Mothers' Instinct

Mothers' Instinct is set in 1960 and aims to be a throwback to the glossy thrillers of that era. More specifically, it feels like a stab at aping Hitchcock, marrying tense psychodrama with grand visuals and crowd pleasing twists. Needles to say, it falls some way short of matching the Master of Suspense.

Jessica Chastain and Anne Hathaway play Alice and Celine. They are neighbours, friends and both parents of young boy who are also close. When Celine's son dies in a tragic accident, Alice becomes convinced her grieving friend blames her and is plotting revenge.

First time director Benoit Delhomme is an experienced cinematographer and it shows with the film's aesthetic being one of its greatest strengths. It's a small film, set mostly in and around a couple of houses but the period setting is beautifully observed and every shot is painstakingly composed. The pastel colours and stunning costumes are in stark contrast to the grim goings on and provide insight into the characters and their mood.

Mothers' Instinct's other big plus, or rather pluses, are its two leads. This isn't the first time Chastain and Hathaway have been in a film together but it is the first time they've shared the screen and they play off each other expertly. Whether they're being bosom buddies, suspicious frenemies or outright adversaries they are magnetic. Even when one of them is alone in a room they are telling the story with every facial movement. A strong supporting cast help them along the way but it's really the leading ladies show.

Unfortunately all the style and great acting is hung on a screenplay that just isn't up to the task. There are moments of tension but it never really feels like it's escalating, Mothers Instinct treads the shallows for most of its runtime before abruptly diving off the deep end for a conclusion. There's nothing wrong with keeping things subtle but an ending like the one we get here should be built towards, not feel like it could have come out of nowhere at any time. It also doesn't help that the strory goes in the most predictable direction open to it and in the process robs both main characters of any interesting nuance they had built up.

So Mothers' Instinct is ultimately a letdown, especially for the leads. Performances this good shouldn't be portraying a story this underbaked.

6 clandestine autopsies out of 10.

I like it. So many unfair bad reviews. It has a great premise and the movie makes you empathize with Alice (Jessica Chastain) and also with Celine (Anne Hathaway). I was wondering all the time who was right and who was wrong. Yes, it's true that the 3rd act is not as interesting as the rest of the movie, that it would have been better to keep it as a movie about trust, tragedy and the consequences of those in relationships.

But the ending takes another path, and is not wrong. It's actually interesting. Anne and Jessica both have amazing scenes together. My god! Those two can say so much with just one look.

It was a pleasant movie.

"Mother's Instinct" is a psychological thriller that offers a compelling exploration of suburban paranoia, but ultimately falls short meriting a 6 out of 10 rating. Set in the 1960s, the film stars Anne Hathaway and Jessica Chastain as Alice and Celine, two neighbors whose idyllic lives unravel after a tragic accident.

The film's strength lies in its lead performances. Hathaway and Chastain deliver nuanced portrayals of complex characters, capturing the escalating tension with a sense of urgency that keeps viewers engaged. The production design and costume work are also noteworthy, effectively transporting the audience to the era with a meticulous attention to detail.

However, "Mother's Instinct" stumbles in its final act. The build-up of suspense and mystery, carefully crafted throughout the movie, culminates in an ending that feels both rushed and disappointing. . The resolution lacks the emotional payoff that the preceding narrative promises, leaving viewers with more questions than answers.

Despite its shortcomings, "Mother's Instinct" is a visually striking film with strong central performances. It's a worthwhile watch for fans of the genre, though it may not leave a lasting impression due to its underwhelming conclusion.

Set in a middle class 60's setting which is beautifully done, 2 families who are dear friends both experience unforeseen trauma in their lives which leads to a catastrophic end.

I'm not a grand fan of Hathaway who plays Celine, but this pairing with Chastain who plays Alice is cinematic gold. The story follows the pair through trauma and heartbreak with an ultimate end of a perfect pairing.

The film at first is slow and kind of reminds you of the old slow starting films of the 60's. But it's done so nicely that it's not onerous to follow the story being set. Slowly but surely events unfold and you realise something is happening but you're not sure what.

Eventually 1 mystery is solved but it only opens up another mystery, and then another, and then another.

I'd not say it kept me on the edge of my seat, but it certainly held my attention with ease. I particularly loved the way it made me feel deep sympathy with both star characters, knowing that 1 or perhaps both of them was the 'bad guy'. Then again, perhaps neither of them were and they were being manipulated by someone else... Pitting them against one another was a great move and kept me guessing until the end.

The sets and wardrobe and even the traits of people were absolutely on point for the 60's, and I loved how there was no extraneous noise affecting the main script. No police interviews, no secondary characters poking their noses in, and no grand arguments with threats and shouting. It was all very muted and yet was foreboding in it's quiet, like a great Hitchcock movie, but obviously not near as good.

All in all a great story and a great film with great actors and I give it a solid 7.

Let me start by saying this: the movie wasn't spectacular, but it certainly wasn't bad either. What I can confidently say is that it was intriguing, unpredictable, and refreshingly different. With two of the most talented actresses of our time sharing the screen, the performances were absolutely top-notch. The cinematography, with its vibrant and colorful 80s setting, was beautifully done and immediately drew me in.

What really stood out for me, though, was the story. It was unique, and the ending felt like a breath of fresh air. It's rare to see a film take that kind of direction these days, and it was a pleasant surprise.

The reason I wouldn't call it spectacular is because I think the story had the potential to be even more engaging. It felt like the director played it a bit safe and could have pushed the boundaries more. That said, the ending leaves room for a possible sequel, so who knows what's next!