Jaddeh khaki

(I believe that this movie is very Iranian and may confuse or tire foreign viewers, for example, why is the cheating of that cyclist interesting? Or what is the story of Lake Urmia, which has become a barren desert, etc.) But for me, as an Iranian, that is exactly the reason I watch movies.

The challenge of "laughing to hide the sadness" does not leave not only the characters of the movie, but also the audience for a moment.

This movie is far away from Iranian cliché and every moment of it is surprising while is simple as well. The acting is brilliant, even the young actor.

The depth of the story is felt by those who have been involved in the migration phenomenon. Those who once only saw the beauty of their homeland and kissed its soil with love.

However, I think the movie should have ended in the night sky scene; Or at least in the foggy morning scene.

The debut movie of one of the my favourite Iranian filmmaker Jafar Pahani's son Panah Pahani. A perfect road trip comedy movie with heart stakes and unforgettable characters.

This movie is simultaneously lighter and deeper.

Filled with equal parts goofy laughs, humanistic

warmth and philosophic inquiry. Subtly reveals its deeper layers with a light touch. Talent clearly runs strong within the Panahi family. All the performances were so good, specially the child actor Rayan Sarlak's little brother character deserves to be in the hall of fame of great child characters. He is an absolute gem..

If you wanna watch a movie with real human beings as characters and not caricatures, this is your movie. This is a drama with comedy elements. Deadpan humour some times, heart-warming some others. There is a dividing line between "intellectual" and "highbrow". Most artistic movies cross that line. This one didn't. These are real people and their real problems. But there is no misery here, not doom and gloom. There is hope and love, whilst the movie remains heartfelt. Darkness/Light, Cry/Laughter, Hope/Despair. Balancing eternally.

I could never imagine that a kid who yells and screams all the time, would be such an adorable character. Every actor here is excellent, especially the father.

I can't rate it higher because it's not the most interesting movie ever, it's a simple road movie, not something mindblowing. (Still, it kept my interest). But its simplicity is a positive thing, simultaneously. There is a moment in the middle of it, shall i say, pure magic, you will know when you watch it. Even if you don't like this movie, there is no way you won't love this scene.

I saw hit the road at Cannes Film Festival and with no prior expectations, was rewarded with a wonderful film, complete with memorable performances from an extremely talented cast. Beautiful and varied landscape shots intersperse the interior of the car where much of the film takes place. Humour (namely from the captivating young actor Rayan Sarlak), well chosen music and great writing, help to balance out the darker undertone of the movie. Mature, bold and most definitely worth watching. Bravo!

An absolute gem in Iranian cinema, where Panah Panahi the son of Jafar Panahi takes the realism to another level, where the reality of life in Iran becomes surreal. "When we were kids, we would swim in it. Nowadays, you can only have a dust bath." The film depicts the very last trip of the family together. But Panahi keeps it real as it is in life. He shows simply by deeply the worries, sorrows and concerns of each family member. The movie is really Iranian, bittersweet. We've learned how to laugh and make jokes in our craziest, saddest times just like when the Mom is dancing with tearful wet eyes.

The actors are great but Pantea Panahiha is absolutely brilliant. Dialogues are so well written and the movie is full of poetic long shots which Panahi has brought from the cinema of his dad and predecessors masters like Kiarostami but it never gets boring.