Women Talking

Powered by strong performances across the board, Women Talking follows the women of an isolated & ultraconservative community who take it upon themselves to decide the course of their future in the wake of a shattering revelation which compels them to reconcile their faith with their violent reality. Bracingly crafted & effectively told, it serves as a plea, a protest & a parable all at once.

Written & directed by Sarah Polley, the story borrows its premise from a real-life event and the film is an imagined response to it - a reaction through fiction. The disturbing truth surfaces in gut-punching ways as the women argue & discuss their next move while snippets of their past adds more weight to their collective pain, rage, fear & trauma. It does get repetitive but it also gets the point across with clarity.

The colour grading is an interesting choice, for it illustrates the bleakness of their existence in a colony ripe with unchecked male aggression but more could've been achieved with the camera. Still, what it lacks in cinematic qualities, it makes up in dramatic heft & strong emotional wallop, thanks to impressive work from the entire cast, ranging from Claire Foy's fierce rendition to Ben Whishaw's tender act, all enriching the narrative.

Overall, Women Talking is a timely, topical & thought-provoking drama that brims with hate, hurt & heartbreak in its illustration of the horrifying reality of female experience but there is also hope for a better future despite the agonising brutality of their past & present. Though there was more up for grabs which it fumbles with its very own creative choices, the commitment from the cast & searing intensity of their inputs makes it an essential viewing.

The fact that the movie is set in 2010 and is based on a true story is not easy to believe. The way things unfold, one would think it is at least in the 50s at the latest for the most part. But the way some cults work, and how people fall for them and spend generations in them is a sad truth of our world. Even though it can be technically called a chamber piece, it doesn't feel like one. There's so much in writing and directing that adds novelty to the story which is not exactly something groundbreaking. There are little moments throughout the film that makes the situation more weird and real at the same time that most films don't do.

There's two movies about sexual assault this year-this and the Harvey Weinstein based 'she said'. I found 'she Said' To be like watching 'spotlight' all over again. It didn't add anything new to the conversation. This does because of its nuances. It's easy to make a 'sexual assault bad' movie but this movie grapples within a religious faith based community where things aren't so black and white. I loved how all the characters represented all points of view-doing something about it, say nothing, etc. I love all the main cast-Claire foy, Jessie Buckley, Rooney Mara. Really great film done subtly on an important subject.

You go to bed then wake up bruised, bloody, quite groggy and confused; you know instantly, that your body's been abused, your mind cannot conceive, all the torment and the grief, but you're not the only one, that's being used. So the women of the colony convene, to discuss the implications of what's been, carry on like there's no wrong, stay and fight which might prolong, or leave this place, put barriers between. The conversations, confrontations ebb and flow, the picture of what's taken place is shown, anguish, misery and despair, amongst a culture built on prayer, where the men have their own rules, their manifesto.

It's a wonderful piece of filmmaking that engages from the outset with great dialogue, a disturbing story, and an empowering conclusion - with outstanding performances throughout.

In 2010, the women of a Mennonite community must come together to make a decision following the discovery of a terrible secret of the men in their community. There are three options: do nothing, stay and fight, or leave. Great. The incipit is undoubtedly as interesting as it is a thriving ground for opening an important dialogue on concepts such as faith, misogyny, and feminism.

While it is an important film, and an important issue, I found the script to be profoundly insincere and artificial, in dialogue that is more like a skein of feminist slogans piled one after another. The way the characters express themselves, interact, and behave is mechanical and relegated to the stereotype of women they represent. To the most controversial character, McDormand's, I was sorry that, even in her being at fault, no space was left.

On a technical level there is nothing particularly significant; the coloring is interesting, if not particularly aesthetic. The performances of course were good, as the cast is mostly made up of great actresses.

Women Talking is commendable in its intended message, but otherwise it seems a wasted opportunity of cast as much as of reference material.