अपनी भाषा में प्लॉट जोड़ेंYorkshire, 1898. A grieving woman and her son move back to the unoccupied house of her ex husband, recently found dead, but they discover that they are not alone inside the house.Yorkshire, 1898. A grieving woman and her son move back to the unoccupied house of her ex husband, recently found dead, but they discover that they are not alone inside the house.Yorkshire, 1898. A grieving woman and her son move back to the unoccupied house of her ex husband, recently found dead, but they discover that they are not alone inside the house.
- पुरस्कार
- कुल 2 जीत
फ़ीचर्ड समीक्षाएं
This beautifully shot film is: pointless, witless, as motionless to the eye as air (i.e., glaciers seem rapid in pace), without a soul, more cryptic than Sasquatch, an empty hot air balloon that lands nowhere, and just positively knickers. It is like reading the first and last page of an H. P. Lovecraft novel over and over and over. I am so glad that someone has given this a decent rating because it is clear that the filmmakers have expended tremendous energy in gestating this project that in my opinion is stillborn. As someone with a film degree, I think a class discussion on this would be quite like discussing American politics on Reddit. Cheers!
I had high hopes for The Monster Beneath Us, but it turned out to be one of the weakest horror films I've seen in a while. The story feels half-baked from the beginning, with no proper setup or explanation for the events that unfold. The pacing is painfully slow, and instead of building suspense, it just drags. When the ending comes, you're left more confused than scared-there's no real payoff or resolution. Worst of all, it's not even scary. There's no atmosphere, no tension, and the "monster" is barely even present. It feels like a film that didn't know what it wanted to be. Sadly, a waste of time.
What's the point of making such a movie
You have no idea what was the monster
You have no idea why this monster was in that basement
What was the connection between the maiden and the monster
Why the monster wants the mother not the kid or father I mean there should be a connection when you have a literal monster in your basement with the owner of the house not the wife from other towns or cities
And for the love of god why this movie was so long
My brother said he will never watch a horror movie again and I feel the same after this movie.
And let's not talk about poor CGI , I'm sure you can find better artists in freelancing websites to do your CGI but still it's not the point the movie wouldn't be any better even with that To be honest you could make a short movie with the first and the last ten minutes and it would be much better thank you so much for wasting our time on this artistic peace of art .
And let's not talk about poor CGI , I'm sure you can find better artists in freelancing websites to do your CGI but still it's not the point the movie wouldn't be any better even with that To be honest you could make a short movie with the first and the last ten minutes and it would be much better thank you so much for wasting our time on this artistic peace of art .
What were they thinking? Gothic horror can be dreary but something has to happen eventually. And if you decide to have a literal monster in your film, use something real, something genuinely unnerving, instead of an extremely poor cgi asset from a rejected PS2 game, that can barely even move.
The film also cannot justify its runtime. It might have made a half decent short film, but this is a long, boring sleep-enhancer. Watch The Others to see how a tense single mother period drama can be done effectively.
There are good ways to have a character wander around the same corridor over and over again to build tension. But not here.
Flatly acted and at the bottom of a very long list of better spooky movies. Sadly, this was dry, lifeless nonsense.
The film also cannot justify its runtime. It might have made a half decent short film, but this is a long, boring sleep-enhancer. Watch The Others to see how a tense single mother period drama can be done effectively.
There are good ways to have a character wander around the same corridor over and over again to build tension. But not here.
Flatly acted and at the bottom of a very long list of better spooky movies. Sadly, this was dry, lifeless nonsense.
I can't even review the story, the cast was too distracting for me to get into the movie. I guess the filmmakers wanted to take the idea of colorblind casting one step further, all the way into everything-blind casting. It was just too silly. One blond parent and one Indian parent produce a pale, blond child. A family of traditionally pasty English aristocracy have one Black daughter. A Victorian tutor is Asian. The cast is almost entirely female. Most bizarrely, the young boy appears to be played by a girl.
