Une belle course

Thank you Barbra Streisand for mentioning this beautiful French 🇫🇷 movie Driving Madeleine (French: Une belle course) as you accepted your well deserved SAG Lifetime Achievement Award today.

My Review- Driving Madeleine My Rating 9/10 Streaming on SBS on Demand

This is a 2022 French-Belgian drama film directed by Christian Carion.

It stars Line Renaud who was born on the 2nd of July 1928 now 95 years old she is a French singer, actress and AIDS activist.

Her heartwarming portrayal of a 92 year old woman about to enter a care home and calls a cab to take her there in a very roundabout way is sublime.

Her early reminiscing is played in flashback and beautifully cast with Alice Isaaz .

Dany Boon is perfect as the stressed taxi driver Charles who drives Madeline around Paris as they both relate their life stories .

It's a wonderful movie and well worth the taxi fare as well as being a touching story as Madeleine tells Charles about her long life and Charles gradually lets Madeleine draw him out to relate his life to her we get a free trip through beautiful Paris streets and suburbs as this delightful couple relate to each other.

It's free to watch on SBS on Demand

Highly recommended by Barbra and me .

You'll need a tissue at the conclusion.

This was a film I didn't at first think would be very interesting, but that was just based on a fleeting glimpse of the basic plot. Boy was I wrong. It turned out to be a sublime, at times gut wrenching and tear-jerking film about an elderly, spirited woman who recalls her life to a world weary (and at first, indifferent) taxi driver, superbly played by Danny Boon. French film-makers in particular seem to have a knack of turning a simple story into a compelling, inspiring drama so full of heart and warmth. Christian Carion has created 90 minutes of magical storytelling whilst taking us on a journey through modern Paris. I didn't want this taxi ride to ever end!

Greetings again from the darkness. This film surprised me with two clear and valuable reminders. First, with a bit of effort, we can always have a positive impact on others - sometimes to the degree that we change their life. Second, everyone has a life story, and we only learn it if we take the time to ask and listen. Writer-director Christian Carion is known for THE GIRL FROM PARIS (2001) and the superb Oscar nominated JOYEUX NOEL (2005). With co-writer Cyril Gely, Carion delivers a heartfelt story of two people with seemingly nothing in common, crossing paths and making a difference.

Charles (Dany Boon) is a Paris-based taxi driver who feels his life crumbling ever so quickly. His marriage is on the rocks. His financial woes seem insurmountable. He's one more traffic violation from losing his driver's license, which means no driving a taxi, and of course, more money problems. His dispatcher calls and offers him a fare that would take him cross-town. At first Charles balks, but quickly remembers he needs the cash. Extremely annoyed when he arrives, Charles repeatedly honks his horn until an elderly lady assures him that she's ready for the ride. In fact, it's to be Madeleine's (Line Renaud) final ride. A trip to the nursing home to live out her final days.

Appearing years short of her 92-year age, Madeleine requests Charles to drive her through the areas that were key to her life. It's a life that has a shocking past and one that slowly emerges as her charms and warmth thaw Charles' previously irritated demeanor. It's fascinating to watch a bond ... even a friendship ... formed from this unusual day trip around the city. These two should share little common ground, but what we find is that people tend to respond to kindness and listening and sincerity. These two help each other in ways neither could have imagined.

Comparisons to Best Picture Oscar winner DRIVING MISS DAISY (1989) are understandable, yet Madeleine and Charles carve out their own movie niche, and we find ourselves liking each of them. Dany Boone starred in director Carion's history-based JOYEUX NOEL (2005), and although he is best known for his comedic work, that film and this one proves his dramatic chops. Line Renaud began performing in the 1940's and is a well-known singer in France. As a 'sometime' actress, she lights up the screen here as our beloved and spirited Madeleine. The ending may be a bit of a stretch (even though we see it coming), but the real joy here is watching these two connect as flawed human beings.

Progressive theatrical openings on January 12, 19, 26, February 2, 2024.

As with most films premiering on the Gothenburg film festival, you can experience greatness.

As is the case with this masterpiece.

It is just very beautiful in terms of writing, shooting, cinematography and acting.

It is a very clever and well conveyed script that is sure to delight most film fans, and the film is very expertly and interestingly edited.

Overall, an incredible masterpiece that dares to experiment with the visual medium and with bold and interesting writing in ways that are commendable. It is truly a great drama for the ages that should be experienced by any lover of film. Give it a watch!

Yes, the story has a predictable ending. It doesn't take very long into the movie to have some idea of how it's going to end, but that's the point.

Why watch a movie that's pretty transparent about the ending? Because the characters are so well written, it's beautifully acted and before long you feel for the characters emotionally.

There were moments where I felt tense, my jaw clenched in anger because of how close to these characters I felt.

It was like I was drawn in to be a relative or a friend. I rode the knocks, felt the laughter and their sorry. They were perfectly relatable.

In a place where movies strive to grab your attention with explosions, or by trying to tick every box in a politically correct smorgasbord, this movie was stripped back to a couple of characters, their rapport and a story.

Truly moving. I'd happily see it again.