Chandigarh Kare Aashiqui

This movie needs to be in global headlines; certainly something I will be able to recommend with immense pride to portray how much capable Hindi cinema is of creating quality content..

Ayushmaan continues to shine; Vaani has so much potential, this movie provides her the platform.. Storyline may be a bit ahead of time for a certain audience group in india..

Chandigarh Kare Aashiqui is a movie that takes a very niche place in Bollywood which has been carved out for a Massy with Message film (aka the Ayushman Khurana Genre). It does that job very well.

The humour, entertainment quotient and drama are all reminiscent of a typical Bollywood drama. But the only thing which makes it unique is its premise. Progressive or not is debatable but this is a necessary film which perhaps noone can deny.

The tone deaf jokes, occasional cringy dialogues and its idea of giving medal for accepting-a-Trans-woman-as-normal attitude might seem odd and unacceptable to few at this age and time.

But it should be minded that this film is being targetted towards a very different audience. This film does the job of igniting the potential to have that conversation among average Joes while also ensuring a level of drawing room comfort. That is something. And for that the writing has to be commended.

In terms of acting both Khurana and Vaani did a good job. Their performances were fun and acceptably charming.

Overall this is a film which can be enjoyed even with its flaws.

I think what makes this movie different from normal stereotypes, or even Ayushmann's other movies was that it was more for the actress but subjectively, Ayushmann gave all the proper support as and when required. And I would say, Vaani Kapoor did her level best, coming out of those cliche roles and side actress stuff.

But above all, it's the concept and its showcase that was the main feature of this film. If I leave aside the manly drama, the sub urban jokes and the sex, the remaining movie happened to be brilliant. Not that the other stuff wasn't good but no where close to this: the agony and assault that Maanvi/Manu faced in her day today life and how boldly she/he was able to handle those blows. And that was what both emotional and comprehensive. Again, it was just a movie and in real life, things are totally different. And they will remain immature, maybe even 20 years down the line whenever any such matter arise.

Overall, a good movie.

Hatts of to the director ABHISHEK KAPOOR who directs this film and making the people aware of this subject which is must important to know. I didn't like vaani kapoor much but after seeing this movie I just wanna say one thing FANTASTIC performance by her and after this film she'll be on fire. Not everyone does and not everyone has the guts to this kind of roles but she did it and it was superb. Ayushman Khurana always rocks with his performance and powerful subjects. Story, screenplay music all are perfectly matched to the concept of the film. If you wanna see something different with powerful social topic go for it....

Anwar Says: Ayushmann Khurana films are a genre in themselves and this movie is the final say and the best in the league Abhishek Kapur is there to direct. An artist whose debut was as a donor, can take up any script and prove himself. The film is a complete package in itself, at one time entertains you and at the same time addresses a sensitive subject.

Vani Kapur equally shines, by far her best performance. The emotions of a transgender and the bond she carries with her father played by Kanwaljeet and she effortlessly surrenders herself into the character. Ayushmann sisters looked irritating but that's what director wanted from them .

Editing is crisp and movie is wrapped up in one hour 57 minutes. Manoj Lobo's camera cheerfully explore chiseled bodies of both the leads . Sachin - Jigar is back with their foot tapping tunes . Normally a movie on a social taboo is preachy at the end but Abhishek kept it simple, that makes it distinct. A must watch, don't wait till it is released on OTT.

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