Badmaa$h Company

After taking a long deliberate gap from his acting assignments, Parmeet Sethi returns sporting the cap of a director, story-screenplay and dialogue writer. With his debut movie based on con acts practiced by a team of four, the actor turned director positively shows some sparks which may turn out to be more brighter in his future projects. But in his first attempt he only reaches a marginally acceptable level as the movie is unexpectedly slow and drags greatly post intermission.

Actually a project belonging to this particular genre of a thrilling con-movie, needs to be very fast, intelligent and exciting with some last moment gripping sequences in its every con-act, bringing the viewer to the edge of his seat. Unfortunately "Badmaash Company" hangs in between a good and average product because even when it has some well made plans unfolding on the screen, the narration fails to excite you enough to sit straight and take notice.

The various schemes thought of and executed by the group of four, move too smoothly without any surprises or minor hic-ups. Moreover in the first half, there is only one plan on which Shahid and his team goes on working differently which becomes monotonous and makes the viewer restless. In fact all those getup changes and interesting moments shown in the promos are entirely used in only one trick, tried with different vendors and customers in the first half. Post their first plan, all other cheating tricks, involving the repeated selling of a house and disposing the rejected lot of shirts towards the end are quite unbelievable in realistic terms. Besides this, I strongly felt the fun element missing in the narration, which is a must in such a project based on con-men.

Further, the second half dips drastically when the love & betrayal angle takes over in the script. As per the demand of the subject, this section should have been avoided or dealt in some other interesting way, not hampering the pace of the movie. For instance, the conflict between the group could have arise with a plan going wrong and they all escaping in different directions, blaming each other for the failure. But somehow our directors are habitual or forced to include the usual Indian emotional elements into the storyline irrespective of the fact that it's a con, heist or a murder mystery movie. Frankly speaking, I couldn't understand what was the need of the girl getting pregnant and still participating in the last plan carrying a large belly? Another worth mentioning point about this pregnancy sequence in the movie is that when Anushka discloses this to Shahid for the first time, then they both just start talking about The Baby Boy..!, taking his fresh breaths in the belly. Not even once they both discuss about the baby being A Girl. And that I think, clearly shows the Indian ancestral fantasy of a male child which is now being widely accepted, due to the boy-girl ratio going through some scary changes in the country.

Coming back to the movie itself, it's too easy to be a thrilling con-flick. With only few good performances you can't expect to play the trick with the viewers. Though Shahid is simply brilliant playing both the white and grey shades of his character, but he once again gets a not so good script to work upon. Anushka, looking for a serious image transformation, reveals a lot along with her fine acting, but she still doesn't look too sexy or inviting in those short outfits. Still the image shift will work for her for sure. Vir is fine but not great since he fails to make a mark with his funny one liners and comic scenes (except for one small in-flight sequence). But Meiyang, more famous for his Indian Idol act surprisingly delivers a polished debut performance and impresses. He is sure going to get some more assignments soon with his exceptional on screen presence. Among the veterans, Anupam Kher and Kiran Juneja get to play the same old parental drama seen many times before, whereas Pawan Malhotra is enjoyable with his Punjabi accent.

The other major drawback of "Badmaash Company" is its soundtrack with Preetam giving one of the most uninspiring scores of his career. The OST strongly points towards two things prevalent in the Industry.., One that the music directors tend to go partial with their selected projects and two, the director should himself have a good ear to extract some melodious compositions from his music director. The songs are a big letdown, especially if compared to an otherwise appealing cinematography capturing the foreign locations, casinos and lavish cars in a splendid style.

The debutant director Parmeet Sethi surely shows his capabilities of making it big in the near future. But in his debut project, he stumbles taking a mid-way path trying to cater all sections of the viewers in general. The movie could have been a different experience all together, if only it had a crispier script, concentrating mainly on its base theme of a con-team and had a few more enjoyable con-acts for the viewers. In all, it's once again a just OK movie coming from the big production house and Shahid Kapoor together. But I was really expecting a lot more from Parmeet.

As the name and tag line suggests there are bunch of guys who do some wrong but smart things to make the money and fulfill their dreams. So this Badmash company start their business with a nice and interesting trick. Till that time everything is good, but from here on the there is a gradual fall. Director unsuccessfully tries to impress audience with some more unrealistic and boring tricks and only one nice trick was not good enough, for two and half hour.

