Simón

Simon, it is a film with an extremely moving script. Especially for the people of Venezuela, who have experienced the fictional reality of this film firsthand. The performance of its protagonist is heartbreaking. Only a Venezuelan could play a character like that, since he has first-hand experience. And what better than an actor with that level of connection to the story? His co-star, who is a renowned social media comedian, does a really hard-hitting job. Watching it without being moved is extremely difficult. Bravo for this movie. Necessary. Cinema should tell more stories like this. About the realities of the People of the world.

This is the movie on everybody's mouth right now in Venezuela.

It deals with one of the most, if not the most trying, horrifying and heart wrenching moment in Venezuelan history, which were the 2014 and 2017 protests when hundreds of young people (most of them students) were mercilessly killed by the national army.

Well, the movie doesnt depict those moments, it just shows you glimpses of it, as the movie is about a young man who participated in those protests and then moved to Miami, and now he is dealing with PTSD, basically.

Even though I am Venezuelan and I lived through those times, the film didnt really impacted me emotionally for the most part.

I think maybe it was the lack of Venezuela in general, as the majority of the movie takes place in Miami. There's only one shot of Caracas, and then the scenes that take place in Venezuela happen in a run down abandoned horrible place where our protagonist was held captive.

The monologue by Franklin Virguez was definitely the highlight of the film. The lighting in that scene, everything was terrifying. The protagonist's acting was pretty good too.

But in general, I think it lacked contrast, it would have been more effective if they showed some happy times in our protagonist's life in his home country and they should have definitely added his parents to the story since dozens of parents lost a child during those protests, and many of them were constantly on the news.

I also was not sold on the action of the film being the whole situation with the medicine.

I dont know, I think this movie is by Venezuelans for Venezuelans, it really doesnt have that universal thing about it, it feels way too specific, if that makes sense.

And that universal aspect is precisely the amazing thing about movies. You can watch a movie that has absolutely nothing to do with you or your country, that was made in a time when you weren't even born, and that movie can resonate with you in ways you Never imagined.

But as I mentioned in the title, this film will probably only resonate with venezuelans for the most part.

And it is the type of movie people will love simply because of the subject matter, not because the movie itself is actually great.

In "Simon," director Diego Vicentini embarks on a bold journey to unravel the intricate layers of Venezuela's current turmoil, crafting a narrative that resonates deeply with those familiar with the country's harrowing reality. At its core, the film aims to shed light on the dire circumstances faced by students and the ruthless suppression by the government against those who dare to oppose its reign. It's a commendable endeavor that seeks to bring the forgotten paradise of Venezuela to the forefront of global consciousness, now a shadow of its former self, mired in devastation.

The movie does an admirable job of encapsulating the tragedy of the Venezuelan people, many of whom have been forced to flee their homeland. Through the lens of "Simón," viewers are offered a glimpse into the collective struggle of a nation, as well as the personal stories of resilience and despair. The choice to base the narrative on true events lends an authenticity to the film, making it a potent reminder of the ongoing fight for freedom and justice within Venezuela.

However, for an international audience, "Simón" might not hit the mark as intended. While the film's ambitions are clear, its execution often feels amateur, particularly in terms of acting and production values. This aspect might detract from the overall impact for viewers unfamiliar with the Venezuelan context, potentially overshadowing the poignant message at its heart.

For those close to the Venezuelan crisis, "Simón" will undoubtedly strike a chord, serving as a moving tribute to the resilience of the human spirit in the face of adversity. To the international audience, it offers a valuable, if somewhat flawed, insight into the realities of a nation fighting to reclaim its identity and dignity.

"Simon" may not be perfect, but it is a necessary film that highlights the urgent need for awareness and support for Venezuela. It's a reminder that behind the headlines are real people enduring unimaginable hardships, deserving of the world's attention and empathy.

Vicentini's script is extraordinary, very well done, rounded. It is not a predictable story. Martínez's cinematography elevates the script with its beauty and softens the strongest scenes. Very good performances, especially Mcgaffney's, who carries the weight of the entire film.

Special mention for Virguez, who despite his short participation, his character remains embedded in the memory of those who watch the film. "Simón" is very well produced/cared for by González and Rasquín. Sheinfeld's music is beautiful, he understood the script perfectly and takes it to another level.

The direction is incredible, and even more so taking into account that it is Vicentini's debut film (the one directed when he was 27 years old). The editing (also by Vicentini) achieves a perfect meshing of the story, which moves between present and past.

Regarding the subject, "Simón" manages to strike a very sensitive chord not only for Venezuelans, but for anyone who is empathetic with issues as complex as migration and the violation of human rights.

Excellent combination of well-made cinema and relevant subject matter.

I lived in Venezuela when the saying was "It's Cheap, Give Me Two!" (as the title says in Spanish). This saying originated in the 80's. Venezuela was democratic and rich. The exchange rate was 4.35 Bolos=$1. Many middle class would travel to the US and buy a lot of stuff because "It's Cheap, Give Me Two!" So sad how Venezuela changed in just a few years after Chavez/Maduro's election in '99.

The movie deserves the current 7.8 rating. The acting is very good and Spanish was spoken with the proper accent (kinda of important for authenticity). Simón is psychologically scared while trying to get asylum in Miami. The ending closes all questions.