Just One Kiss

There's a lot of great things to appreciate about Just One Kiss if you can get past the first 10 minutes. The male lead (Santino Fontana) doesn't exactly shine at first and there's an extended and infuriating scene in a movie theater with people talking like they're in a loud bar. Such a heavy, heavy dose of rude, inconsiderate thoughtlessness doesn't do the movie's key characters any favors.

You also have to overlook the exaggerated displays of mood killing self pity that show up right after the manufactured misunderstanding trope that often gets forced into these movies in the 4th quarter to create conflict just as the romance starts heating up (although I did like the quiet commentary exchanged between the 2 female students)

But, in between, there's some well written and well played banter and sparkling repartee between the leads (Krysta Rodriguez is particularly good and Fontana will grow on you). Their mothers are played by skilled veteran character actors Ileana Douglas and Aida Turturro (with a twist) and the movie features a normalized gay couple (Matty Finochio does a nice job as the level headed gay friend with common sense).

I've been defensive about the unfair criticisms that "all Hallmark movies are the same." We want those movies to depict romantic stories, between attractive and likeable leads, that reaffirm important values like love, family, friendship, and personal growth, with a few laughs along the way. And we want happy endings, new movies every year, and lots of them. But it's not easy to come up with something different while honoring the tried and true (and lucrative) formula that has made the Hallmark Channel the huge ratings success that it is.

And that's why Just One Kiss should be forgiven for its few missteps. It seems very different both in terms of the story and the style (like the dream sequences). And there was no sugar coating the realities of a painful divorce, and the even more painful chore of giving a child of that divorce an honest explanation. The few Hallmark movies with kids that break from the convenient dead parent trope and acknowledge divorce, usually do so by having the ex conveniently on assignment in Finland, or by presenting a healthy, but usually unrealistic, approach to co-parenting where everyone gets along great. Not here.

And while I wasn't wowed by the opening rendition of It Had To Be You (even though that's a great song), the performance and placement of Gershwin's classic Someone To Watch Over Me was quite beautiful, as was the use of Fly Me To The Moon.

Another reviewer, who inexplicably gave the movie one star because it "didn't make sense", actually raised a few valid points. But then that reviewer undercut those points by revealing a narrow mind and a complete lack of understanding of what "woke" means and using it in a pejorative way (it means being alert to injustice). Nick shouldn't have done what he did, but being gay doesn't necessarily mean that person is "woke" and there was nothing in the movie relating to any social issues of injustice. Plus, there are, sadly, plenty of gay people who have their own intolerant prejudices and are blind to injustice when it doesn't affect them personally.

And that reviewer missed the main reason why Mia wouldn't take back the alcoholic ex husband; he repeatedly lied to Mia and had failed to turn his life around, despite repeated attempts. Apparently, things got so bad, they lost their home. That's no small thing. When trust is lost, it's usually fatal to a troubled marriage.

That said, Hallmark movies often create worlds in which many of the financial realities of life are ignored unless they're plot points that drive the story. People often live in lovely homes that they couldn't possibly afford. A nice 2 bedroom apartment in Brooklyn near the water with a view of the bridge would cost around $7,000-$10,000/month. I don't know what an English professor with 20 kids in her class makes, but if she lost her home when her husband lost his job because she couldn't afford to pay the mortgage, it seems unlikely that she makes enough to afford $7,000-10,000/month. And there's no way the lounge singer across the hall can afford that either. But hey, if these 2 move in together, that might make it more affordable.

Also, Mia is referred to as an "ex wife" after they visit an attorney together. But then she balks at signing the "divorce papers" until the end of the movie. And just signing such "papers" doesn't instantly make you divorced. In fact, the "papers" that she signed were actually part of a California Judicial Council form for Petition for Dissolution of Marriage (the producers probably figured no one would notice and realize it wasn't a New York form). And that Petition, once filed, STARTS the process. It doesn't end it.

Finally, here are some lines I liked:

"Shallow men believe in luck. Strong men believe in cause and effect." quoting Ralph Waldo Emerson.

"For so many of us, when it comes to love, the journey from aspiration to fulfillment is a very bumpy road."

"Music is like a magical elixir."

"We tell people how to treat us by what we're willing to tolerate and I was just tired of being lied to."

"Stab the body and it heals, but injure the heart and the wound lasts a lifetime." quoting Mineko Iwasaki.

This movie is above average quality for hallmark. I'm a big fan of Hallmark movies but sometimes they can get a little boring and the Scripps are so G rated that the writers forget that you can still make adults witty and fun.

Thankfully in this movie, You get some witty banter. The leads actually flirt with each other versus acting like good buddies who suddenly realize that they are in love.

Plus, there is the inclusion of Tony-winner Santino Fontana as the male lead. I saw him played the lead in tootsie in 2019 before it went onto Broadway. He has such a natural gift for comedy and wit that I immediately recognized him three years later in this movie. Plus he has a great voice- if only we could actually see lounge singers that good in real life!

