IMDb रेटिंग
6.4/10
1.4 लाख
आपकी रेटिंग
पॉट उत्पादकों ने बेन और चोन का सामना मैक्सिकन ड्रग कार्टेल के खिलाफ किया, जिन्होंने अपनी साझा प्रेमिका का अपहरण कर लियापॉट उत्पादकों ने बेन और चोन का सामना मैक्सिकन ड्रग कार्टेल के खिलाफ किया, जिन्होंने अपनी साझा प्रेमिका का अपहरण कर लियापॉट उत्पादकों ने बेन और चोन का सामना मैक्सिकन ड्रग कार्टेल के खिलाफ किया, जिन्होंने अपनी साझा प्रेमिका का अपहरण कर लिया
- पुरस्कार
- 7 कुल नामांकन
Aaron Taylor-Johnson
- Ben
- (as Aaron Johnson)
Nana Ghana
- Bicycle Delivery Girl
- (as Nana Agyapong)
फ़ीचर्ड समीक्षाएं
This was not a great movie. It could have been a great movie, but it was let down in two major ways.
First off, two of the three lead characters are awful. Blake Lively makes for good eye candy, but she just isn't a good actress. She's not bad in smaller supporting roles (like her part in The Town), but she simply cannot carry a lead. Unfortunately the entire film basically revolves around her (and she narrates), so her shortcomings are brought front and center. Every time her voice-over came on, I cringed. It really was not a good choice.
Taylor Kitsch is no better. Again... good eye candy, poor acting. Very poor acting. He just has no soul, and brings absolutely nothing to his character whatsoever. He should be in a brainless Fast & Furious movie playing opposite Vin Diesel, not an Oliver Stone drama.
The second major failure of this film is even more serious, and that is the story structure. We are never really given the opportunity to understand why the three lead characters (Chon, Ben and Ophelia) have such strong feelings for each other. We're told that they do, but never given any real reason to believe it. This is extremely important, because literally the entire premise of the film hangs on their relationship. If you're going to build a dramatic story around an unorthodox three- way relationship, you had better explain in more than one quick scene exactly how this relationship happened, otherwise the audience won't know why they should care about the characters. Especially when the actors portraying these characters aren't very good to begin with.
I know that I kept asking myself why these two guys share a girl, how they have absolutely zero jealousy, why they never once thought of double-crossing each other, and why either of them care so deeply for her -- to the point of being willing to risk their lives and commit horrible atrocities to save her. Where did all this love and loyalty come from? It was never adequately explained, and the entire movie suffers tremendously for it.
On a slightly more positive note, the veteran actors did a fine job. Benicio Del Toro was wonderful as a psychotic cartel underboss, John Travolta chewed the scenery to bits, and Salma Hayek was entirely believable in her role as well. Unfortunately, their competence only served to underscore the incompetence of the younger leads. It's telling that the best scene in the entire film was between Del Toro and Travolta, with none of the three lead actors anywhere to be found, and hinted at the promise this movie squandered.
A lot of reviews took issue with the violence portrayed in the film, but I didn't have a problem with that. You really can't make a movie about Mexican drug cartels without violence, so I didn't feel it was gratuitous. Unfortunately, however, it also didn't make the movie any more believable from a plot perspective.
Overall, I just don't think this was a very good film. I don't think that Stone felt entirely comfortable with what he was doing here, trying at times to be Tarantino but failing miserably. And likewise, I think that if this film had been in the hands of Tarantino or Robert Rodriguez, it likely would have come out much better, perhaps even great.
First off, two of the three lead characters are awful. Blake Lively makes for good eye candy, but she just isn't a good actress. She's not bad in smaller supporting roles (like her part in The Town), but she simply cannot carry a lead. Unfortunately the entire film basically revolves around her (and she narrates), so her shortcomings are brought front and center. Every time her voice-over came on, I cringed. It really was not a good choice.
Taylor Kitsch is no better. Again... good eye candy, poor acting. Very poor acting. He just has no soul, and brings absolutely nothing to his character whatsoever. He should be in a brainless Fast & Furious movie playing opposite Vin Diesel, not an Oliver Stone drama.
