ड्यून पार्ट टू

Denis Villeneuve's DUNE: PART TWO is a review-proof film. Either you watched - and loved - the first part, in which case you have already gone out and seen it. Or...you didn't like the first part (or didn't watch it), in which case you are not going to the Cineplex to check out the sequel.

If you ARE going to see this film, the BankofMarquis strongly recommends you see it in theaters with the best sound and largest screen possible...for 2 reasons.

Reason 1: This film is visually and audibly stunning. It is a feast for the eyes and ears. Director Villeneuve (and all involved in the production, costume, sound and Fx design) have topped the very high bar they set for themselves with the first Dune and expect this film to rake in ALL of these types of awards come next Oscars' season. They visually (and audibly) credibly present new worlds in such a way that you are sure that the movie was filmed on location when (in fact) it is all pretty much green sky. An amazing technical achievement

Reason 2: It's a good thing that this film is visually and audibly stunning, because the storyline itself, is rather boring and somewhat complex. This is the fault of the source novel as Dune (and it's sequels) are just as interested in the politics and back room dealings of how you turn a hero into a Messiah (with a ton of backstory and plot development thought by the characters - never a good way to present a movie). So you will want to watch this in a theater so you can keep focused on the plot (as opposed to at home where you will be tempted to pick up your phone, pet the dog, go make a sandwich etc.) and not miss some of the intricacies.

Caught between Reason 1 and Reason 2 are a laundry list of performers and performances that are struggling to match the technical achievements of Dune: Part Two while acting against a green screen with some long, boring speeches and some very clunky dialogue.

Timothee Chalamet, Zendaya, Rebecca Ferguson and Charlotte Rampling all return from the first part and they are "just fine", not really elevating things, but not bringing them down either. They gamely bring their best to a rather difficult and thankless job.

Thank goodness Javier Bardem and Josh Brolin are back as their characters bring some life and energy to the proceedings while Florence Pugh, Dave Bautista, Lea Seydoux, Stellan Skarsgard and (especially) Christopher Walken (!) are wasted in their roles, really being more of a piece of furniture to move around rather than anything that represents an interesting character.

Only Austin Butler's Feyd-Rautha brings new excitement to the 2nd half of this 2 hour and 40 minute epic and, by that point in this film, it is much needed.

Come to DUNE: PART TWO for the visual and sound achievements and stay for...the visual and sound achievements - and the setup to the inevitable sequel.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)

A monumental piece of cinema.

Paced to perfection, uniquely beautiful, thought-provoking, beyond thrilling, with unbelievable cinematography and flawless worldbuilding. Backed up by the best ensemble performance in a blockbuster since Fellowship of the Ring. An entire production on their A-Game.. it's an incredible technical achievement. Everyone on set was clearly aware they were working on something special. Denis Villeneuve's love for 'Dune' shines through every stunning frame. Part 1 of his adaptation was wonderful, but here he improves on it in every way. It just doesn't get better than this.

If you liked or loved the first one, the same will apply for this one. Personally, I loved this one even more and I think general audiences will as well. So I hope it does well at the box office because I need Dune Messiah now. This is everything I love about going to the movies. Also, Hans Zimmer.

For book readers, I'd say this one takes more liberties than the first, but they were changes I liked, some for the better even. For the most part, it still hits the main beats from the book with a few things altered. The biggest change being no time jump. Therefore, a certain character doesn't fully appear in the movie contrary to the book. Though, they still use the character in a different way that I liked personally.

I know it's early in the year, but you can lock some Oscar nominations for this movie: Best Picture, Best Director, Best Adapted Screenplay, Best Editing, Best Cinematography, Best Score, Best Sound, Best Visual Effects, Best Costume, Best Production Design, Best Makeup, and hopefully Rebecca Ferguson this time for Best Supporting Actress. I guess that's pretty much every category now that I've typed it out lol.

Like the first part, the second part is visually stunning, though having read the book twice, I regret to say that unlike the David Lynch version from the eighties, De Villeneuve almost deliberately destresses the mystical/mythical core of the story. This makes for an impressive viewing that somehow left me unsatisfied. In De Villeneuve's hands the story becomes one of political grandstanding which is but part of what the book is about, both in relation to the hidden ways of the Fremen and the nature and mission of Paul and his mother. For example, in the second part those scenes where Paul Atreides becomes the Kwizatz Haderach are rather weak and not very convincing.

Having left this essence out of the movies, they become a bit of an emptied out visual experience. A kind of secular, profane Dune. Still nice, but also a bit disappointing.

This movie has the same problems as part one. The editing in this is terrible! Scenes don't connect, they start an assignment or story branch, then immediately cut to another completely new set of tasks and characters with their own motivations and interests. No idea is complete, nothing gets resolved, and the dialogue is horrendous.

These movies can only appeal to the fans of the books because the story is too disjointed for any casual to follow. If you haven't read the books you won't understand anything that's happening here. What we have here is a movie that is really pretty. It maxes out in the visuals category. The sound was hit or miss, but the plot, pacing and characters were all bad.

Not a masterpiece. Sorry.