The Chalk Line

That was really engaging Spanish movie based on real story, the screenplay will keep you hook guessing to wrong conclusion, the twist and turn is very well made with good surprises.

Movie has set in the high class residential villas with minimum budget and required cast also less outdoor shots but you won't realise annything missing in the movie since good writing and direction creates a magic.

The way presented the story the viewer will be on the edge of seat until the last minute, this is must recommend movie if your fan of suspense and thriller, just go for it you wont regret.

Santosh -India.

Jaula surprises with a mysterious and engaging plot, but fails in the end because it becomes too convenient. Considering the character development, the final events feel more Ex-Machina than natural.

Paula and Simón are returning to their home via the highway. Things are not going well between them. In the middle of the highway, they find a lost girl. The scene itself is overblown just for entertainment and unnecessary tension.

The girl, whom they call Clara, is malnourished and has serious physical and mental problems. Through a plot mechanism, Paula decides that they should stay with her until the Authorities find Clara's parents, or at least find out what's going on.

The plot focuses on the relationship between Paula and Clara, evolving into adverse situations that hurt our conception of Clara. She has post-traumatic disorders that make us doubt her sanctity.

The plot is good, until we find out what's going on. Then things get a little bad. In a long and tedious scene, we have a formal explanation of every plot detail so far, showing us how each event played out from another point of view. Until then, we only had Paula's point of view; adding another point of view in the middle of the movie broke the imagination a little bit for me.

From this point on, things are just too convenient. I don't want to go into details that spoil the film, but I'll just say that everything, while plausible, is a little silly. I'll talk about this topic later, with spoilers.

In the end, the movie is good, satisfying, but these plot flaws force a 7 out of 10. With a little adjustment, I'd say the movie would be a near-perfect thriller, probably the fruit of a novel. In the end, we were left with just one good thriller film, recommendable, but flawed.

**WARNING: Additional notes with SPOILERS**

Paula resolves to confront the villain, unable to recognize the danger she finds herself in. I understand that she is carried away by maternal feelings, but she knows what the villain is capable of after evaluating a suspicious case; at the very least, she should be alert.

The villain, aware that Paula discovered him, does not kill her. I tolerate that, because his motive is plausible, but later not killing Paula is just plot convenience, a ruse so that everything ends well.

These events, added to the lengthy scene that explains the details of how the villain covered it all, lowered the film's rating for me.

This type of case, the route he ends up taking is not the most unthinkable or satisfactory, but the truth is that the script achieves what it wants, and it would be a mistake to underestimate its ability to maintain suspense and ambiguity. We can think that the film is about a malevolent girl, about a sinister invisible sect, an alien abduction, the paranoia of a frustrated woman who thinks she sees things... all the possibilities are open at some point .those you don't want anyone to spoil but you forget in a week, though it takes dark twists until it reaches a climax straight out of a horror.

Well this was a pleasant surprise. Was flicking through Netflix and this movie came up. Went in not knowing anything about it. Kept me riveted and the storyline was pretty good & decently acted.

A couple driving home happen upon a young child stranded in the road. She's taken to hospital with kidney problems. No parents are located, the child isn't responsive and doesn't talk much. The couple foster her short term to aid her recovery and then little by little light is thrown upon her past & the mystery is uncovered largely by the foster mum.

It's rated horror but it's definitely thriller/suspense.

The main actress has done a tremendous job and the story keeps its suspense intact until the very end. Screenplay picks up its pace in second half, where gradually all your questions start answering themselves. Some would say that the ending went a little overboard with twist but it fitted fine with my idea of an expected adrenaline rush one can expect from a thriller.

The concept and title of chalkline is pretty smart. The investment and effort went behind making it a good movie is pretty evident. Accessing the trauma and abuse is done very thoughtfully. Although the images might be unsettling for few.