The Chicago Code

Delroy Lindo makes it for me - he definitely demonstrates that a character can be both slithery and seductive (dare I say EVIL?), just like T-Bag in Prison Break.

I appreciate the potential for cutting character development between the prime detective and his (potentially) ever-changing partner, but I still reserve judgment on the female lead. She definitely deserves the chance to prove herself (JB needs to dissolve type-casting), but her physical presence so far does not match what her Chicago Code job description demands.

The plots are engaging, and the corruption believable. Thus far I am engaged, and I am sincerely rooting that the show continues to be WOWable.

Then FOX cancel it! Why? Because it did not appeal to the younger generation? What on earth does that mean? The rest of us didn't matter?

Pretty soon, nobody will watch series, as we all know, TV companies will do what they want. None of us matter.

Police procedural drama at it's best! AWESOME!!!!!! From Sean Ryan (The Shield). Ryan's penned most of the episodes himself. Highly stylized, very commercial and easily accessible. Snappy dialogue, interesting use of narration and strong performances help elevate this show to programed viewing.

I felt the need to post this review (my first on IMDb) after reading the 1/10 review posted by a former member of the Chicago Police Force. Although I echo his sentiments that this show is not an accurate depiction of life on the streets of Chicago and I can see where real police officers might take offence; this is a prime-time network COP show. Surely this show is not nearly as offencive as CSI Miami is to crime scene investigators or how Michael Bay spat in the faces of WWII vets with his shocking "Pearl Harbor" (Thank god he's been restricted to playing with his toy robots and is no longer toying around with history).

Yes! It's highly sensationalized, over the top and not in any way true to life... BUT... That doesn't mean it doesn't rock. David Simon's "The Wire" was real political commentary that strove for gritty realism. It addressed real problems and suggested real solutions. THIS IS NOT "THE WIRE". High level corruption, the Irish mob and dirty cops are mere plot devices used to raise the stakes for our idealistic heroes. It's Hollywood drama boxed into 42 minutes or less a week. It's polished TV with great production value and lush exterior photography (filmed on location, unlike the creepy CSI labs that scream POORLY LIT STUDIO SET).

TV vet. and character actor Jason Clarke rocks! He embodies and breaths life into an otherwise over the top character. Jarek Wysocki (a man of true grit) is as unforgettable a character as Vic Mackey ("The Shield"). Sean Ryan is a great writer. His strength as a writer is in fleshing out overly romanticized heroes and anti-heroes. Realism and political commentary are secondary to character development. His dialogue and banter shine. Finally a network TV show that doesn't center itself around weekly licensed music montages (CSIs/Grey's Anatomy/Smallville/House = worst offenders).

Hair, make-up and costume departments need to tone things down. Cars and clothes are too new and far to expensive for honest, incorruptible public servants. A little more grit would serve this show well. The show's off to a great start. Let's hope they can keep the ball rolling.

My wife and I are very picky about the types of shows we watch, especially when it comes to crime dramas. They are a dime a dozen.

So, I went in to last night's episode with great skepticism and my finger ready to hit a different channel at a moment's notice.

But from the very beginning, this show grabbed us. Who cares if it is not "realistic" based on some anonymous Chicago cop review? It's a fictional drama. The show is well-casted, great dialogue, and a good storyline.

I love the narration by the different characters and the unexpected ending of the initial pilot that makes you connect with the characters and anticipate the next episode.

So far, so good.

This show is just going to get better and better. How do I know that? Because Jason Clarke, who played Red in Johnny Depp's Dillinger movie "Public Enemy" and also played the "good" political brother on the series "Providence" is a wonderful actor and Jennifer Beals and DelRoy Lindo aren't too shabby, either. Plus, you've got Chicago, the city of big shoulder and beautiful skylines. As creator Shawn Ryan (who grew up in nearby Rockford) said: "Chicago is the center of the universe." And, as the script on Tuesday, February 7, premiere night, put it: "If you can't love Chicago, you can't love anything. This city survived the Chicago fire and ended up building the world's most beautiful skyline. If it's one thing Chicago knows, it's how to hit back." The city of Chicago is a big part of this storyline, as many of the scenes were filmed in the streets and alleys and byways (my son walked in on one in a Bridgeport bar last summer). Trust me: This series is only going to get better and better. The anti-profanity cop who changes partners almost daily. The crusading female police Superintendent who came up as a beat cop. The 114 real Chicago policemen who have appeared in episodes so far: they're all going to come through, as long as the writing continues to have lines like, "Why are you sweating like we just entered you in a spelling bee." (See my full review at Associated Content).