Extraña forma de vida

I remember watching the trailers for "A Strange Way of Life" months ago and very much anticipating this movie. I tracked the release through Spain and other countries before it came around to the United States.

Though the movie is a short film, it was very interesting to watch, however not enough gay scenes to even portray being gay in the old west. I may watch it again, however my expectations have been lowered at this point.

My recommendation? Definitely watch it as it is a good movie! I'm even thinking of watching it again - which shows how good the movie stands on its own. For those who are sensitive to gay drama and themes, you have nothing to worry about with this movie. Gay is insinuated, but not completely played-out.

Oh so very gay and well acted. I can absolutely see how this was Pedro Almodóvar seemingly long overdue version of Brokeback Mountain in a way, as referred to by both him and the fact that he wanted to direct Brokeback Mountain to begin with. Sadly I have still not yet watched that movie despite hearing nothing but fantastic things about it, and after watching this one I really don't think that Almodóvar would have had it in him to make something that widely well received.

I think this works best a short film, although at the same time I can't help but feel like it's far too short to really get much from it at all. What is there however is at the very least incredibly decent and has some really major highs, such as the spectacular acting from both leads (Pedro Pascal and Ethan Hawke), and what I consider to be a very good solid score that really elevated what was an otherwise mediocre time.

A story of two men who were lovers at one point 25 years ago in the past, meeting each other again after one of their sons commits a heinous crime in the others town. They immediately hit it off after not seeing each other for over two decades, and the little chemistry that is shown between the two with the very limited time we get with them is palpable and honestly very cute at times to say the least. But that doesn't really matter much when we barely get to spend any time with the two of them, so we barely get to explore their seemingly very detailed and interesting lives - which is what I think drags this down a great deal.

The weird thing is I don't believe this should be any longer either, I don't think it particularly works as well as it could've as a short film but at the same time I don't think even another thirty minutes of this would be all that appealing to me. It's a very conflicting thing as it clearly has some really good parts and is executed well by the actors themselves, but I cannot tell if it's the writing or the directing that makes it all feel just a tad lackluster.

Overall I liked it enough to consider it worth checking out, especially due to the fact it is only at a brisk thirty minute runtime. It's filled with two immensely talented actors being gay as hell and looking good doing it, which is at least enough of a reason for me to watch it. Nothing special if we're being honest, but it could for sure resonate with other people far more than it did with me. I slightly enjoyed what it was going for and I liked the execution of the majority of it, but it didn't really make a lasting impact on me. A perfectly serviceable short film that I think you should check out if you have Netflix as it just dropped on there.

With its bold colours, heightened melodrama and clunky dialogue, 'Strange Way Of Life (2023)' often feels like a parody of... itself, I guess. Those already accustomed to Pedro Almodóvar's work will recognise these elements, as well as the sincere camp aesthetic they contribute to. However, here it doesn't cohere as well as it typically does in the director's other movies. Perhaps his dialogue has always been this dodgy but, not being a native Spanish speaker, I haven't picked up on it; either way, even actors as good as Ethan Hawke and Pedro Pascal struggle to sell the dialogue here. Still, the piece operates on a kind of down-to-Earth unreality that just about works. A bigger issue is that the story just... ends. Like, almost in the middle of a sentence. It feels as though the screenplay was still being written when Yves Saint Laurent's production company called and offered a green light on the condition that filming started almost then and there, so Almodóvar put down his pen and picked up his viewfinder and shot what he had. There's a lot more that could have been done with this tale of long-burning, societally repressed romance; the ending feels like the midpoint of a much more affecting feature-length affair. Another smaller issue with the flick is that it's nowhere near as erotically charged as you may expect. Hawke and Pascal do a good job at conveying their barely hidden attraction for one another, and there's a sense of tragedy that underlines their once-flourishing relationship, but they display no real physical connection and the only time they get hot and heavy is in a flashback (when their characters are portrayed by younger actors). Their connection is believable, but not as fleshed out as it could have been. It's also remarkably tame if you're familiar with Almodóvar's earlier efforts. Ultimately, though, the piece is entertaining enough for what it is. It has a solid central story that's underexplored but interesting, and two strong lead performances that lend authenticity to the generally clumsy screenplay. It's not a bad effort, by any means. It's just not as moving, or fun, as I'd like it to be.

'Strange way of life' is an English-speaking short film directed by one of the most prominent Spanish directors ever... who does not speak English. How (and why) this amateur piece of work with such bad writing, astoundingly dumb dialogues and even mediocre cinematography got produced and released theatrically is beyond me.

The story it's, most of the time, the same nonsensical exposition over and over. It hopes to trick the audience into believing there's a deep conflict, a sad story of tormented lovers and forbidden love, but there's none. The chemistry is just not there. The clumsy flashback scene is utterly ludicrous.

This film is something I would expect from a pretentious student at film school, a self-proclaimed artist who tries to write something deep just to show how smart they are, but fails because they don't know anything about it. However, it's not. It's a film by Pedro Almodóvar. Not worth the time, much less the cost of a full-length movie ticket.

Even the best of the best fails on their work occasionally, and Almodovar is not the exception, this short film, along The human voice may be festival-material, those shouldn't have come into commercial exhibition.

Strange way of life looks like a spaghetti western from the 50s, there are even a few clothing flaws, (like plastic buttoned shirts) that break its weak western-like atmosphere.

The human voice, although Tilda Swinton is a great actress, this one-voice performance is exhausting to watch, even for for just 30 minutes.

Just two short films with 70 minutes in total, spare your ticket, your time and your gasoline.