सलार: Part 1 - Ceasefire

Action movies have become excessively exaggerated in Indian cinema lately. Prabhas, known for his roles post-Bahubali, seems to be stuck in a rut with repetitive movies where he remains stationary, only altering the planet's rotation. This particular film features a dozen entry scenes, with Prabhas engaging in fights without moving from a single spot, resulting in hundreds of people being chopped down. The movie appears to be heavily inspired by Game of Thrones but executed poorly, mirroring the constant shifts in the storyline.

The main lead in the film resembles a mere model, standing stoically and striking poses every 5-10 minutes. The movie lacks substance, presenting a mindless and directionless action spectacle where everything seems to spiral out of control. Unfortunately, there's a sequel on the horizon, much to the dismay of the audience. It's advisable to steer clear of this film at all costs to save yourself from disappointment.

There is no reason or point to watch the first half. Movie can directly start from the 2nd half.

The pace of the film rises too fast in the 2nd half. This literally creates confusion in plot.

The direction and BGM is far better in KGF.

Being a pan-India and a broad film, the director must spend some time on VFX works. The VFX is too poor in some sequences, which will not make a quality film. Actors did a great work, the presence of PRABHAS filled the theatres.

A commercial film.

I am really waiting for the drama in khansar. The entire drama will be similar to GoT.

The overall verdict - Watch it to watch SALAAR 2.

Synopsis: The film invests significant time in world-building but falls short of captivating the audience within its narrative.

First half: The initial segment is rather mediocre. While the Interval block attempts to instill excitement, the audience struggles to connect with the story from the outset. The buildup feels somewhat excessive.

Second half: Exhaustive. A substantial twist at the end sets the stage for part 2, but its impact is diminished by a desire for the film to conclude. The prolonged buildup doesn't adequately match the actual scenes, resulting in a sense of loud anticipation that one wishes to end. Trimming 30 minutes from the 3-hour runtime would have made it a more engaging watch.

Background music is subpar, excessively loud, creating an unwanted auditory experience. The songs merely exist without evoking much interest.

Final verdict: "Salaar" is a film worth exploring when time permits. It has its moments of attraction, but overall, it delivers a rather lackluster cinematic journey.

Neon-drenched action and pulsating music ignite Prashanth Neel's Salaar, but beneath the dazzling surface lies a narrative wasteland. While fleeting moments of potential flicker in supporting performances, the film ultimately stumbles under the weight of its own bombast, failing to connect with audiences on an emotional level.

Neel's penchant for spectacle over substance permeates the film. Thundering soundtracks and flamboyant set pieces mask a predictable plot built on overused tropes like "friends turned enemies." The narrative, echoing Neel's previous work, feels reheated and lacks the thematic depth and emotional resonance that captivated audiences in KGF.

Prabhas, burdened by a stoic script, becomes a passive observer in his own film. His slow-motion walks and unemotional delivery fail to inject depth into the protagonist, leaving viewers struggling to connect with him or his motivations. The supporting cast, however, fares better. Prithviraj and Shriya Reddy deliver nuanced performances, hinting at the complexities their characters could have possessed had the script delved deeper.

Action sequences, despite their visual flair, remain emotionally hollow. They roar with bombast but lack the raw power and thematic weight that fueled the fights in KGF. Neel throws spectacle at the screen, but it's like empty confetti - flashy and fleeting, leaving nothing behind but a sense of disappointment.

Salaar's greatest sin lies not in its flaws, but in its missed potential. Glimpses of a compelling story, exploring complex relationships and emotional turmoil, flicker briefly before being extinguished by the film's relentless pursuit of spectacle. These fleeting moments serve as a painful reminder of what Salaar could have been, a film that resonated with audiences on a deeper level than mere visual thrills.

Ultimately, Salaar is a disappointing detour for Neel.

It descends from the raw power of KGF into a hollow spectacle, devoid of the emotional core and thematic depth that made his previous work so impactful. While sparks of potential glimmer in the supporting performances, they're not enough to salvage the overall underwhelming experience. Skip Salaar and revisit KGF for a more fulfilling encounter with Neel's directorial talent.

Same old story, bogus action scenes! Just a cheap copy of KGF. After Baahubali I have not seen any good movie from Prabhas. This was too a bore. Too many characters, took so much time for world building. If they were planning to make more movies under this franchise name, they should have focused less in world building and more on story telling. They could have progressed their world building with each new movie. This movie could not escape the shadow of KGF. People loved Yash in KGF and director tried to just copy paste those same things! And Throughout the movie, Prabhas was so expression less, I thought I was watching Arjun Kapoor!