The Makanai: Cooking for the Maiko House

You might expect Memoirs of a Geisha, but this is far from it. Set in modern day, the story follows two young friends and aspiring maikos. One of them succeeds, the other becomes the makanai. Conflicts are small and ultimately love and kindness are at the heart of this visually stunning show as the characters, regardless of their differences, are genuinely concerned for one another's well being.

The sets are very interesting and you will feel like you live in the close quarters with these women. I'm not sure if this was an intentional character choice, but both grandma's house and the maiko's house are completely cluttered with things: papers, books, knick knacks, fabric, pots, pans. Everything is everywhere. Organized chaos.

You will almost be able to taste the food, as it is beautifully shot and almost educational the way each recipe is filmed.

Kyoto and all of its scenery is also a visual treat and you will probably start googling what a trip their costs.

All in all, a sweet show. Tender and lovely and not in a hurry.

What can I say. I loved this. Every moment of it. And I realized this as the serie unfolded: why do we have or make or even accept all the drama in our lives, why? We don't need it, it doesn't make us happy or more true to ourselves. Why all the bitching, fighting, all the selfishness and self absorption and all the room our endless egos need.

Why not live in peace and search for harmony with joy, understanding, patience and respect. Why not laugh more. Eat better. Cook better. Maybe we'll thrive better too.

I loved this serie that actually didn't have much of a story, no dramas, but lots of insight in a lifestyle so different from what I at least are accustomed to. I loved it. Really. Two young giggling teenagers and the rest of the crew made me realize we do need love, understanding, patience and it doesn't have to be the wild kind of love, but the affectionate one works too. Maybe even better. And we need joy in our heats. And we are not dum if we laugh or giggle a lot. We need that spark of joy:)

A show where nothing happens (if you stick to a narrow-minded view of events on a Hollywood or Bollywood scale) that sucks you in, sinks its hooks into you, and doesn't let go until the end.

Simply beautiful. No fancy plots. No unexpected reveals. No gimmicks. Just an artfully crafted glimpse into the maiko life most people know nothing about. I know I sure didn't.

And they nail the pacing. No extreme highs that like sugar cause you to crash and burn. And no extreme lows that make you dread "uh-oh, what's coming next" whenever a joyous event occurs. The pace stays comfortable, like a warm blanket, and you can relax and marvel at the simplicity yet intricate details throughout this masterpiece.

The acting is so superb to the point you forget they are actresses and actors. And begin to think of them as real-life people living their normal everyday routines.

I've only felt this way with one other show/movie. And that is "From Up on Poppy Hill" by Studio Ghibli. Well worth a binge watch!

The series is really different from anything I've ever watched. Somehow it resembles more the Japanese lifestyle YouTubers that I've followed. It's labelled as "drama" but it borders a new genre almost. The series is so naturally written, acted and directed that it seems like a reality show. It is not rushed at all, which is really nice. There is time for little details of the cooking, of the food, studying ingredients, talking to food, smiles, jokes, etc. The characters are (mostly) super cute, friendly, beautiful and innocent. There is no real conflict but the story moves on, almost in the background somehow. It is really sweet and I find it quite refreshing. It took me a while to realize it's set in modern times, the maikos have mobile phones and stuff, but it looks and feels more like a period series. I personally love it.

An outstanding work of art that draws you into a world and its characters like nothing else in TV show form that I can remember. It's easily my favourite Koreeda project since Shoplifters, and I strongly suspect the overall experience made me more feel healed and embraced than any other new show I could have watched instead. I saw a lot of familiarities to Hou Hsiao-hsien in his direction here, which I'm not sure means he is more conciously taking inspiration this time, or if my own recent investment in Hou's filmography has made me notice it more.

It is a show that manages to be devoid of sentimentalism, instead refraining from any unbelievable gimmicks or cheap moments of tension in favour of retaining a sincere heart, and exploring its subjects as earnestly as possible. He continues to emphasise believable stakes which may seem uninterestingly small or insignificant on paper, but mean everything in the world of these people who are just trying to find themselves and do what they can to get by. As much as it's easy to label 'mundane nothing', it is only ostensibly so, with layers of deep and thoughtfully constructed emotionality, giving you space to reflect upon seemingly everything should you choose to engage.

You follow a cast of unique, complex and lovable characters that you grow to learn about in the most organic and impactful way. As you watch the last two episodes, what you've taken in throughout starts to bubble to the surface of your consciousness - much like the gradual preparation of a distinct and familiar meal.

Koreeda manages to crush your heart in his hands before picking it up and helping put it back together again. He places you in a world of such cultural specificity and unfamiliarity, but ends up making you believe you've been there your whole life. It all reminded me why I love him. His last two films ultimately didn't as much, so this one delivering on every level is a much needed gift I'll always be thankful for.