out these days, you'll have to wait probably really long to watch a film of this stature. So, don't wait. Don't miss this one. For this really deserves to be stand and applauded.