एक परिवार अपने कोमा में गए हुए बच्चे को बुरी आत्माओं से बचाता है.एक परिवार अपने कोमा में गए हुए बच्चे को बुरी आत्माओं से बचाता है.एक परिवार अपने कोमा में गए हुए बच्चे को बुरी आत्माओं से बचाता है.
- पुरस्कार
- 8 जीत और कुल 16 नामांकन
Kelly Hitman
- Doll Girl #1
- (as Kelly Devoto)
Brynn Bowie
- Kali Lambert
- (बिना क्रेडिट के)
Madison Bowie
- Kali Lambert
- (बिना क्रेडिट के)
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फ़ीचर्ड समीक्षाएं
I will have trouble sleeping tonight....
Of all the genre's that Hollywood has to offer, the most tattered of the bunch is without a doubt the horror department. I am so sick of these wannabe 'so called' horror flicks that belong on late night lifetime channel. Im sick of the same old parlor tricks and scare tactics that have been used for the past 10 years. And i am even more sickened by the fact that they keep making the same crap year after year. You would figure after great horror flicks like "The Decent" and "Paranormal Activity", studios would start realizing what actually works and what audiences want to see. Hopefully in the coming years, this genre' will come back to life.
When it comes to horror movies, i think the two most crucial elements are the cinematography, and the musical score. Actually, i prefer there to be no music at all. Almost all the great horror movies never use it, because they rely on scaring the audience with disturbing images, not raised music that makes everyone jump. If i want that, I'll go to a haunted house. When i go to see a horror flick, i want it to leave a lasting impression. However, movies like this are the one exception.
This film had such amazing cinematography, that i didn't even care about those 'raised music' sequences. I rarely get creeped out at the theater, and this movie scared the crap out of me. I'm talking' sweaty palms, eyes wide open, my body sunk all the way down in my chair scared. And for those of you who have read my reviews in the past, i hardly ever say that about a horror flick. And what really sold it was the cinematography. This film is packed with tons of really creepy and disturbing images. So much in fact, that you will hate walking into your dark house alone. Yes, they do use the same scare tactics, but since everything in the movie looked so damn creepy and demented, i for once didn't want the lead female to hurry up and open the basement door and get it over with.
The storyline is pretty decent. It's not an amazing concept or genuinely creepy on it's own. But it does a decent enough of a job to keep your interest and sell what your seeing unfold on screen. And it's safe to say that this is a very different take on your typical haunted house.
Bottom Line......holy crap, i just realized that this movie is only PG-13. Is it possible for a movie to be scary as hell and only be rated PG-13? The answer is yes, and this is a prime example of that. You know when a horror movie has done it's job? It's when it scares you both in the theater, and hours later when you try to sleep at night. Tonight, i will have lots of trouble sleeping. I can easily say that this will probably be the best horror movie of the year.
When it comes to horror movies, i think the two most crucial elements are the cinematography, and the musical score. Actually, i prefer there to be no music at all. Almost all the great horror movies never use it, because they rely on scaring the audience with disturbing images, not raised music that makes everyone jump. If i want that, I'll go to a haunted house. When i go to see a horror flick, i want it to leave a lasting impression. However, movies like this are the one exception.
This film had such amazing cinematography, that i didn't even care about those 'raised music' sequences. I rarely get creeped out at the theater, and this movie scared the crap out of me. I'm talking' sweaty palms, eyes wide open, my body sunk all the way down in my chair scared. And for those of you who have read my reviews in the past, i hardly ever say that about a horror flick. And what really sold it was the cinematography. This film is packed with tons of really creepy and disturbing images. So much in fact, that you will hate walking into your dark house alone. Yes, they do use the same scare tactics, but since everything in the movie looked so damn creepy and demented, i for once didn't want the lead female to hurry up and open the basement door and get it over with.
The storyline is pretty decent. It's not an amazing concept or genuinely creepy on it's own. But it does a decent enough of a job to keep your interest and sell what your seeing unfold on screen. And it's safe to say that this is a very different take on your typical haunted house.
Bottom Line......holy crap, i just realized that this movie is only PG-13. Is it possible for a movie to be scary as hell and only be rated PG-13? The answer is yes, and this is a prime example of that. You know when a horror movie has done it's job? It's when it scares you both in the theater, and hours later when you try to sleep at night. Tonight, i will have lots of trouble sleeping. I can easily say that this will probably be the best horror movie of the year.
Surprisingly Good and Intense
The film Insidious has done something many horror movies have failed to do recently, and that is to be scary.
Insidious has a lot of really intense moments that scare, and then grab hold of you. Its not entirely made up of "make you jump" scenes, which it does have, but scenes with genuine horror.
Insidious has taken a risk with doing something original, and It works here for them. Without giving anything away the movie does not just talk about whats scary, or show the the aftermath of something going on in a room that you can only hear until its over and the door magically unlocks. Insidious shows you whats scary, and quite often reminds you whats there, and waiting in the dark.
Insidious has a lot of really intense moments that scare, and then grab hold of you. Its not entirely made up of "make you jump" scenes, which it does have, but scenes with genuine horror.