The second major failure of this film is even more serious, and that is the story structure. We are never really given the opportunity to understand why the three lead characters (Chon, Ben and Ophelia) have such strong feelings for each other. We're told that they do, but never given any real reason to believe it. This is extremely important, because literally the entire premise of the film hangs on their relationship. If you're going to build a dramatic story around an unorthodox three- way relationship, you had better explain in more than one quick scene exactly how this relationship happened, otherwise the audience won't know why they should care about the characters. Especially when the actors portraying these characters aren't very good to begin with.
I know that I kept asking myself why these two guys share a girl, how they have absolutely zero jealousy, why they never once thought of double-crossing each other, and why either of them care so deeply for her -- to the point of being willing to risk their lives and commit horrible atrocities to save her. Where did all this love and loyalty come from? It was never adequately explained, and the entire movie suffers tremendously for it.
On a slightly more positive note, the veteran actors did a fine job. Benicio Del Toro was wonderful as a psychotic cartel underboss, John Travolta chewed the scenery to bits, and Salma Hayek was entirely believable in her role as well. Unfortunately, their competence only served to underscore the incompetence of the younger leads. It's telling that the best scene in the entire film was between Del Toro and Travolta, with none of the three lead actors anywhere to be found, and hinted at the promise this movie squandered.
A lot of reviews took issue with the violence portrayed in the film, but I didn't have a problem with that. You really can't make a movie about Mexican drug cartels without violence, so I didn't feel it was gratuitous. Unfortunately, however, it also didn't make the movie any more believable from a plot perspective.
Overall, I just don't think this was a very good film. I don't think that Stone felt entirely comfortable with what he was doing here, trying at times to be Tarantino but failing miserably. And likewise, I think that if this film had been in the hands of Tarantino or Robert Rodriguez, it likely would have come out much better, perhaps even great.
There are many bad things about this movie, but let's list the good things first. The plot makes sense, kind of. It's nicely shot, and the beach looked pretty. And... I guess John Travolta looked as though he was having fun? Which is more than I could say for the poor buggers who had to sit through this mess.
Your two leads, ladies and gentlemen, are Aaron Johnson, last seen being upstaged by a preteen girl, and Taylor Kitsch, who Hollywood keeps casting as the lead in blockbusters which then tank spectacularly at the box office. You know why that is, Hollywood? It's because Taylor Kitsch has no charisma. None. The furniture was more interesting than he was, and had more emotional range. Even he's better than Johnson, a black hole of tedium from which nothing interesting can escape. These are two of the blandest leads I've ever seen, and I've seen movies that starred rappers.
But dear God in heaven, they are much, much better than Blake Lively. I haven't seen much else of her acting, so I can only think she can do much better than this. But here she's playing a 30-year-old ingénue, a woman-child who knows Shakespeare but doesn't know what 'savages' means. She's meant to be sexy and alluring, but she comes across as so boundlessly stupid that no man could seriously find her attractive. I don't think that's her fault, but the no-nudity clause that made the sex scenes in this movie so absurd? Yeah, that was her fault.
Even that isn't the worst. There's still... that voice-over. The narration that infests this whole movie, but especially the early scenes, is some of the worst writing I've ever heard. 'I had orgasms, he had wargasms' is a phrase that will live with me until I die. And now, even if you haven't seen the movie, it'll haunt your nightmares, too. You're welcome.
Your two leads, ladies and gentlemen, are Aaron Johnson, last seen being upstaged by a preteen girl, and Taylor Kitsch, who Hollywood keeps casting as the lead in blockbusters which then tank spectacularly at the box office. You know why that is, Hollywood? It's because Taylor Kitsch has no charisma. None. The furniture was more interesting than he was, and had more emotional range. Even he's better than Johnson, a black hole of tedium from which nothing interesting can escape. These are two of the blandest leads I've ever seen, and I've seen movies that starred rappers.
