He Never Left

Witching Season Films has knocked it out of the park with their second feature film He Never Left. I was a fan of the series The Witching Season and their first feature They Live Inside Us. When I saw the Indiegogo campaign I knew I had to back it! That was a couple of years ago and let me tell you it was worth the wait!

The premise deals with Gabe on the run from the law and hides out in a motel in a town where a serial killer known has Pale Face disappeared decades ago. Only, Gabe is not alone in the hotel and Pale Face is making a long awaited return. I'm not giving more than that because you need to watch this!

This movie had everything you could want in a slasher film and while it has a different approach the film never loses its goal which is to give you an emotional and visceral experience.

Everything works on all levels. The filmmakers went to great lengths to give you a movie that feels right at home in your annual Halloween viewing. The cinematography is top notch and the colors just ooze October.

The music is first rate and has that 80's vibe which is always a plus. And it compliments a lot of scenes as well while adding depth of emotion in certain parts.

I could not have been more happier to have watched this!

In a town that's plagued by the memories of a killer in a mysterious pale mask, the setting takes place primarily in a small motel, where a wanted criminal has decided to post up from the police. Quickly you find out that not all is right in this motel as things begin to reveal themselves.

Actors give a solid performance that helps sell the uncomfortable uncertainty of this modern slasher.

The color grading, as well as the Halloween aesthetic, make for the perfect setting during the spooky season but doesn't limit this to a seasonal watch.

Simply, this was a beautifully shot, well acted, thrill ride.

This was a blind purchase primarily based on the artwork, granted I did read the synopsis and thought to myself this seemed promising.

Sadly it was not the case, it took a lifetime to get going, I will tip the hat to Colin Cunngham who plays Gabriel, he certainly brought his A game to the proceedings, but I found myself thinking, did his performance belong in another movie.

Strangely the artwork at first glance reminded me of The Town That Dreaded Sundown but as far as thrills and chills go, it was quite a numbing experience and storyline wise it was all over the place.

Proceed with caution.

Arriving at a run-down motel, a woman prepares for her significant other to appear so they can start a new life together, but as they stay at the motel come to believe that a savage killer from local folklore has taken up residence in the room next door and must try to get away alive.

This was an enjoyable enough effort, but it did have some issues. The biggest factor with this one is the strong setup that provides a great opportunity for this one to go with an intriguing thriller premise throughout. The central premise offering a fine bit of world-building with the backstory on the killer terrorizing the town and going uncaught for years since with them believing that there's a chance he's returned makes for a great setup, much like the resulting storyline about the couple staying at the next-door room. The way they come together with the room being used as a hideout after his fugitive status makes him go on the run and arrive there which sets him off into a panic when everything starts going wrong waiting for a pick-up to get out of the situation as the escalating tension trying to ensure nothing happens to him means that getting involved in the potential murder next door is all handled quite well. Given that this all goes with a strong secondary storyline about the potential killer following the girlfriend to her house as the atmospheric setting and tense stalking give this some great moments. Beyond this, there are some big factors here that come about more from viewers' expectations more than anything. With the setup about the legendary killer supposedly returning from an absence to start up a rampage once again with the setting taking place at the remote motel where the couple going through their own issues at the same time, the potential is there for this to delve into a stalk and slash template knocking off the rest of the motel guests before turning to the remaining couple. Instead, this opts for a thriller route about him trying to evade capture at the location rather than dole out the kind of body count or even slasher setpieces usually associated with the genre and leaves this one with a generally lackluster tone which leaves everything somewhat underwhelming with more focus on these factors that don't lead to the type of content you want. It's what lowers this the most.

Rated Unrated/R: Language and Violence.

This is not a slasher...it is something more. It is a fantastic character study, executed with a stylish sense of filmmaking whilst bathed in Halloweentime ambience. The writing and presentation recall a time when horror films (thrillers, if you prefer) were just as much about mystery and intrigue as they were about shock and schlock. He Never Left has all of this to offer in spades, plus a few surprises along the way. The wonderful Witching Season Films family never fails to impress, with James Morris masterfully manifesting the macabre mise-en-scène both behind and in front of the camera, beside Michael Ballif, who poignantly paints each frame in dual roles as cinematographer and editor and never allows the same motel setting to get stale. Randin Graves' score is composed with as much compelling, calculating complexity as the performances from Jessica Staples and Colin Cunningham who evoke unrelenting empathy as David McMahon and Charla Bocchicchio meanwhile offer quiet quirkiness to round out a truly classy cast. Also true is that this film may not go the way you want or expect, but it stands currently as an antithetical to so many of its contemporaries in the zeitgeist and if it doesn't find massive success now, it will certainly find a cult of its own in due time.