Night Stalker: The Hunt for a Serial Killer

As a true crime fan who grew up in Los Angeles during the 1980's, naturally I was looking forward to this documentary series. Night Stalker: The Hunt for a Serial Killer however, quieted my concern that it would glamourize Richard Ramirez. It did not. Far from it.

It is a celebration of the lead homicide detectives who worked tirelessly to capture an elusive, vicious killer. It also shines a great big light on the survivors, who reflect on the victims.

I appreciated the fresh approach to showing the crime scene photos - avoiding the typical horror soundtrack and overly macabre display. There are countless documentaries on serial killers that do this, but this one took a more sober approach, perhaps out of respect to the victims and their families.

Richard Ramirez's childhood and his trial is glossed over, but this is hardly a complaint. It never set out to cover the same old story, but a few more minutes delving into this segment would've felt more complete. A strong 9 out of 10.

A great doc on the LA Night Stalker. I appreciate the decision to keep the focus on the detectives and victims rather than the killer. The story had good flow and an even mix of archival footage and interviews. The cinematography was vivid and paired well with the music to hold attention throughout.

It's interesting to hear the stories of the guys who found this psycho. We take for granted that someone in authority is going to protect us while we sleep in the comfort of our beds. But these guys put themselves and their families at risk for us, so it is totally inappropriate to make unfair comments here about these men.

Hard to watch. Be warned, the series contains very graphic photographs of the victims.

Brought me right back to that miserably hot summer with all the doors and windows locked tight in my parents' house in Rowland Heights. Lt. Richard Walls of the Sheriff's Information Bureau, seen about half way through the last episode, was my late brother-in-law. He did a large number of news appearances and interviews, both local and national, during that investigation.

The slo-mo blood soaked hammer is a sign of things to come. A lot of the graphics, footage and photos were manufactured, staged or unnecessary. Seems like they were really trying to be auteurs with the presentation when the subjects, the detectives, are better when just left to tell their story. The bar scenes reused for all policemen seemed like they were forcing some aesthetic that didn't need to be done.