But dear God in heaven, they are much, much better than Blake Lively. I haven't seen much else of her acting, so I can only think she can do much better than this. But here she's playing a 30-year-old ingénue, a woman-child who knows Shakespeare but doesn't know what 'savages' means. She's meant to be sexy and alluring, but she comes across as so boundlessly stupid that no man could seriously find her attractive. I don't think that's her fault, but the no-nudity clause that made the sex scenes in this movie so absurd? Yeah, that was her fault.
Even that isn't the worst. There's still... that voice-over. The narration that infests this whole movie, but especially the early scenes, is some of the worst writing I've ever heard. 'I had orgasms, he had wargasms' is a phrase that will live with me until I die. And now, even if you haven't seen the movie, it'll haunt your nightmares, too. You're welcome.
If I was asked for one word to sum up this film it would be - Naïve.
Every character in this movie is clueless as to how the rest of the world operates and seems to live in their own eternal bliss of their microcosmic world. This in itself made the film very hard to relate to.
I have been an Oliver Stone fan for years, holding out hope that Natural Born Killers will someday be recognized for the art it is, however, this film was his "popcorn flick," and left me sorely disappointed. Acting was sub-par (even del Toro seemed to phone in some scenes and I have the utmost respect for his ability), the direction was sporadic and jumped from bubblegum to blitzkrieg in a matter of frames.
Save your precious two hours and watch Sicario or Traffik or The Adventures of My Little Pony in Juarez.
Every character in this movie is clueless as to how the rest of the world operates and seems to live in their own eternal bliss of their microcosmic world. This in itself made the film very hard to relate to.
I have been an Oliver Stone fan for years, holding out hope that Natural Born Killers will someday be recognized for the art it is, however, this film was his "popcorn flick," and left me sorely disappointed. Acting was sub-par (even del Toro seemed to phone in some scenes and I have the utmost respect for his ability), the direction was sporadic and jumped from bubblegum to blitzkrieg in a matter of frames.
Save your precious two hours and watch Sicario or Traffik or The Adventures of My Little Pony in Juarez.
Best friends Chon (Kitsch) and Ben (Johnson) are genius pot dealers in Laguna. One of them is more of a "save the universe" type guy and holds a degree in Business and Botany. Yes, pot heads in High Schools everywhere just rejoiced "It's a real thing!" and the other one, suffering from anger issues stemming from tours in Iraq takes care of the "beating the crap out of people when necessary" aspect. Oh yeah, they also share a girlfriend. (Awkward right?), her name is O (Lively). No really it is I swear. Anyways, moving on because we have to, these two guys have made some of the best pot known to man and have made millions from it. (Still can't find their own girlfriend though, just saying). Everything is going great as they take turns with their shared girlfriend (still weird) in their huge beach house when the Mexican drug cartel decides they want to be partners. This actually stands for "We own you now and you know you like it." Ben and Chon don't really feel like being De-decapitated so they decide to make a go of living in a jungle somewhere until Elena (Hayeck) the ruthless lady leader of the cartel has O kidnapped.
So are you over the fact that our two heroes share a girl yet? OK good, because I'm not either. This is one of those films that can only be enjoyed if you can let go of a few things. The whole film is narrated by O in her stoned and lazy version of her "OMG you guys I am so high right now" voice. She is a lot like her role in The Town only without the Boston accent. She is really annoying as a character and it's kind of hard to feel bad for her much less root for her. This is one of the things you have to let go of to enjoy the film. Ben and Chon worked well because they are the exact opposite to one another yet somehow have the respect for each-other to get along despite their constant different point of views. Kill everybody or run away. Ben was almost as annoying as O because he was always whining and psycho-analyzing everything. I found Chon to be my favorite of the three because he seemed to be the only one who just wanted to actually get things done and blow up some stuff while everyone else talked and talked some more.
Villains make films though and despite the awkwardness and UN-likability of some of the lead roles the bad guys were sinister, relentless and kind of funny at times. One interaction between Elena's ruthless right hand man Lado (Del Toro) and out for himself FBI agent Dennis (Travolta) in particular was tense and humorous at the same time. Travolta was surprisingly great in this film as he looked like his old self and I was pleased to see he had a larger part in the film than anticipated. Elena had a well written back story as well as the bad guys, while certainly crude enough to hate were interesting enough to steal the flick.
