La tête en friche

A film like Jean Becker's My Afternoons with Margueritte spoils me with a lyricism found not just in a small French provincial town filled with eccentric, lovable characters but also in sentiment propelled by exquisite words found in Camus and Romain Gary. And an odd couple who find love that is sometimes not named.

In perhaps a nod to Harold and Maude, Germain (Gerard Depardieu), a 50 year old non reader, meets in the park with 90 year old Margueritte (Gisele Casadesus), who initially reads to him from Camus' The Plague. As she awakens his interest in reading, his life changes, not the least of which is finding a loving mother figure for the abusive real one. Or maybe discovering Leonard Cohen's Suzanne.

So much more is layered in this romantic story: a Cheers-like café where love and disrespect, the two poles of sentiment in the film, play out in a way that exalts the affection even in the hardest of relationships; a traditional love affair for Germain with the younger Francine (Maurane) that may turn around the story's primary January-May motif but parallels it in the deeply loving relationship that seeks to perpetuate itself.

So much of My Afternoons is about renewal and rebirth, and so little is about death that the formula for too old to be young no longer applies. Nor does my expectation to be grossed out by Depardieu's enormous girth, a sad counterpoint to his dashing younger days. But wait, his weight is perfect for the role, his lines read with such understated beauty as to shout, "Where have you been, Gerard?" The bear-like man revealing a daisy-like affect is poetically perfect for the story.

If you expect the film to follow a formula, you will be correct, except maybe for the ending which confirms the motif of unnamed love conquering all. Actually, the film makes you cry for more of the odd-couple romantic formula.

As for the transforming power of books, Abe Lincoln had a witty take on the subject: "The things I want to know are in books; my best friend is the man who'll get me a book I ain't read." Change that to "woman" and you have My Afternoons with Margueritte.

A sweet trifle of a film, taken to a deeper and richer level by two outstanding performances.

Gerard Depardieu, in what must be his 6,000th film still feels fresh and alive as the overweight, under educated and well meaning laborer who can hardly read, and who strikes up a chance friendship with the 94 year old Margueritte, played with amazing delicacy and life force by the wonderful Gisele Casadesus, who was an astounding 95 herself when this was made. Oh that we all should live so long with such grace.

Marguritte begins reading to the quasi-literate Germain, who finds his interest in reading sparked, and with it an expanded sense of self. He even finds himself falling in love (in a chaste almost childlike way) with the still beautiful Margueritte.

Simplistic, sure, sentimental, undoubtedly. But much like Jessica Tandy and Morgan Freeman in 'Driving Miss Daisy' these two actors give performances that make you want to forgive anything that might otherwise feel trite or too on the nose (e.g. the very literal flashbacks to Germain's childhood).

Not quite a great film, but a charming, sweet, life-affirming and very human one.

I thought that Becker's "Dialogue avec mon jardinier" was an excellent film; but watching "La tête en friche", I think this is his master work.

Depardieu is "the" actor in the current French movie scene and I can't imagine anyone other in the role of Germain Chazes. But the film lives by the art of both protagonists: Gisèle Casadesus and Gérard Depardieu. It is hard to imagine a greater contrast than the well educated lady on the one hand and the proletarian worker who had the worst start in life one can imagine, on the other hand.

It is a very old subject which was already treated in 1668 by the novel of Hans Jakob Christoffel von Grimmelshausen "Simplicius Simplicissimus" where a very simple person, a shepherd, by education and learning makes career as an army officer. Nothing other is demonstrated in this movie: A simple boy (shown in the flash backs) who never had a chance to become an educated person, gets the chance to learn due to the caring of an old lady and becomes all of a sudden a different person.

He notices the the problems of his surrounding and even understands his mother in the end - who always treated him mean during her lifetime.

This is a very moving film which gives hope that people and persons can be changed in their behavior by much love and understanding of their surroundings.

An excellent performance of Gisèle Casadesus (at the age of 96 years!) and Gérard Depardieu.

I voted 10 of 10 points.

Greetings again from the darkness. It's nice to see a sweet, lovely little movie get made and distributed. The only characters are people we immediately recognize and feel like we know ... or wish we did. Based on a novel by Marie-Sabine Roger, it's directed by Jean Becker who clearly loves the characters, dialogue and message.

Gerard Depardieu stars as Germain, a giant hulking mass of man who is both likable and a bit of a target for barbs by his buddies at the café where they all hang out. Germain is the kind of guy who tends a garden of home grown veggies, and finishes his handyman work when the job is done ... even if it means he gets cheated out of a few dollars.

One day Germain meets Margueritte. Seems they both like to feed the pigeons from the same park bench. The two of them fall in love. OK, it's not quite that simple. Margueritte (Gisele Casadesus) is 95 years old and lives at a retirement center nearby. Her world consists mostly of reading books and counting pigeons. That is, until she meets Germain. Her wise, but failing eyes, recognize a wounded man. A man with a giant and kind heart. And mostly a man who is a wonderful listener. See, Margueritte READS aloud to Germain, who was mistreated as a child by his mother and teacher, and never developed any self-esteem or refined social skills. Margueritte helps him overcome through the words she reads ... and the stories he visualizes.

This simple story shows what an impact we can have on others by listening, or through a simple act of kindness. Margueritte's efforts open up the world for Germain, while his willingness to listen and care give her hope for another day. There are side stories involving Germain's mother (Claire Maurier), whom he still cares for, Germain's younger girlfriend Annette (Sophie Guillemin), and the circle of friends at the café/pub. These are all French people and full of life and emotion and judgment and caring.

Despite the shaky ending, this movie made me smile and had me hoping to spend an afternoon on the park bench with Margueritte and Germain ... reading The Plague by Albert Camus. Now that's a movie first!

A man (not so young) and a woman (very old) on a bench (the standard model), a few pigeons and few books, such are the basic ingredients of "La Tête en Friche". Not much in terms of dramatic backbone, but more than it takes for Jean Becker to make one of these heart-warming movies of which he has had the secret since "Les enfants du marais" (1995).

Little-known novelist Marie-Sabine Roger has provided the director, well assisted by the veteran scriptwriter Jean-Loup Dabadie, with typical Jean Becker material : the place of the action set somewhere in the French provinces (in this case, a village in the South-West of France), ordinary people as heroes (in "La tête en friche", a local Forrest Gump-like jack of all trades, a delicious 94-year-old lady who lives in an old people's home and a bunch colorful village people) as well as a lot of heart.

It is hard indeed to remain insensitive to the two leading characters, to the birth and development of a deep friendship between them, all the more as they are embodied to perfection by two wonderful actors, bulky Gérard Depardieu (a John Blunt who, against all odds, discovers the virtues of reading) and frail Gisèle Casadesus (as his unexpected Pygmalion). The two performers form an odd but touching couple that very few audience members can resist.

Funny and touching, light but not superficial, "La tête en friche" affords the luxury of examining, without depressing the viewer, such serious subjects as illiteracy, the status of the elderly in our society, the nearness of death, the aftermath of a difficult childhood...

The only thing that could be blamed on the authors is their giving Germain (Depardieu) a young mate. It is not Sophie Guillemin's fault at all : she is marvelous in the role. Fresh, natural, even solar. She is perfect but... twice as young as her partner. Not very believable, I am afraid.

But this is only a minor shortcoming. As a whole, "La Tête en friche" is an intelligent, sensitive and enjoyable film. One more achievement for Jean Becker.