La tête en friche

A sweet trifle of a film, taken to a deeper and richer level by two outstanding performances.

Gerard Depardieu, in what must be his 6,000th film still feels fresh and alive as the overweight, under educated and well meaning laborer who can hardly read, and who strikes up a chance friendship with the 94 year old Margueritte, played with amazing delicacy and life force by the wonderful Gisele Casadesus, who was an astounding 95 herself when this was made. Oh that we all should live so long with such grace.

Marguritte begins reading to the quasi-literate Germain, who finds his interest in reading sparked, and with it an expanded sense of self. He even finds himself falling in love (in a chaste almost childlike way) with the still beautiful Margueritte.

Simplistic, sure, sentimental, undoubtedly. But much like Jessica Tandy and Morgan Freeman in 'Driving Miss Daisy' these two actors give performances that make you want to forgive anything that might otherwise feel trite or too on the nose (e.g. the very literal flashbacks to Germain's childhood).

Not quite a great film, but a charming, sweet, life-affirming and very human one.

La tête en friche is a beautiful little French film based on the book by Marie-Sabine Roger and adapted for the screen by Jean-Loup Dabadie and director Jean Becker. A tale of an unexpected life change that occurs when an incidental meeting on a park bench brings together an illiterate lonely man with an elderly woman whose best friends are her books in the isolation of old age, this is truly a story of transformation and a definition of pure love.

Germain Chazes (Gérard Depardieu) grew up in an unwanted home, the brunt of teachers and classmates because they considered him illiterate, and now he is forced to lead a hand to mouth existence in a house trailer close to his now elderly, crass, alcoholic mother who still loathes him. He supports himself with odd jobs and by selling the vegetables he grows in his small garden. One day he visits his lunch spot - a park bench where he has named the 19 pigeons as his only real friends - and there he meets a very properly dressed elderly woman named Margueritte (two t 's because her father didn't know how to spell!) played by Gisèle Casadesus, who spends her days reading Camus, Proust, and other French classics aloud. They bond - Germain shares his pigeons' names and Margueritte introduces him in the most gentle manner to the joy of reading. Every day thereafter the two meet and Margueritte reads to Germain to the extent that Germain decides to learn to read despite his advanced years. Margueritte's influence changes Germain's outlook and response to the world and the ending, while sad on one level, is uplifting.

Both Depardieu and Casadesus are remarkable in their roles, never becoming caricatures but blossoming into completely warm and memorable people. The French cast is exceptional and the musical score and cinematography are as beautiful as the story they reveal.

Grady Harp

I thought that Becker's "Dialogue avec mon jardinier" was an excellent film; but watching "La tête en friche", I think this is his master work.

Depardieu is "the" actor in the current French movie scene and I can't imagine anyone other in the role of Germain Chazes. But the film lives by the art of both protagonists: Gisèle Casadesus and Gérard Depardieu. It is hard to imagine a greater contrast than the well educated lady on the one hand and the proletarian worker who had the worst start in life one can imagine, on the other hand.

It is a very old subject which was already treated in 1668 by the novel of Hans Jakob Christoffel von Grimmelshausen "Simplicius Simplicissimus" where a very simple person, a shepherd, by education and learning makes career as an army officer. Nothing other is demonstrated in this movie: A simple boy (shown in the flash backs) who never had a chance to become an educated person, gets the chance to learn due to the caring of an old lady and becomes all of a sudden a different person.

He notices the the problems of his surrounding and even understands his mother in the end - who always treated him mean during her lifetime.

This is a very moving film which gives hope that people and persons can be changed in their behavior by much love and understanding of their surroundings.

An excellent performance of Gisèle Casadesus (at the age of 96 years!) and Gérard Depardieu.

I voted 10 of 10 points.

A man (not so young) and a woman (very old) on a bench (the standard model), a few pigeons and few books, such are the basic ingredients of "La Tête en Friche". Not much in terms of dramatic backbone, but more than it takes for Jean Becker to make one of these heart-warming movies of which he has had the secret since "Les enfants du marais" (1995).