Savages UN-intentionally gives us no-one to root for and may even get on your nerves for a moment or two with its anything goes mentality. There is no doubt however, that it has some great action sequences, well written dialog (minus a few horrendous lines by O's character), strong acting by a strong cast and is an all-around well-made film all the way up until it's absolutely dreadful crash and burn of an ending. I won't give anything away here but let's just say this ending is a problem. It felt as though the Director had a decent ending for a good film but wanted some attention so badly that he was willing to ruin his own movie to do so. You don't always have to be edgy and cute. Sometimes playing things straight up is what's best.
So are you over the fact that our two heroes share a girl yet? OK good, because I'm not either. This is one of those films that can only be enjoyed if you can let go of a few things. The whole film is narrated by O in her stoned and lazy version of her "OMG you guys I am so high right now" voice. She is a lot like her role in The Town only without the Boston accent. She is really annoying as a character and it's kind of hard to feel bad for her much less root for her. This is one of the things you have to let go of to enjoy the film. Ben and Chon worked well because they are the exact opposite to one another yet somehow have the respect for each-other to get along despite their constant different point of views. Kill everybody or run away. Ben was almost as annoying as O because he was always whining and psycho-analyzing everything. I found Chon to be my favorite of the three because he seemed to be the only one who just wanted to actually get things done and blow up some stuff while everyone else talked and talked some more.
Villains make films though and despite the awkwardness and UN-likability of some of the lead roles the bad guys were sinister, relentless and kind of funny at times. One interaction between Elena's ruthless right hand man Lado (Del Toro) and out for himself FBI agent Dennis (Travolta) in particular was tense and humorous at the same time. Travolta was surprisingly great in this film as he looked like his old self and I was pleased to see he had a larger part in the film than anticipated. Elena had a well written back story as well as the bad guys, while certainly crude enough to hate were interesting enough to steal the flick.
Savages UN-intentionally gives us no-one to root for and may even get on your nerves for a moment or two with its anything goes mentality. There is no doubt however, that it has some great action sequences, well written dialog (minus a few horrendous lines by O's character), strong acting by a strong cast and is an all-around well-made film all the way up until it's absolutely dreadful crash and burn of an ending. I won't give anything away here but let's just say this ending is a problem. It felt as though the Director had a decent ending for a good film but wanted some attention so badly that he was willing to ruin his own movie to do so. You don't always have to be edgy and cute. Sometimes playing things straight up is what's best.
I know of acclaimed director, Oliver Stone, who released one stylish, deep-thinking, gritty classic film after another. Now, we find that someone else has only gone and stolen his name and is releasing films, pretending to be him... oh, wait, my mistake - it IS Oliver Stone.
Perhaps, Oliver Stone has suffered a nasty knock to the head recently and been duped into taking on this film when he wasn't thinking straight? Or maybe he was kidnapped by aliens and replaced with an identical clone who makes this sort of movie. Either way, it's hard to believe that the man who made Platoon, JFK and Natural Born Killers would stoop so low. Actually, that's unfair. If you're into gangster-type films and you just so happened to watch this, you may think it wasn't that bad. Nothing brilliant, but certainly not rubbish. And you'd be right. However, it's an OLIVER STONE film, therefore with that sort of quality name attached to it, you just expect much more.
It's about a trio of drug dealers (two men and one woman), all of which are 'in love.' Then, one day their threesomes are interrupted by a nasty ol' Mexican cartel demanding they take over their business. Then, to make matters worse, the Cartel Cliché only go and kidnap the two guys' girl, leaving them with no one for their ménage a trois. Therefore, they have to go on a rampage to get her back.
