Extraña forma de vida

Oh so very gay and well acted. I can absolutely see how this was Pedro Almodóvar seemingly long overdue version of Brokeback Mountain in a way, as referred to by both him and the fact that he wanted to direct Brokeback Mountain to begin with. Sadly I have still not yet watched that movie despite hearing nothing but fantastic things about it, and after watching this one I really don't think that Almodóvar would have had it in him to make something that widely well received.

I think this works best a short film, although at the same time I can't help but feel like it's far too short to really get much from it at all. What is there however is at the very least incredibly decent and has some really major highs, such as the spectacular acting from both leads (Pedro Pascal and Ethan Hawke), and what I consider to be a very good solid score that really elevated what was an otherwise mediocre time.

A story of two men who were lovers at one point 25 years ago in the past, meeting each other again after one of their sons commits a heinous crime in the others town. They immediately hit it off after not seeing each other for over two decades, and the little chemistry that is shown between the two with the very limited time we get with them is palpable and honestly very cute at times to say the least. But that doesn't really matter much when we barely get to spend any time with the two of them, so we barely get to explore their seemingly very detailed and interesting lives - which is what I think drags this down a great deal.

The weird thing is I don't believe this should be any longer either, I don't think it particularly works as well as it could've as a short film but at the same time I don't think even another thirty minutes of this would be all that appealing to me. It's a very conflicting thing as it clearly has some really good parts and is executed well by the actors themselves, but I cannot tell if it's the writing or the directing that makes it all feel just a tad lackluster.

Overall I liked it enough to consider it worth checking out, especially due to the fact it is only at a brisk thirty minute runtime. It's filled with two immensely talented actors being gay as hell and looking good doing it, which is at least enough of a reason for me to watch it. Nothing special if we're being honest, but it could for sure resonate with other people far more than it did with me. I slightly enjoyed what it was going for and I liked the execution of the majority of it, but it didn't really make a lasting impact on me. A perfectly serviceable short film that I think you should check out if you have Netflix as it just dropped on there.

At the start of this short film the lip-synced actor Manu Ríos (who moves middlingly the lips silently in synchronization with the pre-recorded soundtrack) performs a song and actually sung by Brazilian singer Caetano Veloso, the title is inspired by this ballad sung at the beginning. After many years Silva (Pedro Pascal) rides a horse across the desert to visit his friend Sheriff Jake (Ethan Hawke). They celebrate the meeting, but the next morning Jake tells him that reason for his trip is not to go down the memory lane of their friendship. Ethan Hawke and Pedro Pascal play a sheriff and a cowboy who meet 25 twenty-five years years after having lived a few days full of desire and sensuality. However, the reason for this meeting is not only to relive the past, as Pascal has a secret agenda.

This is the second short film in English (after The Human Voice starred by Tilda Swinton) directed by Pedro Almodovar. This movie is inspired by the Portuguese poem song by Amália Rodrigues called "Strange Way of Life¨or "Estranha forma de vida", released in 1959. A disruptive tribute to the spaghetti Western with overtones of melodrama where Almodóvar explores the sexuality of two cowboys, middle-aged men, who have lived a life far behind their own desires, as director Pedro himself explains. It has a pleasant soundtrack by Alberto Iglesias, ordinary composer of Almodovar films. As well as colorful cinematography by José Luis Alcaine who also worked a lot with Almodóvar. And the Costume Designs are signed by Saint Laurent and Anthony Vaccarello. Being shot on location in Desierto de Tabernas, Almería, Andalucía, Poblado Western 'Sergio Leone', Tabernas, Almería, Andalucía, and Mesa de Ocaña, Toledo, Castilla-La Mancha.

This ¨Strange Way of Life¨ is a strange mix between "Ang Lee's Brokeback Mountain" (2005) and Spaghetti Western sub-genre , and only the second English-language feature by Pedro Almodóvar, the first being La voz humana (2020). This was filmed in the Tabernas desert, the place where Sergio Leone set his most legendary Spaghetti Westerns, such as: ¨Fistful of dollars", "For a fistful of dollars more", "The Good, the Bad and the Ugly" and "Once upon a time in the West¨. Being a project produced by Pedro Almodovar himself y his brother Agustin Almodovar with their production company El Deseo and the first film financed by Saint Laurent Productions, a production company from the Yves Saint Laurent fashion house and the head designer, Anthony Vaccarello, also served as an associate producer and gowns designer on the film. In 2023 Cannes Film Festival "Strange Way of Life" (2023) was nominated Queer Palm - Short Film.

I am reviewing because there are so many negative reviews. Thought this was a beautiful glimpse into the universe of some beautifully portrayed characters. Both Ethan and Pedro did a great job. I loved their chemistry. Pedro especially was very moving in his role. This short film packed a heavy emotional punch for me and I would love to see it as a feature film. (as for the negative reviews, if you have to say you're not homophobic in your review, you probably are). As for the complaints about the use of the green jacket. I loved it, loved all the costuming. It made Pedro's character stand out, which I assume was the point.

With its bold colours, heightened melodrama and clunky dialogue, 'Strange Way Of Life (2023)' often feels like a parody of... itself, I guess. Those already accustomed to Pedro Almodóvar's work will recognise these elements, as well as the sincere camp aesthetic they contribute to. However, here it doesn't cohere as well as it typically does in the director's other movies. Perhaps his dialogue has always been this dodgy but, not being a native Spanish speaker, I haven't picked up on it; either way, even actors as good as Ethan Hawke and Pedro Pascal struggle to sell the dialogue here. Still, the piece operates on a kind of down-to-Earth unreality that just about works. A bigger issue is that the story just... ends. Like, almost in the middle of a sentence. It feels as though the screenplay was still being written when Yves Saint Laurent's production company called and offered a green light on the condition that filming started almost then and there, so Almodóvar put down his pen and picked up his viewfinder and shot what he had. There's a lot more that could have been done with this tale of long-burning, societally repressed romance; the ending feels like the midpoint of a much more affecting feature-length affair. Another smaller issue with the flick is that it's nowhere near as erotically charged as you may expect. Hawke and Pascal do a good job at conveying their barely hidden attraction for one another, and there's a sense of tragedy that underlines their once-flourishing relationship, but they display no real physical connection and the only time they get hot and heavy is in a flashback (when their characters are portrayed by younger actors). Their connection is believable, but not as fleshed out as it could have been. It's also remarkably tame if you're familiar with Almodóvar's earlier efforts. Ultimately, though, the piece is entertaining enough for what it is. It has a solid central story that's underexplored but interesting, and two strong lead performances that lend authenticity to the generally clumsy screenplay. It's not a bad effort, by any means. It's just not as moving, or fun, as I'd like it to be.

Several hundred people turned up at this one-night-only cinema screening and very, very few of us appreciated that is was only going to be half an hour long!! "Silva" (Pedro Pascal) rides half way across the desert to meet up with his old pal "Jake" (Ethan Hawke) who is the local sheriff. It's pretty clear from the get-go that there is a degree of personal baggage between the pair and that the true purpose of the visit is more than to relight old candles and have a good old reminisce... It's OK, this - nothing more. A testament to the drawing power of Almodóvar and Ethan Hawke to watch what is essentially a non-story that tells a little by way of flashback but for the most part just shows us a glimpse of something not especially interesting or unique. Looks good enough but I left a little disappointed and certainly underwhelmed.