Little-known novelist Marie-Sabine Roger has provided the director, well assisted by the veteran scriptwriter Jean-Loup Dabadie, with typical Jean Becker material : the place of the action set somewhere in the French provinces (in this case, a village in the South-West of France), ordinary people as heroes (in "La tête en friche", a local Forrest Gump-like jack of all trades, a delicious 94-year-old lady who lives in an old people's home and a bunch colorful village people) as well as a lot of heart.

It is hard indeed to remain insensitive to the two leading characters, to the birth and development of a deep friendship between them, all the more as they are embodied to perfection by two wonderful actors, bulky Gérard Depardieu (a John Blunt who, against all odds, discovers the virtues of reading) and frail Gisèle Casadesus (as his unexpected Pygmalion). The two performers form an odd but touching couple that very few audience members can resist.

Funny and touching, light but not superficial, "La tête en friche" affords the luxury of examining, without depressing the viewer, such serious subjects as illiteracy, the status of the elderly in our society, the nearness of death, the aftermath of a difficult childhood...

The only thing that could be blamed on the authors is their giving Germain (Depardieu) a young mate. It is not Sophie Guillemin's fault at all : she is marvelous in the role. Fresh, natural, even solar. She is perfect but... twice as young as her partner. Not very believable, I am afraid.

But this is only a minor shortcoming. As a whole, "La Tête en friche" is an intelligent, sensitive and enjoyable film. One more achievement for Jean Becker.

Germain (Gerard Depardieu) is not illiterate. He knows how to read and write, but he really prefers not to. For one, he is not very good at reading, he goes slowly and he uses his finger to follow the lines across the page. However, his comprehension is pretty good, especially when someone reads aloud to him. He imagines the scene in his mind and if the reader is describing rats in the street he can see those rats squirming around in enough detail that it makes him uncomfortable. Not being a big fan of reading and not being known as any sort of intellectual at his local bar is just fine by Germain. He is a town handyman, a very capable gardener, appreciates his girlfriend, and is not depressed about his station in life.

His station isn't very high either. He lives in a trailer behind his mother's house and makes ends meet by being good with his hands, be it woodworking or gardening. One advantage to not having a steady 9-5 job is lunch in the park. Germain enjoys making a sandwich and leisurely eating it on his favorite park bench where he can monitor the pigeons. He goes there enough to know that in fact there are 19 usual pigeons hanging around and he even has names for all of them. It is here in the park where he meets 95 year old Margueritte (Gisele Casadesus). The park gives her a chance to escape the old folks home for a bit and read out in the sunlight.

Margueritte and Germain strike up a pleasant friendship where she reads aloud and he appreciates the stories. This is the first time in his life someone has ever taken the time to talk with him one on one about stories, how they make you feel, and what the author may have been thinking about. Germain has bad memories from his childhood, both from an unfriendly school and an uninterested mother. Margueritte sees through his thick exterior and recognizes a kind of kindred spirit, one who really appreciates a good story and crisp sentences. In another life and with decent surroundings, Margueritte surmises Germain could have been an author himself.

All of these new ideas, books, and learning makes his life a bit more uncomfortable. His friends at the bar notice his vocabulary is raising a notch or two and his girlfriend Annette (Sophie Guillemin) is starting to wonder where all of this self improvement is coming from. Give My Afternoons with Margueritte a strong point in the good script column that is sidesteps what could have been a misunderstanding with a real scene of openness, frustration, and acceptance.

Gerard Depardieu gives a very strong performance here as a guy everyone likes, except his mother, and who enjoys his life in his small town. This comes off a very good performance he had last year with Inspector Bellamy. Gisele Casadesus has shown up three times in the movies in the past few months. She has bit parts in Sarah's Key and The Hedgehog and for a lady of such an advanced age, she really has a grasp on Margueritte and how she would feel towards a man approaching middle age whose earlier experiences stunted what could have been a wonderful relationship between him and the world of books. She may be the only 95 year old in France capable of still turning out a good performance which is why she is getting every single role in France which calls for one.

My Afternoons with Margueritte is a very pleasant way to spend your own afternoon. Watching Germain and Margueritte plod through a Camus novel is refreshing and it is truly enjoyable to sit back and watch a script unfold which chooses to step away from cliché and focus on character and style.