The Infernal Machine

Better than I was expecting -- given it had an average rating of 5.4 out of 10 when I watched it -- but there was too little there to make it a must see.

I'd suggest there were a couple of key flaws.

First, so much of this seems to hinge on the central concept expounded in "The Infernal Machine", the one and only book written by Bruce Cogburn. And yet, when that concept is explained, I struggled to understand how someone fleshed it out to produce a novel rather than simply a short story.

Second, the precise motivation of Bruce Cogburn's "tormenter" wasn't clear to me, nor was it clear how that person had the financial resources necessary to inflict such torment.

Still, I enjoyed it. And you might if you don't think too much about the flaws.

I watched The Infernal Machine with three other people. They all liked it a bit more than me, but it's not that they loved it. I wasn't impressed by it at all. The movie is just too long for that kind of story. It could easily have been half an hour lesser long. Slow paced, repetitive, just not really my thing. By the time the mystery was solved I lost all interest in the story, almost fell asleep. As for the acting it's basically all about Guy Pearce, whom isn't a bad actor, but even he couldn't make this movie better. I won't say the movie is a complete failure, as it probably will please other people, but just not me.

The film tells the story of a one-hit-wonder writer, Bruce Cogburn, who now lives as a recluse in southern California following a mass-shooting incident where the shooter "blamed" his motive for the crime on Cogburn's book. Now 25 years on from the incident, Cogburn begins to receive a barrage of letters from an unknown source, leading to the question that carries the film; "who is sending all these letters?".

The answer isn't an obvious one and you are genuinely wondering right 'til the last act of the film, as it leads you down various different potential "suspects". You think the film is going to take you one way, then it takes a sharp turn in another, unexpected direction. The final twist is a good one...but the execution is a little laboured and indulgent.

The film has a relatively slow pace - don't expect big shoot outs and car chases, but keeps you gripped right through. Guy Pearce is on top form as usual, playing an alcoholic, paranoid hermit. How he manages to nail all these different accents is beyond me! He's accompanied by Alice Eve and Alex Pettyfer who give solid performances as well.

This is an intelligent thriller that is well written , well acted and well shot. Think along the lines of Stephen King's "Secret Window" with less psychopathy.

Watch the movie if you like the following:

• Great acting from the lead
• Clever writing
• Good cinematography
• Compelling plot
• Twists and turns

Don't watch if you're expecting:

• Gun shoot outs
• Car chases
• Fast pace
• Over edited, over-choreographed fight scenes

The only downside is the very end, which I shan't spoil. It feels a little extravagant and is perhaps trying too hard to be prodigious.

The film certainly doesn't deserve the low ratings it has received, so don't be put off by it. Overall it is definitely worth a watch if you're in the mood for a good thriller that keeps you gripped, and if you're a fan of Guy Pearce - which you should be!

This was quite an ok flick. Large part of this is due to Guy Pearce's contribution. He's usually a dependable actor, and comes through here with flying colors. In fact he's the best thing about the movie. Granted that the rest of the cast aren't given much space, apart from Jeremy Davies who is also brilliant with his limited role, no one else stands out. Alice Eve as the female officer doesn't work at all.

The movie itself is very slow moving, but I still found myself getting drawn in to the story. Can't say that the ending had any particular payoff for me, but it still worked. Would say I was pleasantly surprised by this.

A thriller as slow-burn as debut writer / director Andrew Hunt's "The Infernal Machine" relies on its ending, which here is self-satisfied, contrived & implausible... wasting some terrific dark & moody set up work. Reclusive writer Guy Pearce (always solid) lives in isolation after his only novel inspired a mass-shooter 40yrs+ ago. Then SOMEONE starts sending him persistent 'fan mail'... but is it more sinister than that (duh)? Is it the jailed shooter Alex Pettyfor? Will Pearce get help from pretty cop Alice Eve (whose performance epitomises the whole movie: surprisingly good, til ultimately it ain't)? Worthy questions all, all sadly let down by that bloated ending. Shame... sigh.