Somewhere Boy

Somewhere Boy?

Where, exactly?

In a rambling, daft old tale, that's where.

With such a silly storyline that meanders so much it loses its way into a ditch, one cannot forgive the half baked script and sheer dullness of the entire proceedings. And yet professional (paid!) TV critics loved this. Intriguing... Don't forget, they were paid. By the show's production company, perhaps??

Yes, the plot is mildly intriguing if totally asinine. Yes, the acting is decent, but no better than your standard drama school student couldn't knock out after an afternoons rehearsal. This show is simply too dull overall to maintain a steady interest, particularly over 8 episodes. The writer should have taken the best parts of his script and combined them into 4 episodes and ramped up the tension in the areas where it was needed.

No spoilers for you because, really, whatever plotlines l give away really wouldn't spoil anything. Go outside and kick a football around; you'd enjoy it more, even if you don't like football.

Fiction is fiction and it would be too easy to pick holes in the believability or logic of this scenario - so let's not bother. But as a study of alienation within and outside of family structures this series finds its mark. Are there monsters? Yes, of course there are. Can we always recognise them? No. Should we fear them? Well, ideally we should not be living in fear, and if we have fears we should be able to talk about them, and there is the point, amply expressed in the family scenes and in the role of Danny's cousin, Aaron.

In the role of Danny, Lewis Gribben is astonishing. As he explores his new world, his fascination, confusion, horror and joy are palpable, and the scene in which he falls in love for the first time broke me - like 'Heartstopper' but for grown-ups.

My only criticisms are of the 'Night of the Hunter' sequence which forms a somewhat cliched climax, and the final resolution which seemed dubious. After all, when you've escaped one prison, and you've started to discover yourself, surely the last thing you need is another incarceration. But maybe I'm just cynical about families.

Some parts are slow as other have said but it's an amazing show. What a story. The acting is really good. A sad but intriguing story of a Fathers madness and how that can affect the life of this around him. It's interesting and thoroughly entertaining. I doubt there will be another season as the show ended on a good note but I wouldn't be disappointed if there was a second season. I was desperately sorry for the son and his secluded life but in the end his coming out changed the lives of so many others in the show and all for the good. As I said before it's an amazing story and told with incredible poignancy.

Some wonderful acting here, without a weak link, but let down by two big failings. First, it was totally incredible that an intelligent young man wouldn't have questioned this isolated upbringing. Apart from anything else, where were the house's electricity and TV transmissions coming from? And secondly, at over three hours it was far too long. A two-hour span, comprising four half hour episodes, would have made for a tighter, more coherent drama. I thought this was a great shame, because as a coming of age drama, focusing on the three young people brought together by these painful events of the past, it would have been excellent viewing. Loved the old songs, a technique borrowed from Dennis Potter but no worse for that.

I ended up feeling really annoyed that this was relegated to a TV series of eight half-hour episode. The performances deserved far better than this. I honestly feel that if it had been made into the feature film it so richly deserved, Oscar nominations would surely have been beckoning. Lisa McGrillis was absolutely incredible.

My only gripe was that episode 7 was unnecessary and completely broke the spell. There was no need for it at all and it seemed merely like a box-ticking exercise, forced upon the writer by a mis-guided producer.

If you've ever watched Dead Man's Shoes, this was almost like an alternative take on the story, although pulled off with far more aplomb. For a while, I even thought that the boy's father was being played by Paddy Considine, nut a few years down the line.

Perhaps it's too late now, but I really wish somebody would re-shoot this with the same cast and treat it with the respect it deserves. If they did, I feel sure it would be regarded as a major British film and pick up a bucket load of awards.