Lift

I recognize a cheap copycat of a heist movie when I see one and this is definitely one of them. I really do like Kevin Hart (THE reason I started watching this) in other movies, but this time around even he didnt make me laugh.

The bad: Kevin Hart tries to act seriously this time around and that basically is NOT his strength at all. Bummer. But what's worse though is that ALL the other actors are TOTAL NOBODIES.

More bad: supposedly a heist movie, but the heists are completely 100% STUPID AND SILLY LOOKING. This was suppose to excite me?

This looks and feels like yet another cheaply made Netflic movie, only made to fill up another time slot. To be avoided (if one can), especially by the Kevin Hart fans, of whom I am one.

As usual, an expensive cast can't help with a poor script of less than B-grade quality. Kevin Hart is mis-cast and has zero charisma as the supposed leader of an elite team of art thieves. A few other names show up but have little to do.

Action is kind of feeble, except for the initial Venice boat chase which is just OK. The actual plot, such as it is, makes very little sense, and seems essentially random.

Even my wife, who is very tolerant for basic fun movies, was openly mocking the ridiculous and predictable script by the end.

Yes, it's another half-hearted by the numbers effort by Netflix. No, it's really not worth your time. I regretted watching it.

Have we not seen this type of heist film a million times before? Bad guys catch a break from law enforcement only if they do the police's dirty work for them with a big heist or job. Only for the criminals to steal the prized, priceless artifact (or the loot) at the end and then they get away with it.

Lift is no different. If we were to combine Ocean's 11 with the Fast & Furious franchise, then Lift would be that end product. Only Kevin Hart isn't even as charming as George Clooney or as smooth as Brad Pitt. Dare I say even Vin Diesel is better casted in these types of roles than Kevin Hart. Was Hart terrible? No. But he certainly did not match the acting of his counterpart and love interest, Gugulethu Sophia Mbatha-Raw, who I feel was wasted in her by-the-numbers Interpol agent-turned criminal a la Brian O'Conner from F&F films. She looked stunning though as always.

Jean Reno plays the bad guy but, seriously, we're so used to seeing him in these types of films that his presence in the film holds no weight. He's a decent actor and he's typecasted for these types of roles because he plays them well. BUT, again, it just seemed like more of the same with him as the bad guy in a heist or espionage film now where I can't even get invested in the plot cause I'm so tired of seeing him in these roles.

Anyway, Lift itself was not that bad but it's biggest sin is we have seen this plot seems like 1,000,000 times before to the point where it just gets boring. I will probably forget all about this movie by the end of the week.

One bright spot is F Gary Gary did a great job shooting the film. For the most part, it looks great. The opening scenes of Venice were breathtaking and almost makes up for the rest of the film. But the plot to highjack a plane full of gold instead of doing it on the street is just so dumb and implausible that it makes the movie dead on arrival.

I found it boring. Boring dialog, boring actions, felt very low budget in many ways, from camerawork to lighting to music to script to directing. Despite low action, it was shot in 24p( standard horrible way) but in a way that introduced a lot of blur) again, nice attempts at panning, but failed on editing or the proper cameras or both.

The script is pretty bland. A predictable story we've seen in TV shows and movies 100X. Some parts of the script made no sense at all. Feels like some soap opera writer who decided to create an action, but failed to fact check everything.

Felt like an episode of a tv show that ran 45minutes too long... Now, if they would've removed 45minutes of useless content there would be an ok 6.3/10 TV show.

All that money, all that talent, all that distribution. The only thing Netflix's movie making adventure lack is heart.

Like most of their other offerings, this apparent movie lacks soul, spirit, whatever you want to call it. Its not there.

They spent a fortune on the talent and the production values, but apparently they don't care much about the actual script.

F. Gary Gray has clearly decided that he'd rather have a paycheque than make a good movie. This stinker continues along the same lines as everything else that he's made since the Italian Job.

Seriously, this movie is so bad I wanted to call up Netflix customer service and ask for my subscription fee back. Oh wait, they don't have any customer service.

Bad movie. Not even suitable for when you're stoned.