योद्धा

Okay so i am not a critic or anyone to judge but the movie just lacks to show any relation, As it can be like the father son that father gas created the task force which is yodha and son is working but it doesn't connect to us;and from mother son no relation is connected;same goes with the husband wife.

From my pov it can be shown that father is not dead but son does a mistake and yodha the task force is dismissed and now his father as well as others will be disappointed with him and now he have to save it and in the climax which is shown un the movie the last scene where hero comes alive should be a different climax where hero should be dead and now just imagine what will it be like.. Please it's just my pov as we have this type of cinema and we want to see something different,, so if i have hurted anyone's sentiments then I'm sorry 😐😐

Story : The story of the movie is quite good. Not so good and not so bad.

Screenplay : The entire movie is good except for the climax scene. There are some illogical and unrealistic scenes.

The action scene during the 360 degree turn of the plane was amazing.

Not everyone's performance was good. Music is very bad Background score - Needless to say Movie length - Another five to ten minutes of scenes could have been cut Negative point : The climax scene in the movie is completely unrealistic and illogical

Entertainment was somewhat lacking in the movie. There are much better movies to watch than this one.

Every country has its special forces, and I'm sure every nation on Earth likes to think that theirs are a bit more special than most. Yodha seems to be the Indian version of the SAS (whether they really are, or were made up for the film, I don't know).

Just about every film about special services centres round an inividual who's jolly good at killing bad guys, but whose disregard of protocol annoys his superiors. Then an operation goes wrong (not our hero's fault, but he's conveniently placed to take the blame). He's suspended.

Then the film moves to the main event. Our hero is drawn into something really big. Not only that, he's set up to make it look as though he's gone rogue, so that even his former comrades are out to get him. Yada, yada yada, shoot-out, big explosion, guess who saves the day and is reinstated?

It's a tried and trusted formula, which needs a certain amount of style to lift it out of the very ordinary. James Bond has this style; John Wick has this style; Arnie had it in his earlier films. Yodha doesn't.

The fight scenes are well-choreographed, but the pulse doesn't race. The twists aren't too difficult to see coming; the hero's relationship problems are a yawn.

This isn't a bad film, but it's formulaic, predictable and - for all its action sequences - pedestrian. Oh, and the villain's disappointingly short on charisma.

This is also the first film I've seen that had an actual interval in the cinema since Chitty Chitty Bang Bang.

Don't raise your expectations for this recent addition to the lineup of patriotic action films. While Yodha may not soar to the heights of a Shershaah, this Sidharth Malhotra starrer manages to engage and take audiences on a ride through a predictable yet gripping hijacking scenario. The film offers a decent ride for fans of the genre, with enough action and intrigue to keep audiences engaged throughout its runtime.

The first half navigates its storyline with a fair share of exciting moments and twists. While the mid-air stunts deliver the anticipated adrenaline rush, the plot struggles to maintain the same level of engagement. One of the film's strengths lies in its editing, ensuring a tight narrative that never feels stretched despite its turbulence. The background score seamlessly complements the genre, enhancing the overall viewing experience.

Sidharth Malhotra, in his uniform-clad avatar, with his striking presence delivers a commendable performance, particularly in the action sequences. Raashii Khanna and Disha Patani, add their own flavors to the mix, with Raashii initially impressive but her character was not written well, while Disha shines brighter in the latter half of the film. Sunny Hinduja also deserves a nod for his confident portrayal, though other supporting actors deliver just passably.

Direction 3/5 Acting 3/5 Action 3.5/5 Story 2.5/5 Screenplay 3/5.

If I were asked to summarise Yodha in a single word, it would be generic. The protagonist is a disobedient and impulsive army official who can do no wrong and can single-handedly fend off heavy artillery with ease. The antagonists are paper-thin characters whose sole purpose is to spread terror and capture Kashmir(of course!). The action sequences are steeped in nationalism, patriotism and machismo. Oh, and not to mention the physics-defying superhuman stunts. If these are the qualities you are looking for in a movie, have at it, but its tiresome to see the lack of novelty and artistry in Bollywood action films today.

Let us give credit where its due - Siddharth Malhotra is by far the strongest asset of the film, and has a natural aura and charisma that is palpable every time he is onscreen, whether he is punching and shooting his way through the barrage of terrorists raining down on him or sharing a heartfelt moment with his wife. His sheer commitment to the role of Arun Katyal may compel you to forgive some of the nonsensical aspects of the plot. The action is also choreographed and shot surprisingly well, especially considering the modest budget of the movie.

Unfortunately, the rest of the cast does not match Malhotra's level of performance. Disha Patani plays Laila, an air hostess aboard the hijacked flight and reaffirms that her acting isn't still on par with her beauty. Rashi Khanna looks and feels clueless in her performance as Priya Katyal, Arun's wife. The rest of the supporting cast is also disappointing.

The writing is undeniably formulaic and predictable. There is some intrigue and suspense that is established towards the end of the first half of the film. I was interested to see the direction in which the second half would go. Disappointingly, the second half is as predictable as it gets. Attempted twists that fall flat, action that gets tedious as the film progresses and the dialogue is inexcusably bad. It all felt like a missed opportunity to create something genuinely different and unique.

Overall, Yodha is a forgettable aerial thriller that is saved by Siddharth Malhotra's charismatic performance and some decently filmed action.