IMDb रेटिंग
5.6/10
6.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to... सभी पढ़ेंIn a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to parenthood in this brave new world.In a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to parenthood in this brave new world.
- पुरस्कार
- 2 जीत और कुल 1 नामांकन
David Beelen
- Folio Executive #6
- (as Nilson David)
फ़ीचर्ड समीक्षाएं
This concept was really interesting...for the first 15 minutes. Sadly, they decided to go the super safe, PC route and have a social commentary on things like how a man carries the baby pod. The dialogue is akin to a bad podcast that questions the validity of child rearing vs pod rearing.
This concept could have been an awesome horror movie or sci-fi thriller where pod babies go wrong. Like a black mirror episode on the wrongs of growing a human in a pod, instead it's literally nothing.
The set design was okay, but besides that there's no chemistry, no intriguing storylines and what you get is 1 hour and 50 minutes of watching paint dry. Hope someone does a horror version of this though! Because that would be watchable. 3.8/10.
This concept could have been an awesome horror movie or sci-fi thriller where pod babies go wrong. Like a black mirror episode on the wrongs of growing a human in a pod, instead it's literally nothing.
The set design was okay, but besides that there's no chemistry, no intriguing storylines and what you get is 1 hour and 50 minutes of watching paint dry. Hope someone does a horror version of this though! Because that would be watchable. 3.8/10.
Like others said, this film very much feels like an extended Black Mirror episode, but without a twist or something edgy to make it memorable.
This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.
You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.
There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.
One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.
Decent effort, but ultimately powerless.
This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.
You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.
There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.
One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.
Decent effort, but ultimately powerless.
Start's off strong and intriguing with dark undertones..... around halfway through the film however, it just suddenly turns silly. The behaviour of the two leads becomes juvenile and slapstick and it goes from alluding to being more of a thriller into a light hearted comedy. It also slows pace massively and the second half is just padded out with nothing really interesting happening and just more of a romance story.
This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.
I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.
This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.
I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.
"The Pod Generation" had the potential to shine as a gripping Black Mirror episode, with a compact runtime of just one hour. However, it seemed to have been needlessly stretched to 111 minutes, weakening its impact and leaving the narrative feeling rather hollow. Throughout the film, there were several scenes (dream scenes, therapy sessions, ...) that felt exuberant and ultimately failed to contribute significantly to the story, resulting in a sense of dragging and stagnation.
Even with the extended runtime, "The Pod Generation" left viewers with a lingering sense of incompleteness, as though there were unresolved threads that needed further exploration. I would have loved further world building or an extension of the conspiracies that were teased. Without any of that, the story could have been tighter, focusing on its core themes and plot points, and it would have benefitted from a more concise approach to storytelling, akin to the thought-provoking brevity that Black Mirror is known for.
Even with the extended runtime, "The Pod Generation" left viewers with a lingering sense of incompleteness, as though there were unresolved threads that needed further exploration. I would have loved further world building or an extension of the conspiracies that were teased. Without any of that, the story could have been tighter, focusing on its core themes and plot points, and it would have benefitted from a more concise approach to storytelling, akin to the thought-provoking brevity that Black Mirror is known for.
The Pod Generation isn't perfect and the responses have been pretty mediocre and low from the general public and critics but personally, I thought it was decent.
The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.
The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.
One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.
Overall, it's decent.
The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.
The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.
One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.
Overall, it's decent.
क्या आपको पता है
- ट्रिवियाAt about the 1:25:44 mark, Rachel is walking through the baby store dream and you can clearly see the three dragon tattoo on Emilia Clarke's right wrist from her Game of Thrones role.
- गूफ़Arround minute 22, when Rachel is consulting the fees sheet, the 3rd and 4th lines from last, in the boy column, show $5,500 but the real number should be $550.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Pod Generation?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $31,569
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $19,949
- 13 अग॰ 2023
- दुनिया भर में सकल
- $58,309
- चलने की अवधि
- 1 घं 50 मि(110 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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