IMDb रेटिंग
7.1/10
8.8 हज़ार
आपकी रेटिंग
पड़ोसियों और बचपन के दोस्तों के बीच की एक प्रेम कहानी, जब वह लोग कॉलेज जाते हैं और एक नए व्यक्ति से मिलते हैं तो उनके रिश्ते का क्या होता है.पड़ोसियों और बचपन के दोस्तों के बीच की एक प्रेम कहानी, जब वह लोग कॉलेज जाते हैं और एक नए व्यक्ति से मिलते हैं तो उनके रिश्ते का क्या होता है.पड़ोसियों और बचपन के दोस्तों के बीच की एक प्रेम कहानी, जब वह लोग कॉलेज जाते हैं और एक नए व्यक्ति से मिलते हैं तो उनके रिश्ते का क्या होता है.
- पुरस्कार
- 12 जीत और कुल 8 नामांकन
Saikumar Babloo
- Anand school friend
- (सिर्फ़ क्रेडिट)
फ़ीचर्ड समीक्षाएं
10kavaldar
Such a beautiful love story. I have ever seen this movie is a love story that has affected my mind a lot and made my mind go wild.sometimes we are the puppets of time without realizing it even if we have it,Director Sai Rajesh bows to you A. No matter how many times i have listened to music Director Vijay Bulganin's "O Rendu Prema Meghalila" and "Devaraja sevya ".i am a big fan of Anand Devarakonda and Vaishnavi Chaitanya wow i am a dumbfounded by the performance of both of them.maybe i can't get out of this hump as long as i have breath. This movie haunted me,the story line of the second part this movie is in my mind.
The movie shows women in bad light and is a bad influence on youngsters. It shows as if there is no life without love which isn't true. It shows romance at school going age when society is already struggling with rise of romance is school going kids, and related suicides etc. This is what happens when irresponsible and immature directors make movies. The characterization of characters in the movie is bad, except for Anand Devarakonda's. Vaishnavi Chaitanya's role is really bad. Overall, very disappointed by the movie. A must avoid. And something you can't watch with family. Bad influence. Avoid.
My cousin being a financier heard a lot of auto guy stories I feel like director did good job representing the feelings and mindset of anand.
Seeing many trolls and feminists getting hurt by the movie, I think the director doesn't need to explain or justify any of the scenes. All the characters are grey and we will feel some empathy to each one of them.
Even the heroine's mother and father are flawed in a way. Bad choices and bad friends will surely effect our life it was well portrayed and laid out in the film. Calling her the L word might offend some people but we have to remember that anand is a 10th fail auto driver and thats how he will be in real life. Anands mother dying is very emotional and the way he was fed up with his choices was well written and performed.
But atleast one last line best rani character ka award banakar vaishnavi ko de Diya Jaye 😂😂😝😝
Seeing many trolls and feminists getting hurt by the movie, I think the director doesn't need to explain or justify any of the scenes. All the characters are grey and we will feel some empathy to each one of them.
Even the heroine's mother and father are flawed in a way. Bad choices and bad friends will surely effect our life it was well portrayed and laid out in the film. Calling her the L word might offend some people but we have to remember that anand is a 10th fail auto driver and thats how he will be in real life. Anands mother dying is very emotional and the way he was fed up with his choices was well written and performed.
But atleast one last line best rani character ka award banakar vaishnavi ko de Diya Jaye 😂😂😝😝
Director Sai Rajesh presents "Baby," a poignant yet relatable tale that mirrors real-life experiences, making it a worthwhile watch. However, the movie falters in its second half, hampering its overall impact. Nonetheless, it still holds potential for a one-time viewing.
Sai Rajesh weaves a heartrending narrative that tugs at the heartstrings while remaining relevant to contemporary audiences. The first half captivates with its relatable and entertaining content, building up to a captivating interval. Unfortunately, the second half suffers from erratic pacing, unnecessarily dragging certain scenes. Viraj Ashwin's character arc feels underdeveloped and abruptly abandoned, lacking proper closure. The climax, although emotionally powerful, may not resonate universally, contrasting with the film's initial entertainment value. Moreover, the director's handling of the second half appears disjointed and needlessly prolonged.
