Kompromat

And his will to survive - well this is not a movie about boxing, so no pun intended. I assume you knew this anyway, but just wanted to make sure, you'd understand my method and my summary (head)lines. We have something that is based in reality or something that actually happened - I did not check what things were made up or exaggerated, in case you were wondering.

The movie is heightened for sure and has quite a few near misses and a lot of tension. You may be wondering what is happening at times, but the time frame and the timeline jumps are carefully chosen, so I reckon most will be able to follow ... well no pun intended again, since some in the movie seem unable to follow ... well the movie would not happen, if they did.

It may be a bit too long for its own good ... and I thought there was an ending 20-30 minutes before the movie actually ended ... we needed another highlight I assume ... can't just let the movie ... drown like that ...

"It's too long", someone wrote. Well, I disagree. First of all, French directors don't generally hew to the mad pacing American filmgoers are used to. This is quite obvious - you have to go into the theater with a different notion of what an action film should look like.

The film is extremely tight all the way through. Extraordinary attention to detail, and the cinematography is outstanding. Just beautiful. Yes, the plot is somewhat convoluted - but it's based on an incredible true story. It's also timely in that it informs the audience of the true terror people are living in, in the totalitarian state of Russia. G-d knows how many people are wrongfully imprisoned. This is the story of a man who, incredibly, was able to escape the clutches of the Russian state. It's worth watching for that reason alone.

What promised to be a great movie, loosely based on real events, turned into a soap full of clichés and turns of events that lack verisimilitude. It is really sad that the screewriter/ the director felt the need to pack the film with over the top dramatic unrealistic eye-roll worthy plots and twists on top of the core storyline, wherever some understatement and restraint could have made this a great film. This story didn't deserve to be turned into melodramatic fromage.

However, the portrayal of the Russian system, specifically the prison and the people' interactions are realistic enough. The acting is great as well. It is entertaining enough for you to wait till the very expected end.

I am personally a self-avowed Russia watcher and have been since the 70s so anything to do with Russia especially society and the way in which it has evolved in some ways and not in others is of utmost interest to me

So this one here was always going to be of great interest. It basically shows institutions functioning the way they were under the Czars of old times (The Cheka begat the NKVD which begat The KGB which begat the current FSB) the modus operandi has not really shifted much ...

It also shows on the other hand the spinelessness of the French diplomatic corps in this case but admittedly could be cut and pasted to almost any diplomatic corps anywhere in the world at any time.

I was fortunate enough to catch the original account of the real hero of this piece the Alliance Française Director to whom this story really happened on radio. Two of the more dramatic events in the film I do not recall happened in real life or the "help" but then again the filmmakers here had to have a punchy story and they certainly do. So they added grittier elements.

The drummed-up charges and the Kompromat (cool terrifying word) were described pretty much as were. Insofar as I know the man to whom this happened still does not know exactly to this day who was responsible but it is pretty much give or take what is recounted here .

As we said before this could be Czarist Russia and or any other fine work Georgian Stalin produced in his finest hour.

So here they got the storyline spot-on and added dramatic events they got the dialogue really good in French and Russian they used actors who could possibly be seen as Russians and many of them actually were Russians.

As regards the acting the main protagonist Gilles Lellouche is fairly good here but personally I have seen him mostly in comedy and he has a pi..-taker face which doesn't really suit drama you expect him to say something inappropriate at any time and when it comes to crying scenes as someone else has pointed out he doesn't pass muster. See him in The Players (2012)

The Polish actress here Joanna Kulig is thoroughly excellent maybe a tad too torrid for the role and she does the misery bit to a tee

The main FSB baddie of the peace Michael Gor a true muscovite actor is also really excellent here good sense of menace

All in all when I realised it was the tale of the story I'd heard on the radio only a few months ago maybe even a few weeks I thought oh no they are going to make a mess of this; and then I realized they hadn't this is really really gripping...

The use of streets and locales is excellent too you really get a sense of Siberia I do not know exactly where it was filmed I see from the credits many Lithuanian names and maybe this indicates some of it might have been filmed in Lithuania but in the credits it also mentions Russia so I do not quite understand how they could've got the green light to film this in Russia but maybe when I find out more I will come back and correct if I got the wrong end of the stick.

Highly recommended for any Russia-watcher any person interested in the way in which Russian society is moving forward or not also a great indictment of the diplomatic corps in this case the French but as mentioned before probably would be the same with many other countries.

The term "kompromat" refers to a form of blackmail used by the Russian authorities to gain leverage over individuals, and it's a concept at the heart of this gripping thriller which is very loosely based on actual events.

Mathieu (Gilles Lellouche), a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities and accused of a crime he did not commit. He soon realizes he is being used as a scapegoat in an elaborate setup orchestrated to frame him for a crime that never happened.

Left alone and isolated with no one to turn to, Mathieu must find a way to prove his innocence and escape. The journey is filled with tense moments as he navigates through corrupt officials, threats of violence, and an atmosphere of despair.

Gilles Lellouche gives a powerful performance in the lead role, conveying Mathieu's emotions with nuance and intensity. His performance is complemented by a top-notch supporting cast, making the movie an engaging experience. The cinematography is also noteworthy as it captures the claustrophobic atmosphere and oppressive mood of the setting.

The themes of KOMPROMAT also have a contemporary immediacy given the currently tense relationships between Russia and other European countries. It tells an important story about a system designed to control and manipulate its citizens and gives us insight into how our liberties can be taken away.

KOMPROMAT did feel a bit too long, but its intricate plot and detailed character development created a compelling narrative that kept me riveted until the very end.