Now, this set-up leaves us with some awkward questions. First of all the three 'heroes' are all drug dealers. They live a carefree and lavish lifestyle and it's hard to give a damn whether they get completely wiped out by the Mexicans or not. Secondly, the girl (or Blake Lively) is possibly the most annoying on-screen character this side of Jar Jar Binks. The whole first half hour of the film is taken up with her voice-over, making her come across as a voice in your head which just won't go away. Then, even when she does get kidnapped, she starts complaining about the accommodation and food the drug dealers are offering. Seriously... if I was those two guys I would have placed an add for a new threesome partner online and left her to the Mexicans a long time ago!
Plus the film is long. It tries to be epic, but it does drag in places. Then you have John Travolta, popping up occasionally to majorly overact. To counter this you have the - normally excellent - Benicio Del Toro coming across as if he's half asleep.
Don't get me wrong, the film isn't bad. There are a few cool scenes to make you sit up and take notice, but the whole package just seems a bit underdeveloped and not worthy of Oliver Stone's name.
If you really like gangster/drug deal films, then give it a go - you might like it. But, a lot of criticism has been poured on its ending. I won't give anything away, but I'll certainly say it's novel. You'll either love it or hate it.
Perhaps, Oliver Stone has suffered a nasty knock to the head recently and been duped into taking on this film when he wasn't thinking straight? Or maybe he was kidnapped by aliens and replaced with an identical clone who makes this sort of movie. Either way, it's hard to believe that the man who made Platoon, JFK and Natural Born Killers would stoop so low. Actually, that's unfair. If you're into gangster-type films and you just so happened to watch this, you may think it wasn't that bad. Nothing brilliant, but certainly not rubbish. And you'd be right. However, it's an OLIVER STONE film, therefore with that sort of quality name attached to it, you just expect much more.
It's about a trio of drug dealers (two men and one woman), all of which are 'in love.' Then, one day their threesomes are interrupted by a nasty ol' Mexican cartel demanding they take over their business. Then, to make matters worse, the Cartel Cliché only go and kidnap the two guys' girl, leaving them with no one for their ménage a trois. Therefore, they have to go on a rampage to get her back.
Now, this set-up leaves us with some awkward questions. First of all the three 'heroes' are all drug dealers. They live a carefree and lavish lifestyle and it's hard to give a damn whether they get completely wiped out by the Mexicans or not. Secondly, the girl (or Blake Lively) is possibly the most annoying on-screen character this side of Jar Jar Binks. The whole first half hour of the film is taken up with her voice-over, making her come across as a voice in your head which just won't go away. Then, even when she does get kidnapped, she starts complaining about the accommodation and food the drug dealers are offering. Seriously... if I was those two guys I would have placed an add for a new threesome partner online and left her to the Mexicans a long time ago!
Plus the film is long. It tries to be epic, but it does drag in places. Then you have John Travolta, popping up occasionally to majorly overact. To counter this you have the - normally excellent - Benicio Del Toro coming across as if he's half asleep.
Don't get me wrong, the film isn't bad. There are a few cool scenes to make you sit up and take notice, but the whole package just seems a bit underdeveloped and not worthy of Oliver Stone's name.
If you really like gangster/drug deal films, then give it a go - you might like it. But, a lot of criticism has been poured on its ending. I won't give anything away, but I'll certainly say it's novel. You'll either love it or hate it.
क्या आपको पता है
- ट्रिवियाChon cutting a guard's artery with a knife while asking for the time was one of the tactics told to Taylor Kitsch by his real life SEAL technical advisor.
- गूफ़After Chon stabs Dennis' hand, the scar appliance on Chon's right neck has torn away from his skin.
- इसके अलावा अन्य वर्जनThe Region 1 and Region A Blu-ray have a extended edition of the film.
- कनेक्शनFeatured in The Tonight Show with Jay Leno: एपिसोड #20.161 (2012)
- साउंडट्रैकGo Hawaii
Written by Erik Paul Kowalski/Casino Versus Japan
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Những Kẻ Man Rợ
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,73,82,068
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,60,16,910
- 8 जुल॰ 2012
- दुनिया भर में सकल
- $8,29,66,152
- चलने की अवधि
- 2 घं 11 मि(131 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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