Brian and Charles

Brian is alone and isolated, to overcome his loneliness, he builds a new robot, named Charles, like cake making he wanted a Victoria sponge, but instead got a blancmange.

I'll be honest, I watched the first five minutes, and I wasn't convinced, ready to switch it off, however, I decided to stick with it, and I'm so glad I did, I really am, and only wish I'd saved it.

Don't expect to learn much about why Brian has ended up in this situation, they don't actually go into it, all we get is what's on the surface, he's definitely a troubled Soul, the focus is more on his newly found sense of companionship, his unquestionable positivity.

It's funny, it's sad, it's quirky, it's like nothing else I've ever seen before. No special effects, no heavy music, it's low budget, but there in lies the charm, it is rewardingly heart warming, it works on so many levels.

I associate David Earl with two shows, two favourites of mine, Afterlife and Derek, you see just what a talented actor he is here, it's such a different, well measured performance, credit to him.

Just lovely.

8/10.

Beautiful film.beautifully acted & shot, with a real heart warming story of love & friendship with the amazing David Earl as the inventor Brian & the fantastic robot he creates Charles... go see it & love it, don't listen to the negative comments by small minded people....

If you like "Lars and the Real Girl" you'll love Brian and Charles.

Brian and Charles is a mockumentary about socially awkward hoarder and oddball inventory named Brian who builds a companion robot from a pile of junk.

He names his robot Charles who soon takes on a life of its own becoming more adventurous than his safe creator Brian.

Charles informs himself by reading the dictionary and becomes quite curious about the outside world -- the world beyond the borders of Brian's isolated Welsh quarters.

Charles craves adventure, unlike Brian who wants to live a boring and obscure life -- free from heartbreak and danger.

Brian's an endearing creature who collects junk which he uses to alter household appliances that he claims as new innovations -- totally oblivious that these contraptions are made worse.

This is a metaphor for how Brian sees himself and how he presents himself to this phantom documentary crew that's documenting his mundane life. Brian's a disheveled hermit, obtuse and discard, like a pile of junk that nobody wants. That's how Brian sees himself.

So he builds a better Brian from that pile of junk. A robot who's willing to experience life.

This is a heartwarming story about fear, loneliness and the importance of human connection.

I highly recommend this film.

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"Brian and Charles will definitely end up as one of the most endearing, funniest, feel-good stories of the whole year. Jim Archer takes David Earl and Chris Hayward's original screenplay and uses their extraordinary, amusing performances to bring to life a narrative about true friendship and authentic human connections.

The light humor consistently forces the audience to let go of strong, loud laughs, either through genuinely hilarious interactions between the two protagonists or using physical comedy and brilliant song selection.

It may not be never-seen-before content or as inventive as expected, but it manages to deliver a memorable, entertaining, heartfelt story with beautiful messages.

A must-watch!"

Rating: A-

In this dry season, I looked to some dry UK humor to accompany my dry martini. In director Jim Archer's brilliant Brian and Charles, wit and heart are the essential ingredients as small-town Welch citizen Brian (David Earl) is all beard and glasses inventing useless objects like an egg-carrying belt and a flying cuckoo clock, which he launches from a bicycle with disastrous results.

Brian's my kind of eccentric, a quirky introvert lucky to find a lady, Hazel (Louise Brealey), an equally introverted heart who loves Brian for the reasons others find him weird.

With nothing better to do, he creates robot Charles, seven feet of rubber head and box chest and the sarcastic inquisitiveness of a teen waiting for the chance to escape and see the world. Being led around town virtually on a leash, Charles is ready to bolt while retaining a loving attitude toward his maker.

It's a bit of Frankenstein mixed with Iron Giant, peppered with R2-D2 love and C-3PO attitude. The glasses give him a smart impression and the blue eye a sinister suggestion. But he, too, is all heart. As in any summer comedy worth anything, conflict finds its place in the town bully, Eddie (Jamie Michie), attacking meek Brian and his creation.

What happens is not so much a surprise as it is a satisfying resolution fitting a sleepy town enfolded in white clouds, grey days, and simplicity. Murren Tullett's crisp cinematography will convince you to book a flight to Wales, and Daniel Pemberto's energetic electronic score will make you forget Danny Elfman's musical genius but remind you of Pemberto's Spider-Verse compositions.

Daniel and Charles has a soothing, loving humanity to take you out of Top Gun, Jurassic World, and Thor and give you a walking stick to explore little UK towns that contain lo-fi conflict enough for multiverses. One of the best movies of the year and arguably the best so far this summer.