Christmas on 5th Avenue

It's been a long time since I've been moved enough to write a review, but wow. The trope of a grump/grinch/beast being tamed by a sweet Belle character is not new. Usually, there is growth along to way to make it believable, a softening of the edges or a wearing down of a tough exterior.

At first, it seemed like we were going to get that, but it's as if it all fell away towards the end. I don't want to give too much away, but I haven't felt this let down by a movie in years.

Adding to that, he gives authors (especially ones of crime fiction) a bad name. They do not all see only the negative. He was just wholly unlikeable up until breaking her heart, which made him hate-able.

This is a perfectly okay, not special, Christmas movie. Storyline is what you'd expect. As a film it's fine to have on in the background while wrapping presents. New York looks great, though I would have liked some more shots of Christmas in the most beautiful city in the world (rather than focusing on one not-very-festively-decorated apartment). We Brits often watch US Christmas films for the stunning scenery and backdrops, so this one disappoints a bit on that level.

There are some decent cameos and supporting actors. I have to comment on the two stars, as most of the reviewers liked Kathryn Davis as Eva, but found Olivier Renaud, as Lucas, cold and unexpressive. I think perhaps a lot of reviewers are American? To this typical British viewer, Lucas seems a normal, thoughtful, emotionally-balanced if reserved sort of chap - and as a bonus, he looks great in a t-shirt! Eva is great looking, but too often chirpy and demanding to the point of annoying, excessively smily, and she seems to get more over-emotional and needy as the movie goes on. I just wanted her to calm down a bit. This seems to be a common kind of performance by female actors in US Christmas films, so maybe Americans find it 'normal', but for Brits it's pretty exhausting, and it's a relief to have a character like Lucas who seems more realistic. (Did I mention he also looks great in a t-shirt?) Would have been nice if, in return for Eva livening Lucas up and making him smile more, he maybe showed her the value of understatement and that you don't always have to over-share and over-express every emotion. It wasn't really a two-way development between them, which is a shame.

Overall, then: an okay Xmas film with two good-looking leads, one of whom you'll probably find a bit annoying (maybe depending on where you hail from). Fine for wrapping presents to.

Christmas On 5th Avenue (2021)-

I find it unlikely that he would agree to her staying at his house. I know that I would be furious if someone interrupted my "Special alone time". And her arguments to stay would not persuade me even if I thought that she was attractive. Furthermore I would have to ask her to leave as soon as I realised just how hyperactive and "Always On" she was.

I'd rather let the creative juices flow my way without her, instead of this barrage of Christmas from a crazy lady. And I love Christmas!

Olivier Renaud is gorgeous, a great leading man and that bottom is desperately trying to break free from those trousers, what a beaut. He deserved better support all around.

That Christmas tree however is awful, what a twig!? Why do they let the props people get away with this?

Some of the other actors are terrible and the sets quite questionable, especially the theatre balcony.

It's not a bad story, but it's hard to believe how it all begins. It puts me in mind of "Trading Christmas" (2011), which I actually enjoy, but I might have turned this one off if it hadn't been for Oliver, his effortless acting and his tight trousers.

7ish/10?

I thought this movie was really cute. Good cast with great chemistry and solid performances. I liked the costumes and dialog.

I watched it more than once and would watch it again.

A sunny, kindhearted girl thaws the heart of an embittered, grieving Scrooge. What could be more suitable for a Christmas story? That she may be a little too forceful in her affection or he a little too reluctant and harsh, it could be overlooked. Unfortunately, while Kathryn Davis is charming and convincing in her role, the acting of Olivier Renaud is amateurish, at best. In many scenes, especially when expected to express strong unpleasant emotions or real affection, he looks uncomfortable and quite off-mark. He seems better suited for the job of a fashion model, than a real actor. The uneasiness of those scenes destroy the little magic this movie could have delivered.