Veneciafrenia

But not so bad as some reviews points. Too many loose ends asking to be developed. Yet thinking if this is some critic to Italian police. Lots of murders but they´re always one step behind. An interesting movie about globalization.

The worst? It´s almost impossible an italian policeman speaks spannish. And so passive.

The best. The concept. Scary. Indeed. Make us think twice if we should visit Venice.

That's a big point in favour of this movie.

Thoroughly enjoyable, fun and very dark film.

The film follows a bunch of young tourists from spain as they venture in the magic and mysterious streets of Venice.

The film will have you laughing quite a few times but also it'll have you rooting for the main characters, who will become very human and close to your heart.

The photography and production design is superb as well as its original soundtrack.

Cosimo Fusco, the main antagonist plays two different characters and it's just delicious.

This is a great film that seems half role play game and half slasher. Contains elements of classic Italian and Spanish horror films.

Date to watch it, I promise it won't bore you at all.

Veneciafrenia works better when it leans into the slasher with the beautiful Venice and its costumes as backdrop, but falls hard when it tries to focus on the main conspiranoic plot of the film, becoming something completely different and far less interesting.

Álex de la Iglesia's Veneciafrenia, on paper, is a film right up my alley. It is one of those vacation-gone-awry films that works when it's being a pure slasher, and fails when it tries to be a lot more. As someone who lives on the other side of the world, the initial scenes centered around protests in Venice towards ocean liners (and the thousands of Instagram-happy tourists they bring) was news to me, which I had to Google more about. The concept is intriguing, and works fine for a slasher. The protagonists are your typical not-so-likeable tourists who'd do anything just to have a good time, and it was difficult to get behind any of their antics. At times, they're plain stupid. In a film like this, it's mostly the antagonists that you're eyeing. The creepy jester is a scary addition to that universe, and so are the rest of them in masks.

But I wish we didn't have to know so much about them. Retaining some level of mystery around these angry locals would have made it more enjoyable. There's a bigger conspiracy at play, and except for some of the jester's carelessly-yet-magnificently executed savagery, the thrills are lacking. Pablo Rosso's cinematography work captures Venice in darker tones, which is apt given the plot. The ending is also rather tame - you expect a BANG, but turns out, it's just a whimper!

I was fan of Alex De La iglesia since I was a kid, my favorites movies so far are "Perdita Durango" "El Día de la Bestia" and "Las Brujas de Zugarramurdi" all of them was fresh, and fun. Today: is a big letdown. The reason I watched the entire movie is because the locations and the costumes. I was intrigue about a slasher movie in Venice (sounds very exotic).

The characters are CHILDLISH and ANNOYING. The script is so poor that I was getting dizzy. Skip it at all cost.