इनसिडियस द रेड डोर

Come on Blumhouse, can you come up with better horror films than this lately. Thoroughly disappointed with this movie. What was the point? We already knew everything that happened in the movie, it was nothing new, it was very predictable. The movie was very slow and boring. No new material or creatures or scenes or anything that kept you on the edge of your seat. There were a couple jump scares but nothing exciting. The storyline was really dull and was exactly what we knew from previous movies about the evolution of Insidious. When it was over, you were left feeling, why did I spend money for this?!

2.5 out of 5 stars.

Insidious The Red Door is a pretty bad supernatural horror film that is starting to become dead end for the franchise. The concept is creepy and scary about a person astral projecting into the realm the further were lost souls and demonic entity can find you.

The plot is a conclusion to the Lambert family after seeing them in the second movie in the series. Is it really a necessary sequel? Not really. Plot follows 9 years later. Dalton is going to college while his father is still feeling hazy after they were hypnotized to forget the events on the second film. Until they both discover they can astral project again and something sinister comes there way.

The film is more of a story about father and son trying to resolve with each others mystery conflict. The movie has less scares and thrills. Which is very few in between. Some cheap jump scares that does not do the trick with this film.

The cast is okay in the film but the script is a bit dull with there characters.

Overall, the fifth film bites the dust in the further and it might as well be skipped.

I couldn't help but believe that the horror component of the film fell short of expectations as it neared its finale. It's impossible to say whether this occurred as a result of my yearlong exposure to a large number of horror films or if there was a problem with the writing. I wished there had been more genuinely horrific and spine-chilling moments because the ending felt a little hurried. The emotional depth between the characters was another component I hoped had been further addressed in the movie.

The movie did, however, have certain advantages. An unsettling mood was created by the cinematography and visual effects, which added to the overall suspense. The tension was effectively heightened by the use of lighting and sound design, increasing the audience's anticipation during crucial scenes.

First of all, it's definitely not the best horror film I've ever seen. It's not going to win any Oscar's or leave you gasping in awe. However, it's certainly not a terrible as some of the reviews suggest.

It holds your attention and has some great jump scares.

On the negative side, I'm a huge fan of the insidious movies, but this just doesn't feel like it belongs with the others.

The plot isn't terrible, but the college scenes are a bit cheesy, overacted and stereotypical. The whole sorority thing has been overdone.

In short, as a stand-alone movie this is fine. A solid 6/6.5. It just doesn't have the insidious feel for me.

The guy sitting next to me covered his ears for literally the entire movie. I don't blame him, as there were a frustrating amount of obnoxious, tasteless jump scares.

But an equal amount of the scares were EXTREMELY effective, involving clearly thoughtful placement of disturbing imagery and refreshing patience. Patrick Wilson's extensive experience in horror films gave him insight on how to craft atmosphere. I just wish he would have done it more often.

The story does find good reasons to exist-to continue this long-delayed franchise. It explores themes of memory that feel like a natural continuation of the Lambert's story. And it culminates in an emotionally satisfying ending.

It's just that the script too often falls upon stilted, unnatural dialogue and is paced without a sense of progression, and it makes this movie a lot less effective and memorable than it could have been with the many good ideas on display.