Vijai Bulganin's exceptional background score enhances the storytelling, adding depth and enjoyment to specific sequences. The cinematography impresses, and the production values are high, although the editing could have improved, particularly in terms of pacing during the second half.
Anand Deverakonda exhibits significant growth as an actor, skillfully portraying the nuanced emotions of his character. He excels in emotional scenes, evoking genuine empathy. Vaishnavi Chaitanya delivers a spectacular performance, fully immersing herself in her character and flawlessly depicting her various emotions and transformations. Her portrayal exhibits commendable depth. In a central role, she shines brightly, leaving no room for disappointment. Viraj Ashwin delivers a solid performance, although he could have delved deeper into emotional scenes. While the supporting cast performs well, Naga Babu and Viva Harsha's potential feels underutilized.
Sai Rajesh weaves a heartrending narrative that tugs at the heartstrings while remaining relevant to contemporary audiences. The first half captivates with its relatable and entertaining content, building up to a captivating interval. Unfortunately, the second half suffers from erratic pacing, unnecessarily dragging certain scenes. Viraj Ashwin's character arc feels underdeveloped and abruptly abandoned, lacking proper closure. The climax, although emotionally powerful, may not resonate universally, contrasting with the film's initial entertainment value. Moreover, the director's handling of the second half appears disjointed and needlessly prolonged.
Vijai Bulganin's exceptional background score enhances the storytelling, adding depth and enjoyment to specific sequences. The cinematography impresses, and the production values are high, although the editing could have improved, particularly in terms of pacing during the second half.
Anand Deverakonda exhibits significant growth as an actor, skillfully portraying the nuanced emotions of his character. He excels in emotional scenes, evoking genuine empathy. Vaishnavi Chaitanya delivers a spectacular performance, fully immersing herself in her character and flawlessly depicting her various emotions and transformations. Her portrayal exhibits commendable depth. In a central role, she shines brightly, leaving no room for disappointment. Viraj Ashwin delivers a solid performance, although he could have delved deeper into emotional scenes. While the supporting cast performs well, Naga Babu and Viva Harsha's potential feels underutilized.
"Baby" (2023) is a Telugu film that reveals the harsh reality of today's women. The movie shows how modern women are more interested in financial gains and easy lives rather than true love and emotional connections. They use men for their money and convenience, only to discard them when they are no longer useful.
The film tells the story of a love triangle, highlighting how women are driven by materialistic desires. The female characters in "Baby" are depicted as gold diggers who prioritize a man's wealth over genuine affection. This portrayal resonates with the experiences many men face today, where relationships are seen as opportunities for women to secure financial stability.
"Baby" is a must-watch for anyone who wants to understand the true nature of contemporary women. It boldly shows that for many women, love is secondary to the financial benefits a man can provide. This movie is an eye-opener, reflecting the sad reality of how women manipulate and use men in today's society.
The film tells the story of a love triangle, highlighting how women are driven by materialistic desires. The female characters in "Baby" are depicted as gold diggers who prioritize a man's wealth over genuine affection. This portrayal resonates with the experiences many men face today, where relationships are seen as opportunities for women to secure financial stability.
"Baby" is a must-watch for anyone who wants to understand the true nature of contemporary women. It boldly shows that for many women, love is secondary to the financial benefits a man can provide. This movie is an eye-opener, reflecting the sad reality of how women manipulate and use men in today's society.
क्या आपको पता है
- कनेक्शनReferenced in Sarkaar: Sarkaar 3 Episode 12 (2023)
- साउंडट्रैकO Rendu Prema Meghaalila
Composed by - Vijay Bulganin
Lyrics by - Anantha Sriram
Performed by - Sreerama Chandra
Duration - 5:14
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Baby?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- ₹10,00,00,000(अनुमानित)
- दुनिया भर में सकल
- $55,115
- चलने की अवधि
- 2 घं 55 मि(175 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें