IMDb रेटिंग
7.3/10
9.2 हज़ार
आपकी रेटिंग
न्यूयॉर्क की बस्तियों में गरीबी देखकर, एक इतालवी प्रवासी, मेयर को अनाथ बच्चों के लिए आवास और स्वास्थ्य देखभाल प्रदान करने के लिए राजी करती है.न्यूयॉर्क की बस्तियों में गरीबी देखकर, एक इतालवी प्रवासी, मेयर को अनाथ बच्चों के लिए आवास और स्वास्थ्य देखभाल प्रदान करने के लिए राजी करती है.न्यूयॉर्क की बस्तियों में गरीबी देखकर, एक इतालवी प्रवासी, मेयर को अनाथ बच्चों के लिए आवास और स्वास्थ्य देखभाल प्रदान करने के लिए राजी करती है.
- पुरस्कार
- 4 जीत और कुल 11 नामांकन
Patch Darragh
- Dr. Murphy
- (as a different name)
सारांश
Reviewers say 'Cabrini' is acclaimed for its inspiring narrative, strong performances, and exceptional cinematography. The film is praised for historical accuracy, detailed set designs, and authentic costumes. Cristiana Dell'Anna's portrayal of Mother Cabrini is highlighted for its depth. Themes of resilience, faith, and social justice resonate deeply. High-quality production values, including the musical score and direction, are noted. However, some critics mention pacing issues and an overemphasis on certain messages. Overall, 'Cabrini' is celebrated for its emotional impact and powerful legacy.
फ़ीचर्ड समीक्षाएं
I love true stories of people accomplishing great things, especially when they must overcome the odds against them. This was the case in the movie "Cabrini," an inspiring, motivating, suspenseful movie about a real woman and the good she accomplished through determination, persistence, and faith. It made me feel like I should be doing more with my life, but in a good way, not a way that made me feel small. We need to focus more on people who have overcome much in order to improve the lives of others and find happiness and satisfaction doing so. We need more movies like this, and fewer movies like the ones often produced.
This movie is SO good!! It follows the life of Saint Frances Xavier Cabrini, an immigrant from Italy who came to America to do missions work. It's such a compelling story, you watch as she gets horrible racist and sexist remarks made against her, and she still overcomes. She is a strong woman who people should look up to. She opened an orphanage and faced so much adversity all along the way. We need young woman to have someone like this woman to look up to, she was able to take all the ridicule and hate she got and become greater than she ever had the right to become. That's amazing! But what's even more amazing to me is that it's a true story.
Although I avoid religious films that have a holy message to relay, I have become a cheerleader for Angel Studios because of the two films I have seen, the box-office-wonder Sound of Freedom and now the beautiful and engaging biopic, Cabrini. They have a production richness not only exemplified in the realistic and lush cinematography (shout out to Cabrini lenser Gorka Gomez Andreu), but also believable heroes such as the human trafficker hounds in the former and the canonized Mother Cabrini (Cristiana Dell'Anna) in the latter. Both films have the same director, Alejandro Monteverde.
The realism and the goodness of the characters helps make the two films memorable for putting us directly in the action (in Cabrini 1899 New York City) and only subtly sanctifying the heroes. The elements of first-rate filming are in Cabrini: original music by Gene Back that captures spirituality while exalting humanity, Alisha Silverstein's spot-on period costumes, and an equally-impressive Carlos-Lagunas production design. Over them all is a lean and effective story by Monteverde and Rod Barr aided immensely by the creative editing of Brian Scofield.
As always, the acting makes the difference: Besides Dell'Anna's award-worthy interpretation of the diminutive "entrepreneur," David Morse's archbishop is imperious and difficult, matched growl for growl by John Lithgow's intractable mayor. Senior to them is the impressive Giancarlo Giannini as Pope Leo XIII, who assigns the NYC slums to Cabrini's future as the eventual patron saint of immigrants.
Mother Cabrini, despite her failing health and being a woman in a paternalistic society, is a superlative example of the feminist Gloria Steinem could imagine: kind and ambitious, tough and savvy, in love with children who need her love. It would be next to impossible not to shed a tear watching her build an orphanage and then hospitals in the spirit of her selfless mission to help the disadvantaged.
But then that is what this film does as it portrays the uncomfortable world of early 20th-century poverty while encouraging us to clap for the heroism of Cabrini and her soldiers, including a Mary-Magdalene-type prostitute, Vittoria ( Romana Maggiora Vergano). The comparison to Christ's journey is never emphasized, all the better to realize the everyday heroism of our fellow humans.