If it weren't for the fact that this is slightly post-1990s TV-movie-ish (it is a TV movie, after all) and thus not quite as smooth, sleek, and developed as it might otherwise be, this would be a full 5 out of 5 stars! TV movies from the 1990s and before tended to be as good as anything seen in theaters, because the lighting, the musical score, and the cast made them so. But, this one, while still a product of its time, does seem more like the TV movies of the past than any I've seen this past decade or so!

This is honestly one of the best TV movies I've ever seen, and certainly the best Hallmark romcom I've ever seen! In fact, I would say this is the best romcom in general (theatrical release or not) of the decade so far!

Say what you will about the faults of the past, but if art reflects life at all, they did something right way back when, to create some of the most wholesome movies and music this world has ever known during the "golden age of Hollywood" and old Broadway, and we have never been as wholesome or romantic since. This movie recognizes and honors that wholesomeness by paying tribute to it in the love of its lead characters.

If you are a romantic and old movie buff like me, you will be awed at how much you relate to these characters, their shared love of classic b&w cinema, and old-time classic song standards. All this set against the backdrop of cozy old New York apartment buildings that harken back to the eras these characters watch so adoringly on the screen, and you have all the makings of a winner! This really was THAT GOOD!

I came upon this movie by chance, as it was one of those suggested for fans of the film "Random Encounter" (2013) that I had just watched, and being that there are an endless array of suggested movies at our fingertips these days, I almost passed right by it. But, the look of the leading lady stopped me in my tracks and I knew I had to see it!

Yes, you can have love at first sight, because when I first laid eyes on the leading lady of this film and saw the commercial for it, I knew it was for me! She reminded me of Joan Jett circa 1991-93 (the way she looked in her episode of "Highlander"). My Joanie!! I just kept thinking of Joan the whole time, and it made me love this even more. There was even a mention of Elvis, and the inclusion of the song "New York, New York" first made famous by Joanie's favorite actress and friend, Liza Minnelli. Plus, the leading man was a singer with fans, just like my Joanie! And the leading lady is a poetry buff, and I am a poet. So, this feels like OUR movie- and thus, I just can't say enough good things about it!

This is basically a Nora Ephron knockoff, and I love it! And no, I DID NOT see that twist at the end coming! What a sweet surprise that brought tears to my eyes!! Gosh, I love a good twist!!

This movie will make you feel nostalgic for a time we never had, and for the people we hardly have left (those kind of old folks are almost long gone by now), but it will also make you glad to be alive, thanks to all that talk of fate, the universe, and things happening for a reason- which is a really special balance. Yes, I'd say this is a Godwink movie!

I recommend this to fans of old Hollywood, romcoms, those who like to see more mature love stories (as opposed to teens or 20-30 year-olds), and those who believe in Godwinks.

If you liked "The Mirror Has Two Faces" (1996), "Serendipity" (2002), "Only the Lonely" (1991), and "Curtain Call" (1998), you'll love this!

UPDATE: As of 7:06 AM today 12/24/2022, I just found out that the leading lady who caught my eye and reminded me of my Joanie had actually portrayed Joanie's fave actress Liza in the Netflix mini-series "Halston". Wow- so when I said she reminded me of my Joanie, I was really onto something!

Just One kiss is a genuinely heartwarming story with a lot of charm. The soundtrack is pretty great, too. Recommend watching around the holiday tine, because why not??

Don't want to spoil anything because the writers actually put a lot of great twists and turns and the ending...

But definitely don't miss out on this one.

Just One Kiss is the most welcome Hallmark movie in a very long time. It departs from every standard device that Hallmark movies have used over and over. Of course, there is the aborted kiss, and the misunderstood moment that leads to separation and reconciliation. But other than those two standard cliches, everything about this films is the most refreshing breath of fresh air in a very long time. The hero is a musician who sings the oldies in a supper club.. He actually sings old Sinatra favorites, classic love songs, and sings them well. Once in a while , there is a slight quarter note off key..but not enough to daunt the listener. Our leading lady is a single mom, in the process of completing a contentious divorce, She is actually an intelligent college professor, and not the typical Hallmark smiling blonde who is looking for romance. She teaches a course in poetry, and is the object of some very insightful comments from her students, mostly about their observation of her love life.

There is a gay couple, portrayed with incredible maturity, love, intelligence, and not in a gratuitous manner. Bravo, Hallmark! Long overdue.

Added to this wonderful mix are the two mothers of the leading actors. One is a "typical" Italian mom, the other one a "typical" Jewish mom. While their behaviors, their love of their children, their efforts to make a match happen are a bit of a cliche, the roles are beautifully played by Aida Turturro and Ileana Douglas, two very established and competent actresses. A surprise ending is very creative and very emotional, bringing tears to ones eyes.

In all, this is a mature, very intelligent movie, with some wonderful music to listen to. Even the leading lady sings and dances beautifully. The relationships are intelligent, love develops in an intelligent, sensible way. This is a definite departure from the Hallmark films we are used to . In the very best way. Hallmark, please, send us more of this kind of movie!