Simulant

In the near future, mankind has been coexisting alongside AI, in the form of humanoid robots The Simulants, only their fate is changing, an uprising looks likely when The Simulants start breaking their four precepts.

I watched Blade Runner very recently, and as I watched this, I couldn't get it out of my mind, but sadly this film isn't a patch on it. Everything here has been done before, only much better.

Pacing was pretty slow, after an intriguing opening, it lulls badly in the middle, you're made to wait ages for more action sequences.

I didn't care for the visuals of The Simulants, they looked pretty cheap and nasty, like something from a low budget 1970's TV series.

The tech looks great, it's possibly the film's biggest strength, some great tunes, especially at the end, fortunately it's not a long film.

Some of the acting was ok, some was pretty average, Sam Worthington really did stand out, although he was a little wasted.

5/10.

Simulants are artificial humanoid robots. They are restricted by programming, but someone is trying to hack them. Artificial Intelligence Compliance Enforcement agent Kessler (Sam Worthington) apprehends Esme (Alicia Sanz), a simulant which had its programming altered. Evan (Robbie Amell) and Faye (Jordana Brewster) are a loving couple, but it's not what it seems. Casey (Simu Liu) is a hacker.

This premise has been done before. It is straight out of the Asimov's 3 laws of robotics which is eighty years old. I kept waiting for something new, but this is mostly derivative. The freshest aspect may be Simu Liu having sex with Alicia Sanz. It's still a little unusual in Hollywood for an Asian man to have sex with a white girl. The Evan-Faye couple does have an interesting reveal, but that surprise reveal can't be done more than once. I was expecting it for all the other reveals. There is potential for something else, but the movie doesn't go there until the last scene. I do want to mention the filming locations. For the most part, I've never seen those places and that's good. It's a side issue, but it does add a little freshness to the movie.

Canadian movie production quality is equal to Canadian TV production quality which is a bit worse than US Lifetime movie quality.

Most parts were interesting, the twists and turns were good. Actors and actresses all did a decent job, there were some good looking scenes.

I would agree that the pacing felt off, it was 1.5 hours and felt like they were stretching things with filler that wasn't engaging.

Not nearly as good as the Detroit: Become Human game's story which has AI breaking away from their programming due to mis-treatment by humans, and being able to share that with other AI by touch.

So overall just okay.

For a normally breezy 95 min runtime, this film felt endlessly long. It's terribly slow pacing was part of the problem, but mostly the issue here was the overall underwhelming filmmaking. From the story that's been done many times before and better that felt less intelligent and more artificial, to the directing that lacked any real urgency from scene to scene with annoying, predictable and repetitive sub-narratives. There was a lot of style, but very little substance to be an engaging viewing, even in its short runtime. I found myself constantly impatient for something more suspenseful and thrilling to happen, that never did. Even the all-star casting couldn't elevate the depressingly-toned slow story. Director April Mullen's lack of effective cast direction made it feel like all the actors were half asleep reading their lines. I will however say that the cinematography was excellent, the score very fitting, and the S/VFX quite passable, for a low budget B film.

The comparison to Blade Runner was going to be inevitable. Simulants are replicants, and they have become more advanced where self-awareness and autonomy are becoming a social problem, so an enforcement agency tracks down rogue simulants. Sound familiar? "More human than human" of the Tyrell Corporation is replaced with Nexxera's "simulants are as close to human as humanly possible". It would be generous to say this movie pays homage to the 1982 classic-there are plenty of easter eggs. This is, unfortunately, a Canadian low budget production that doesn't do it much justice.

Cast has many recognizable Canadian B actors, some regulars in the sci-fi scene. Of course, the most recognizable is Simu Liu of recent Marvel universe fame.

There are some salvageable aspects that explore bioethical issues we are at the cusp of having to address for real. But the movie lacks any subtlety in conveying the gravitas. The AI "precepts" are repeated multiple times to remind the audience, rather than work them into the screenplay, which to me is lazy writing. The "ominous" soundtrack plays on a loop throughout the movie, a poor attempt at creating tension and suspense. CGI is minimal, and the rest are making the most out of budget props and industrial locations.

I'm actually surprised this was picked up by HBO Max and not Syfy, where it's would find a more appropriate home and audience. It's not entirely unwatchable, if you adjust your expectations.