I am impressed once again by the ability of director Monteverde and the Angel Studios to craft a biopic that reeks of reality while it spiritually transports to the worlds of authentic heroes. Cabrini is, like the current Oppenheimer, a true, albeit "inspired by," biopic with heart and grit.
The realism and the goodness of the characters helps make the two films memorable for putting us directly in the action (in Cabrini 1899 New York City) and only subtly sanctifying the heroes. The elements of first-rate filming are in Cabrini: original music by Gene Back that captures spirituality while exalting humanity, Alisha Silverstein's spot-on period costumes, and an equally-impressive Carlos-Lagunas production design. Over them all is a lean and effective story by Monteverde and Rod Barr aided immensely by the creative editing of Brian Scofield.
As always, the acting makes the difference: Besides Dell'Anna's award-worthy interpretation of the diminutive "entrepreneur," David Morse's archbishop is imperious and difficult, matched growl for growl by John Lithgow's intractable mayor. Senior to them is the impressive Giancarlo Giannini as Pope Leo XIII, who assigns the NYC slums to Cabrini's future as the eventual patron saint of immigrants.
Mother Cabrini, despite her failing health and being a woman in a paternalistic society, is a superlative example of the feminist Gloria Steinem could imagine: kind and ambitious, tough and savvy, in love with children who need her love. It would be next to impossible not to shed a tear watching her build an orphanage and then hospitals in the spirit of her selfless mission to help the disadvantaged.
But then that is what this film does as it portrays the uncomfortable world of early 20th-century poverty while encouraging us to clap for the heroism of Cabrini and her soldiers, including a Mary-Magdalene-type prostitute, Vittoria ( Romana Maggiora Vergano). The comparison to Christ's journey is never emphasized, all the better to realize the everyday heroism of our fellow humans.
I am impressed once again by the ability of director Monteverde and the Angel Studios to craft a biopic that reeks of reality while it spiritually transports to the worlds of authentic heroes. Cabrini is, like the current Oppenheimer, a true, albeit "inspired by," biopic with heart and grit.
Mother Cabrini is a legend and I'm shocked that I had never heard her story before! This movie tells of her struggles and triumphs in such a beautiful, inspiring, and compelling way!
After watching I not only wanted to research more about what she did in her life, but also the area of Five Points in New York City. Historically I felt enriched, but also I felt an overwhelming empathy for my fellow man and the struggles people are going through. Cabrini helped orphans and immigrants with nothing more than faith, believing the resources would come. I felt so uplifted and inspired to do more, no matter how much I can offer, it is enough!
Total girl power with faith in God. Perfect pairing!
After watching I not only wanted to research more about what she did in her life, but also the area of Five Points in New York City. Historically I felt enriched, but also I felt an overwhelming empathy for my fellow man and the struggles people are going through. Cabrini helped orphans and immigrants with nothing more than faith, believing the resources would come. I felt so uplifted and inspired to do more, no matter how much I can offer, it is enough!
Total girl power with faith in God. Perfect pairing!
Ok, I randomly stumbled on this movie and the ticket. So I just decided to go and watch it one Thursday night. I should also start this by saying that I do not care for religious films but I'm always a fan of a good female hero. THIS STORY WAS SO GREAT. And the quality of actors and backgrounds ... thank god. I could not sit through 2 hours of cheesy Hallmark style movie. Thank you to who ever funded this! I walked away feeling so inspired and in love with Cabrini and I adored seeing NYC as it once was. I appreciated that God was silently in the film. I recommend! It was an era & hero film that anyone would wnjoy.
क्या आपको पता है
- ट्रिवियाThe film was screened by the nuns of Mother Cabrini's order, some of whom were in their nineties. By the end of the film, many of them were reported to be crying with several of them exclaiming, "THAT'S Cabrini!"
- गूफ़Archbishop Corrigan was not the son of poor working class Irish immigrants in New York City. Corrigan was born in New Jersey to Irish immigrant parents who owned a retail grocery and liquor business in Newark and were well-to-do.
- साउंडट्रैकDare To Be
Performed by Andrea Bocelli and Virginia Bocelli
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Cabrini?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Untitled Cabrini Film
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,95,12,134
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $71,68,520
- 10 मार्च 2024
- दुनिया भर में सकल
- $2,05,90,202
- चलने की अवधि2 घंटे 22 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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