Insidious has taken a risk with doing something original, and It works here for them. Without giving anything away the movie does not just talk about whats scary, or show the the aftermath of something going on in a room that you can only hear until its over and the door magically unlocks. Insidious shows you whats scary, and quite often reminds you whats there, and waiting in the dark.
So scary....
When I first saw a preview for this movie, I knew it looked like it had potential. It had been a while since I saw a decent scary movie so I was looking forward to it. I went into it expecting some scares but nothing too bad. Wrong. This movie scared me out of my wits. I don't think I have ever jumped more during any other scary movie. The audience was spooked too. I saw many other people jumping out of their seats and even heard a few actual screams.
What I loved about this movie was that it actually tries to scare you, not gross you out. The images are frightening for sure. Insidious doesn't waste any time trying to creep you out. The scares already start with the opening credits. I sure was not expecting this to be one of the scariest movies i've seen but it lives up to that. That being said, I don't think I'd have the guts to see it again!
What I loved about this movie was that it actually tries to scare you, not gross you out. The images are frightening for sure. Insidious doesn't waste any time trying to creep you out. The scares already start with the opening credits. I sure was not expecting this to be one of the scariest movies i've seen but it lives up to that. That being said, I don't think I'd have the guts to see it again!
Starts well, but soon turns into a pantomime
INSIDIOUS is yet another one of those Hollywood ghost stories involving a possessed child. It follows a predictable format, with minor, isolated incidents gradually giving way to larger-scale, more pronounced apparitions and events before culminating in a full-scale onslaught of evil. And it's all rather silly.
I enjoyed the first half of the movie. It's here where things are kept subtle and straightforward, with effectively creepy scare scenes and half-glimpsed figures spotted lurking in darkened rooms. So far, so good. But around the halfway mark, the film introduces a trio of paranormal investigators and things quickly descent into POLTERGEIST-style farce.
The problem with depictions of a hellish limbo or netherworld is that, in order to make something scary, you have to pretty much identify with the different fears of each viewer. Sorry, but I don't find tussles with greasy-looking hobos and Darth Maul from THE PHANTOM MENACE to be particularly frightening; in fact, there's something pantomime about the whole thing.
The actors, including the dependable Rose Byrne and Patrick Wilson, do their best but at times in the latter stages they seem to struggle to keep a straight face while the ludicrous events increase in scale and speed. It's a shame that the whole thing goes to pot, because if it had been handled more sensitively (and with less sensationalism) by the team behind the SAW franchise then it could well have worked much better.
I enjoyed the first half of the movie. It's here where things are kept subtle and straightforward, with effectively creepy scare scenes and half-glimpsed figures spotted lurking in darkened rooms. So far, so good. But around the halfway mark, the film introduces a trio of paranormal investigators and things quickly descent into POLTERGEIST-style farce.
The problem with depictions of a hellish limbo or netherworld is that, in order to make something scary, you have to pretty much identify with the different fears of each viewer. Sorry, but I don't find tussles with greasy-looking hobos and Darth Maul from THE PHANTOM MENACE to be particularly frightening; in fact, there's something pantomime about the whole thing.
The actors, including the dependable Rose Byrne and Patrick Wilson, do their best but at times in the latter stages they seem to struggle to keep a straight face while the ludicrous events increase in scale and speed. It's a shame that the whole thing goes to pot, because if it had been handled more sensitively (and with less sensationalism) by the team behind the SAW franchise then it could well have worked much better.
Crazy how Insidious came out 13 years ago
I've seen some of this one awhile ago I don't remember much just figured I'd get caught up before the Insidious:Red Door comes out. I appreciate a lot of James Wan projects and Leigh Whannel is phenomenal! Patrick Wilson has also been great for last couple decades he works well with Rose Byrne. The flow and terror is much better than I could've imagined I'd agree with someone else better than Paranormal Activity. I'm surprised more don't appreciate James Wan he's great at his craft since Saw he's had some great movies and some that weren't as good I'd defiantly recommend this! The terror hit the spot especially with the tip toe song that's brilliant.
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
क्या आपको पता है
- ट्रिवियाThe film was shot in just three weeks.
- गूफ़(at around 14 mins) At the beginning when Dalton falls, after trying to turn the light on, Josh runs up to go see if he is okay. When Josh is sitting on the couch playing with his newborn his shirt is untucked, unbuttoned, and he has no tie on. When Josh reaches Dalton to pick him up, his shirt is tucked, buttoned, and has a tie on.
- भाव
Foster Lambert: I'm scared, Mom.
Renai Lambert: Scared of what?
Foster Lambert: Dalton. Can I change rooms?
Renai Lambert: Why would you want to change rooms?
Foster Lambert: I don't like when he walks around at night.
- क्रेज़ी क्रेडिटAfter the credits finish rolling, Philip Friedman as the Old Woman blows out his/her candle.
- कनेक्शनEdited into Diminishing Returns: Diminishing Returns Are Dead (2022)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Insidious?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- La noche del demonio
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $15,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,40,09,150
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,32,71,464
- 3 अप्रैल 2011
- दुनिया भर में सकल
- $10,01,06,454
- चलने की अवधि
- 1 घं 43 मि(103 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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