Personally, I don't care what performers play what characters as long as they do it convincingly. Race, gender, none of it matters as long as the person on the screen comes across completely as who they are in the story. Otherwise, instead of the story, the viewer is asked to pay attention to the artifice - the way the movie is made becomes as important as the plot, and that just doesn't interest me. I want to be immersed in a fantastic experience, not reminded that these are actors pretending.
The character of Charlie, the young son, is a perfect example. I fell down a rabbit hole trying to work out whether the actor (Marshall Hawkes) was female, and I discovered that he's listed as male and has only ever played male characters. Is he trans? No idea, but it's not relevant. That's not the issue, because, again, it's the character that matters, not the actor. It's not even his casting that's weird, its his wardrobe. If a movie wants to have a prepubescent girl play a boy, great, as long as they can pull it off. But in this case, a young, well-to-do Victorian lad had long hair pulled up in a bun. Hawkes has extremely feminine features and mannerisms, but might have been a convincing young boy if not for the hair. Not only was it distractingly anachronistic, it went unmentioned by any of the characters, and it only emphasized the performer's clear femininity. When an actor plays a role, they don't get to choose their own hairstyle. Why was this decision made? More baffling still, Hawkes has had the same hairstyle in every single role, all male, regardless of era or context. How does that happen? Is it in the contract? Is it a statement? Is the audience being challenged not to notice? Take a look at the confused reviews for the movie Prototype, in which Hawkes plays a boy named Andy, again with long hair, this time with a pink turtleneck and unmistakably female mannerisms. I can understand a director being interested in making a social statement through casting, but five directors all making the same statement with the same actor? It makes me worry this kid is being used as a pawn by the adults. That being none of my business, though, it's simply a massive distraction from this story, and a simple haircut, ordinarily a prerequisite for any actor in any role, would have avoided it. As it is, between Hawkes and the rest of the cast, the story ends up as a sacrifice to whatever statement the filmmakers were trying to make, if any, while the viewer's attention is divided trying to figure out what it is.
Personally, I don't care what performers play what characters as long as they do it convincingly. Race, gender, none of it matters as long as the person on the screen comes across completely as who they are in the story. Otherwise, instead of the story, the viewer is asked to pay attention to the artifice - the way the movie is made becomes as important as the plot, and that just doesn't interest me. I want to be immersed in a fantastic experience, not reminded that these are actors pretending.
The character of Charlie, the young son, is a perfect example. I fell down a rabbit hole trying to work out whether the actor (Marshall Hawkes) was female, and I discovered that he's listed as male and has only ever played male characters. Is he trans? No idea, but it's not relevant. That's not the issue, because, again, it's the character that matters, not the actor. It's not even his casting that's weird, its his wardrobe. If a movie wants to have a prepubescent girl play a boy, great, as long as they can pull it off. But in this case, a young, well-to-do Victorian lad had long hair pulled up in a bun. Hawkes has extremely feminine features and mannerisms, but might have been a convincing young boy if not for the hair. Not only was it distractingly anachronistic, it went unmentioned by any of the characters, and it only emphasized the performer's clear femininity. When an actor plays a role, they don't get to choose their own hairstyle. Why was this decision made? More baffling still, Hawkes has had the same hairstyle in every single role, all male, regardless of era or context. How does that happen? Is it in the contract? Is it a statement? Is the audience being challenged not to notice? Take a look at the confused reviews for the movie Prototype, in which Hawkes plays a boy named Andy, again with long hair, this time with a pink turtleneck and unmistakably female mannerisms. I can understand a director being interested in making a social statement through casting, but five directors all making the same statement with the same actor? It makes me worry this kid is being used as a pawn by the adults. That being none of my business, though, it's simply a massive distraction from this story, and a simple haircut, ordinarily a prerequisite for any actor in any role, would have avoided it. As it is, between Hawkes and the rest of the cast, the story ends up as a sacrifice to whatever statement the filmmakers were trying to make, if any, while the viewer's attention is divided trying to figure out what it is.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Monster Beneath Us?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $14,597
- चलने की अवधि1 घंटा 43 मिनट
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें