Familier som vores
- टीवी मिनी सीरीज़
- 2024
- 49 मि
अपनी भाषा में प्लॉट जोड़ेंIn a not-too-distant future, Denmark faces total evacuation due to rising water levels. As the nation prepares to leave their homes, high school student Laura must choose between her divorce... सभी पढ़ेंIn a not-too-distant future, Denmark faces total evacuation due to rising water levels. As the nation prepares to leave their homes, high school student Laura must choose between her divorced parents and the boy she's fallen in love with.In a not-too-distant future, Denmark faces total evacuation due to rising water levels. As the nation prepares to leave their homes, high school student Laura must choose between her divorced parents and the boy she's fallen in love with.
- पुरस्कार
- 1 जीत और कुल 7 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
In Thomas Vinterberg's Families Like Ours (Familier som vores), characters face impossible decisions in what could have been an over-the-top apocalyptic sci-fi series. Instead, within the environmental framework of disaster, Vinterberg stays focused on the human cost. It's ironic to see some reviewers question how certain characters could be so stupid or myopic in their decision making, but the series shows how difficult it is for people faced with impossible choices, particularly emotional ones, to think clearly when they're losing everything else.
The series is blessed with some excellent Danish actors--but it's the two young leads (Amaryllis April August and Albert Rudbeck Lindhardt) who pull us in and keep us connected. It isn't that the other actors aren't excellent (Nikolaj Lie Kaas and Paprika Steen always reliable)--but the stories of Laura and Elias are simply more riveting--and extreme. The series also pushes at the notion that becoming a refugee can only happen to "others," illustrating what happens when even well-off Danes become unwanted migrants. The human dilemma is simply human, at all costs, even if you start out on better financial footing.
It's very hard to watch some of this series, especially some of the violence, but it's necessary to see what can happen to anyone. Determination alone doesn't ensure anything in a world like this--though it helps. Sometimes faith and acceptance bring some stability, as with Fanny (Steen), and at others it brings disaster anyway. We move toward an unclear resolution, the most we can hope for in this fictive world.
The series is blessed with some excellent Danish actors--but it's the two young leads (Amaryllis April August and Albert Rudbeck Lindhardt) who pull us in and keep us connected. It isn't that the other actors aren't excellent (Nikolaj Lie Kaas and Paprika Steen always reliable)--but the stories of Laura and Elias are simply more riveting--and extreme. The series also pushes at the notion that becoming a refugee can only happen to "others," illustrating what happens when even well-off Danes become unwanted migrants. The human dilemma is simply human, at all costs, even if you start out on better financial footing.
It's very hard to watch some of this series, especially some of the violence, but it's necessary to see what can happen to anyone. Determination alone doesn't ensure anything in a world like this--though it helps. Sometimes faith and acceptance bring some stability, as with Fanny (Steen), and at others it brings disaster anyway. We move toward an unclear resolution, the most we can hope for in this fictive world.
10Palle2
I've seen quite a few negative reviews here - but don't let that stop you watching this well-produced and well-acted series about how an environmental crisis turns life upside down for a middle-class Copenhagen family. It does require a certain suspension of belief in that such a crisis would hopefully be managed more sustainably than it is in this drama. But you never know, and anyway, it's fiction not a documentary.
The actors were incredible and the script was well-written. What I thought was most valuable was the way the series created a strong engagement for the characters, who in many ways were the same as the series' target group - an average middle class family. Once that engagement was in place we were led through a series of increasingly uncomfortable situations, where some poorly-considered decisions made things go from bad to worse. If you're a parent you will be able to identify with the painful sense of concern that arises when children are forced into dangerous situations.
We don't really want to know about environmental crises, or about the hell that refugees face, so it's easier to just dismiss the series, than to experience those uncomfortable feelings. Watch this series with an open mind and you will be rewarded with a thought-provoking and meaningful experience.
The actors were incredible and the script was well-written. What I thought was most valuable was the way the series created a strong engagement for the characters, who in many ways were the same as the series' target group - an average middle class family. Once that engagement was in place we were led through a series of increasingly uncomfortable situations, where some poorly-considered decisions made things go from bad to worse. If you're a parent you will be able to identify with the painful sense of concern that arises when children are forced into dangerous situations.
We don't really want to know about environmental crises, or about the hell that refugees face, so it's easier to just dismiss the series, than to experience those uncomfortable feelings. Watch this series with an open mind and you will be rewarded with a thought-provoking and meaningful experience.
The premise is very interesting, but the script and how most of the characters act is beyond stupid. Makes for an unintelligent script that completely destroys any thrill.
It starts out setting the tone and you start to think, wow what if this actually happened, then what what you handle it. Many really great actors in this productions makes it even more interesting to dive into. The first couple of episodes starts strong. Episode 4 was a turning point for a disaster of a stupid storyline unfortunately.
It is shot in a intriguing manor and the locations make it believable at first. Then hits the storyline that it just worse and worse episode by episode. By mid-episode 5 I lost all interest in this.
It starts out setting the tone and you start to think, wow what if this actually happened, then what what you handle it. Many really great actors in this productions makes it even more interesting to dive into. The first couple of episodes starts strong. Episode 4 was a turning point for a disaster of a stupid storyline unfortunately.
It is shot in a intriguing manor and the locations make it believable at first. Then hits the storyline that it just worse and worse episode by episode. By mid-episode 5 I lost all interest in this.
It's so annoying to see this Laura character and her foolish naivety. She must be the biggest crybaby ever.
Stubborn, silly, and definitely not a representative 17-18 year old Scandinavian girl. The idea for this series is good, but the script is not realistic. I know Danes are stubborn, but some of these characters are both stubborn and so incredibly lacking in street smarts. Too bad Winterberg did not see this. It feels like the series misses the mark on portraying believable characters, making it harder to feel invested in their journey. Such a wasted opportunity for depth.
I can just agree with the Gilles Character that says Jacob and his wife are just spoiled persons.
Stubborn, silly, and definitely not a representative 17-18 year old Scandinavian girl. The idea for this series is good, but the script is not realistic. I know Danes are stubborn, but some of these characters are both stubborn and so incredibly lacking in street smarts. Too bad Winterberg did not see this. It feels like the series misses the mark on portraying believable characters, making it harder to feel invested in their journey. Such a wasted opportunity for depth.
I can just agree with the Gilles Character that says Jacob and his wife are just spoiled persons.
The idea is good here. Showcase what it means to be a refugee, by making the Danes go through what is happening to many in war ridden countries. Acting is fine as well.
However it just becomes too forced. There are situations where main characters makes such stupid decisions that it became unbelieveable and nearly unbearable to watch. Add to this that it is incredibly slow at times, especialy the last few episodes are just dragged out. It could have been maybe 4 episodes instead.
I would still recommend Danes to watch it as a learning exercise of how it is to be a refugee. The empathy refugees deserve is for sure missing in todays society.
However it just becomes too forced. There are situations where main characters makes such stupid decisions that it became unbelieveable and nearly unbearable to watch. Add to this that it is incredibly slow at times, especialy the last few episodes are just dragged out. It could have been maybe 4 episodes instead.
I would still recommend Danes to watch it as a learning exercise of how it is to be a refugee. The empathy refugees deserve is for sure missing in todays society.
क्या आपको पता है
- ट्रिवियाThe use of Allegri's "Miserere", normally only sung on Ash Wednesday, throughout the series whenever there is a scene in Church is particularly poignant.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does Families Like Ours have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Families Like Ours
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