Life After Life

A mixed bag. Lovely sets and acting. The first episode dragged, but the second was more engaging. The third was good too, but by the fourth I was bored. Unnecessarily harrowing in places, to the point of mawkishness. But I liked the way Ursula's character changed in her different lives. Difficult to watch the mother without thinking Claire in Fleabag! 😀

I have read the book and enjoyed it very much, even if the stuff in Germany is a bit fantastical. But they changed the ending for the series!! That was a mistake - the series ending is a letdown. I won't give away what it should have been, but it means they can't make an adaptation of the sequel, A God in Ruins, which to my mind is actually a better book.

What a pleasure it is to watch something that is intelligent and meaningful and beautifully written and brilliantly acted.

The story itself is a deep one. Philosophically and emotionally. It deals with life and death and loss and love and everything that makes up a single life. But for Ursula, a single life lived many many times

McKenzie Is an incredible actor. She brings so much depth to the character. She is an absolute joy to watch.

A refreshing change to the run of the mill period drama. Ground Hog Day mixed with Downton Abbey! Occasionally painful to watch (episode 2 was particularly harrowing) but also uplifting in parts. Certainly kept me gripped. It does drag in parts and the narration is occasionally distracting but overall excellent, including the acting and production values.

I'm a big fan of Kate Atkinson novels. So I was keen to see the adaptation of Life After Life. In my opinion, cast and crew have done a great job. It's a very intricate novel and I was concerned it wouldn't work on screen.

I really enjoyed it and Thomasin McKenzie is a wonderful young actress.

Adapted for TV from a popular novel with an intriguing premise - a protagonist continually being reborn with a chance to live her life again with different outcomes.

This was a quality drama with high production values, beautiful direction and cinematography and a fine classical score by Volker Bertelmann. The script by Bash Doran was well-crafted with lovely crisp dialogue and a well paced structure. The cast was strong in depth from the children right up to the protagonist Ursula.

Minor quibble would be the narration - a little over used but in general everyone was on song in this production, congrats all round, I loved it.