Indian director always underestimate their audience, and here again the same story. Sahid background voice explaining the tricks becomes annoying after a certain time. The second half of the movie drags too much and you will not be able to connect emotionally with any of the character. Sahid has done a average job, while Anushka performance is a let down. One or two song of the movie is good but as whole the music score of the movie by Pritam do not offer anything special. Overall Badmash company is neither a bankrupt company nor a fortune 500 company.

Not a fan of Bollywood movies I often have to be dragged to the viewing of a 3 hour song and dance fest which is usually a poor copy of a Hollywood flick. As a result, I expected very little from Badmash Company and what seemed like another predictable copy. Instead, Parmeet Sethi present an answer to Sodebergh's Ocean's 11. Sethi enlists the talents of a young and exciting cast that, uncharacteristically deliver in their performances. Sure, there is always room for improvement but as far as performances go, one must applaud their efforts especially that of Vir Das. Anupm Kher, in an almost cameo performance, gives the audience what they expect, a role that he makes his own and smacks out of the park.

Teen pin-up Shahid Kapur, in spite of his school boy features, comes through and gives a credible performance which is refreshing in an industry that is plagued with over acting. The uncharacteristically original plot starts to wear on and become clichéd three quarters in but manages to pull it back with an interesting twist at the end.

The attention to detail is impressive as a majority of facets are kept true to the time line in which the story takes place, such as video cassettes and not DVD's and the vintage stock exchange. Although this isn't consistent throughout the entire movie, it is a step in the right direction and once again, refreshing!

All in all, Badmash Company is a original plot, atypically directed and puts forth a cast that portray their characters convincing. Thanks to Sethi and the Cast, there is still hope for Bollywood!

So guys this one is a fresh concept of YRF. When I went to watch this movie, I thought this would surely be a copy of any Hollywood flick, but was surprised to see that it is not. Story is good, interesting and new, and ideas which Shahid follows to become rich was amazing. After complete success the thing that comes up is clash of the ego, which was the most let down point of the movie, and here Director was failed to show us the real ego factor between friends.... like it very much looks fake. If we talk about acting... then Shahid is superb and carry the entire film on his own... Anushka was just okay... Chang looks really confused. Vir Das was funny and give you great time to laugh. I liked his work after Mumbai Salsa. Overall movie is good and one time watch go for it and I am sure you guys really enjoy... I will give 7/10....

Film opens with voice-over by its hero Karan (Shahid) detailing its period. 1994, India, Bombay. He jokes that time it was Bombay and not Mumbai where he explains word FM meant Finance minister and not FM radio, cell phones existed only in science fiction, Mumbai-Delhi calls used to cost 90 Rs and not 90 paise over STD. This is the setting where we see India wasn't this free market and custom-duty was a bitch. I remember Anurag Kashyap blogging that story always needs its milieu. This one has got it.

Boy is from typical working class with father whose life he doesn't want live of 25 years sitting behind same desk. Fresh graduate topper believes gains of his efforts should be entirely his own and not of his boss or firm. Soon he devices a scam and gathers his crew to help the con. He is smart for sure. An idea to get away with custom duty. They buy foreign stuff cheap at Bangkok. There is a twist in the shipment which you better catch on screen. Then make phony scene refuse to claim the shipment leaving it in custom warehouses only to buy it back at customs auctions without custom duty now, so at scrap prices. Profits are huge.

Con is successful and crew is happy. Love-interest perky, bold, wannabe model Bulbul Singh (Anushka) with slang (f off) who while kissing hungrily inside car warns Karan, panting, this is not serious to which guy replies that should be my line yaar. Their romance connects well. Other two are rather two dimensional ones can be summarized – one is womanizer (Veer Das) other one is drunk (Chyang). Foursome makes good company till first half of the film. Really good.

But all is not always ends well. It's kind of perennial screw up, filmmakers continue to botch the second half of a promising film. Turning a fun-con into boring predictable morality lesson. Shifting story to US where new cons, more success, then success getting to head, egos, fights, alcohol, aiyaashi, inevitable break up. Protagonist learning lessons hard way. Papa don't preach or do it well.

When they stop having good time, how can we? Audience slowly realized film is sagging. "How much more is left?", someone asked sitting behind me. She was right though. But still for its better half it's not all bad company.