Empire of Light

Empire of Light is such a beautiful piece of cinema, oozing class, poignancy and power.

The story follows Olivia Coleman's Hilary, who forms an unlikely bond with Micheal Ward's Stephen whilst working together at the Empire cinema in Margate.

This style of story is right up my street. A mismatched pair who find solace and comfort in each other. It is beautifully done and packs in so many themes and different angles. I do think that some of the themes are dealt with in a bit of a ham-fisted way, and a bit more refinement would have been welcome but this is a relatively minor criticism. On the whole the story is very well crafted.

The performances are top notch. Olivia Colman really shines and is pushed to the limit by the layers of her character. Micheal Ward is a more than worthy opposite for her with a great leading performance.

With the cinematography in the hands of Roger Deakins the film was always going to be a visual treat. There is a melancholic majesty to the cinema set that Deakins captures which is gorgeous. As always he photographs the characters with such sympathy and feeling.

To top it all off the soundtrack perfectly compliments the themes of the film and brings even more emotion to the piece.

I'm surprised this film isn't getting more love as it really blew me away and has so much power and emotion to it. Empire of Light is a real triumph in my opinion.

The movie "Empire of Light" is filled with metaphors about human relationships. Writer and director Sam Mendes does a beautiful and sensitive job of bringing two socially marginalized individuals together through the art of film, music, and poetry.

Hilary (Olivia Colman), a movie theater manager is suffering from mental illness and Stephen (Micheal Ward), a movie theater helper is suffering racial discrimination in the community. Two worlds apart that together manage to understand each other's pain.

Olivia Colman's interpretation is once again absolutely perfect, she manages to convey all the pain of her character without uttering a word, only through her body language.

A beautiful soundtrack that helps enhance the mood of the movie.

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"Empire of Light works best as a love letter to the art of filmmaking and the theater experience. Brilliant performances. Astonishing to behold. Emotional to listen to - score is the technical highlight. Not so captivating narratively, considering that Sam Mendes' first solo script lacks depth in the most important themes.

It's a beautiful tribute to the magic of cinema that cinephiles will enjoy, but for viewers less passionate about the 7th art, it might be difficult to genuinely care."

Rating: B-

Empire of Light grapples with a lot of different themes and issues but struggles to do them all justice resulting in a mixed bag that at least offers an emotionally investing love letter to the power of cinema that remembers to show the problems of the time.

Olivia Colman gives a great lead performance that plays to her strengths with plenty of incredibly dramatic moments. Micheal Ward is really good with a calmness and earnestness that makes the romance more believable. Toby Jones is excellent in his small part, with a wholesome nature that hides a real sadness.

Despite a muddled screenplay as first time solo screenwriter, Sam Mendes' direction is still technically impressive with Roger Deakin's gorgeous cinematography enhanced by a typically evocative score by Trent Reznor and Atticus Ross.

You're trapped inside a world of make believe, where people take their seats to be deceived, lose themselves in fantasy, reels conjure alchemy, this is no paradise or palace, that you perceive. Behind closed doors, torment and distress are at play, where advantages are taken day by day, but you plough your lonely furrow, cage the rage, the pain, the sorrow, then someone new arrives, projects a fresh pathway.

I spent two hours spellbound at the incredible Olivia Coleman, who takes you into the unstable world of Hilary in early 1980s Britain. More than ably supported by Michael Ward, the pair paint a picture of the challenges of the day, from different backgrounds and perspectives, that rollercoast your emotions to extremes. Great story, great direction and great performances - what more do you need from a film?